John H. Bellamy Carved Masonic Clock 

circa 1880

The clock is 14 1/2 inches tall. The walnut front is obviously hand carved with the iconography of Freemasonry. I have a close up of a column capital. Each is topped with a single punched star. It's that kind of silly little bit of detail that I love. There are 2 glazed spun brass glazed bezels. The paper dial is replaced. The bezel and dial pan are absolutely original as is the lower bezel.

  

 The movement is housed in essentially a box with a round top (kerf cut pine and then covered with walnut veneer) which is screwed to the decorative front. The movement is a somewhat interesting unsigned round brass plate 8 day time only movement with a steel spring. For a virtually identical movement, please see Tran's first edition "Welch" book, page 166, figure 344. I suspect the screws stripped out of the rather flimsy back board so that now the movement is attached with brass screws and nuts. Not elegant, but definitely preferable to repositioning the movement or moving the mounting "feet" thus creating extra holes of which there are none. Based upon the foot print on the back board, I have no doubt as to the originality of the movement.

 The inner backboard bears a printed paper label for EN Welch. There is a small paper label on the outer backboard as well.

Here is a carved Clock frame with Masonic symbolism and is circa 1880.  The clock includes the name, "J.H. Bellamy."  The Masonic symbols have been cleverly arranged to simulate armorial devices.

Fraternal organizations have played a significant role in the history of America. The use of the iconography of these organizations in the decorative arts has been a significant aspect of the material culture of America through the centuries.

Free Masonry is one of those organizations. The use of Masonic imagery can be found in virtually all of the decorative arts of America including clocks and watches. To see an excellent website with examples of decorative and utilitarian objects incorporating Masonic symbols, click here .

John Haley Bellamy was a wood carver from Kittery, ME. He was active in the latter 1/2 of the 19th century into the early 20th. He is best known for his ship carving and his decorative eagles which in today's folk art market can bring large sums of money. For more about him, please see Yvonne Brault Smith's excellent book, John Haley Bellamy:Carver of Eagles, probably the best reference about the oeuvre of this important American wood carver. The objects he created are highly sought after by folk art collectors.

Bellamy is known to have carved objects, especially frames, replete with Masonic symbols as the main decorative elements. See the above reference, website and the picture below for examples of the frames. The one I posted is in my own collection and a picture of it's twin, from the collection of The Museum of Our National Heritage, is pictured in Smith on page 13.

Bellamy was also known to have carved shelf clock cases. The designs for which, according to Smith, he took out 6 patents. See Smith, pages 16 and 89 for a copies of two of his patents on these clock cases and pages 17 and 88 for examples of the clocks bearing the label of E.N. Welch. Scans of the pictures of clocks in Smith are posted below. Also see the above website for examples of these clock cases. I have posted pictures of the clocks from the website as well. Note one says "Sessions" on the dial. This is an obvious later replacement. I have only seen 2 of these clocks in person. They don't come up very often.

Posted below are pictures of what I believe to be a Masonic clock by Bellamy. I has a striking resemblance to other published examples as well as sharing some of the attributes mentioned in the patents. What sets it apart and I think may make it a bit more special is that it is a miniature at a mere 10 1/2 inches tall and it is a lever movement time piece (movement by Hubbell).

The case is walnut with walnut carving applied to a stipple punched background all in old surface. Yes, there are some age splits and a few what look to me to be old pieced repairs to the applied decoration. The movement sits in a simple "box" attached to the front.
 

A special "Thanks" from Brother Bob Markowitz who is a member of the NAWCC Website at www.nawcc.org

About the Artist/Carver

John Haley Bellamy 1836 - 1914

John Haley Bellamy was a wood carver in Maine, Portsmouth, New Hampshire and Boston.  Although he is best known for his ship figureheads and carved eagles, he also carved decorative pieces and family coats of arms.  Heraldry was a hobby of his and his familiarity with the subject is obvious in the design of the above pictured clock case.  Born in 1836 in Kittery Point, Maine, John Haley Bellamy worked in Boston as a young man in the shop of the ship carver Laban Beecher (1805-1876) and later attended the New Hampton Literary institute.  Sometime after 1857, Bellamy began his career as a carver, working first at a shop on Washington street in Boston and later back home in Maine.  By the time he was thirty, his work was beginning to be recognized for its creativity.  Though he never considered himself an artist, he was fiercely proud of his creations: "There is one thing I can say as to this work of mine.  It is original with me and never known or heard of until I produced it."  In addition to his well-known eagles, Bellamy's output included clock cases, signs, frames, animal figures, and furniture.  Despite enjoying a reputation as a master carver, shipping his pieces throughout the country, and patenting six types of clock cases and an oarlock by 1880, Bellamy never achieved true financial security.  Part of this is due to his restless nature which never allowed him to stay in one position, no matter how successful, for too long.  Regardless, Bellamy never stopped carving, and, by the time of his death, his work was well-known.  When Bellamy died in 1914, The Portsmouth Herald wrote prophetically that "his name and his carvings will probably be known longer to the outside world than that of any ... man from (Portsmouth)." 

Bellamy's most famous work is the monumental Eagle figurehead carved in the late 1870s for the ship U.S.S. Lancaster in Portsmouth, removed from the ship in the 1920s.  Despite weighing 3,200 pounds and displaying an eighteen foot wingspan, the Lancaster Eagle is Bellamy's masterpiece, exemplifying his skill in using simple lines to convey action.  The only identifiable figurehead carved by Bellamy, the Lancaster Eagle is in the collection of the Mariner's Museum in Newport News, Virginia.

Twenty-one years after his death, Victor Stafford, Bellamy's nephew, published "John Haley Bellamy, The Woodcarver of Kittery Point" in The Magazine Antiques, which was the first national article to explore his life and work.  A later, more scholarly, treatment of his life and work is Yvonne Brault Smith's John Haley Bellamy; Carver of Eagles published in 1982.

 

         

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