Short Talk Bulletin - Vol.
I, June, 1923 No.6
Freemasonry has no greater name
than Robert Burns. If there are those who question his investiture as Poet Laureate
of the Canongate Kilwinning Lodge, owing to the absence of certain documentary evidence,
no one denies that he was, and is, the greatest poet of Freemasonry, the singer alike of
its faith and its friendship, its philosophy and its fun, its passion and its
prophecy. Nay, more; he was the Laureate, of the hopes and dreams of the lowly of
Higher tribute there is none for any man than to say, justly, that the world
is gentler and more joyous for his having lived; and that may be truly said of Robert
Burns, whose very name is an emblem of pity, joy, and the magnetism of Brotherly
Love. It is therefore that men love Burns, as much for his weakness as for his
strength, and all the more because he was such an unveneered human being. It is
given to but few men thus to live in the hearts of their fellows; and today, from Ayr to
Sidney, from Chicago to Calcutta, the memory of Burns is not only a fragrance, but a
living force uniting men of many lands into a fellowship of Liberty Justice and
Charity."The Memory of Burns!" cried Emerson, "I am afraid Heaven and earth
have taken too good care of it to leave anything to say. The west winds are
murmuring it. Open the windows behind you and hearken to the incoming tide, what
the waves say of it. The doves perching on the eaves of a stone chapel opposite may
know something about it. The Memory of Burns - every man's, every boy's, every
girl's head carries snatches of his songs, and they say them by heart; and what is
strangest of all, never learned them from a book, but from mouth to mouth. They are
the property and the solace of mankind!"
In a tiny two-roomed cottage,
clay-built and thatch-roofed, on the banks of the Doon, in the district of Kyle, two miles
south of the town of Ayr, in Scotland, Robert Burns was born on January 25th, 1759.
It was a peasant home, such as he afterward described in "The Cotter's Saturday
Night," in which poverty was consecrated by piety, where the father was a priest
of faith and the mother a guardian angel of the holy things of life. So far
from as schools were concerned, his education was limited to grammar, writing and
arithmetic. Later he picked up a little Latin, a smattering of French, and some
knowledge of English and classic poets. But he knew the Book of Nature, leaf by
leaf, and the strange scroll of the Human Heart, as only the swift insight of genius can
read them. At the age of twenty-two Burns was initiated into the Mysteries of Freemasonry,
in St. David's Lodge at Tarbolton, July 4th, 1781.
Lockhart says that he was introduced to the Lodge by John Rankine. The
minute recording his initiation reads: "Sederunt for July 4th. Robert
Burns in Lochly was entered an Apprentice. Jo Norman, Master." The second
and third degrees were conferred on the same evening, in the month of October following
his initiation. Six years later he was made a Knights Templar as well as a Royal
Arch Mason in Eyemouth, as under the old Regime the two were always given together.
By this time he had won some fame as a poet, and the higher degrees were given him in
token both of his fame as a poet and his enthusiasm as a Mason.
On July 27th, 1784, Burns was elected Depute Master of St. James Lodge,
Tarbolton, a position which he held until St. John's Day, 1788. He was made an honorary
member of St. John Lodge No. 22, Kilmarnock, on October 26th, 1786. Major William
Parker, the Master of St. John Lodge, became a great friend of Burns, and subscribed for
thirty-five copies of the first edition of his poems. He is the "Willie"
in the song "Ye Sons of Auld Killie" (a contraction of Kilmarnock) composed and
sung by Burns on the occasion of his admission as an honorary member of St. John
"Ye Sons of Auld Killie, assembled by William,
To follow the noble vocation;
Your thrifty old mother has scarce such another,
To sit in that honored station.
I've little to say, but only to pray,
As praying's the ton of your fashion;
A prayer from the muse, you may well excuse,
"Tis seldom her favorite passion.
Ye powers who preside, o're the wind and the tide,
Who mark each element's border;
Who formed this frame with beneficent aim,
Whose sovereign statute is order;
Within this dear mansion may wayward contention,
Or withered envy ne're enter;
May secrecy round be the mystical bound,
And Brotherly Love be the center.
The minutes of this meeting
concluded as follows:
"Robert Burns, Poet, from Mauchline, a member of St. James, Tarbolton, was made an
Honorary Member of this Lodge." "(Sgd.) Will Parker.This was the first Lodge to
distinguish Burns with the designation "Poet," and to honor him with honorary
membership. Besides being a faithful and enthusiastic attendant upon the meetings of
his own Lodge, Burns was a frequent visitor at Lodge when away from home. It is said that,
with a very few exceptions, all his patrons and acquaintances were members of the
Burns is described at this time as nearly five feet ten inches in
height, and of a form agile as well as strong; his high forehead shaded with black,
curling hair, his eyes large, dark, full of bright intelligence, his face vividly
expressive. His careless dress and untaught manners gave an impression of coarseness
at first, but this was forgotten in the charm of his personality, and his face in repose
had a calm thoughtfulness akin
to melancholy. Full of fun and fire, affable and the best of good company, his
superior mind did not make him supercilious, and he loved more than all else, a festival
that was half frolic and a feast where joy and good will were guests.
Alas, drinking was a habit in the Scotland of
those days, to a degree we can hardly imagine, as much in the Church as in the Lodge; and
it made the bitter tragedy of Robert Burns. Truth obliges us to admit that his moral
failure was early and pitiful, due alike to his environment and to a fatal frailty of
which made him fitful, unstable, and a prey to every whim of fancy and of passion.
It is an awful risk to be endowed with the genius of a Burns; it digs deep pitfalls for
the man to whom it is given. Yet, if in his later years he was a degraded man of
genius, he was never a man of degraded genius. The poison did not enter his
song. Allan Cunningham was right when he said: "Few men had so much of
the Poet in them, and few poets so much of the man; the man was probably less pure than he
ought to have been, but the poet was pure and bright to the end."
So, and naturally so, men are
willing to hide with a veil of charity the debris of character scattered along the starry
path of Burns. On reading his poems Byron exclaimed: "What an
antithetical mind! Tenderness, roughness, delicacy, coarseness, sentiments,
sensuality; dirt and deity - all mixed up in one compound of inspired clay!"
But that might pass for a description of mankind in general, and of Burns in
particular. If Burns was a sinner he was in that akin to ourselves, as God knows, a
little good and a little bad, a little weak and a little strong, foolish when he thought
he was wise, and wise, often, when he feared he was foolish. So we may give Burns
the charity which he prayed for others:
Then at the balance let's be mute,
We can never adjust it;
What's done we partly may compute,
But know not what's resisted.
By the same token, no great poet whose name is linked with our Craft ever
owed more to Freemasonry, or gave more to it. More intimately than any other he was
identified with its life, its genius and its ideals. Its teachings moved his
thought; its spirit inspired his song; its genius nurtured that love of freedom and
Fraternity which he set to everlasting music. So much is this true, that it
remains a marvel to this day how Shairp could have written a biography of Burns without
once mentioning his membership in the Craft. In the gentle air of Freemasonry he
found refuge from hardship and heaviness of spirit; and its fellowship served to shelter
him from the poisoned arrows of petty bigots who were unworthy to untie his shoes - men of
a kind known in every age, whose hard-heartedness was clad in unctuous hypocrisy.
Surely, if ever of any one, it
can be said of Robert Burns, that his soul goes marching on. He was the harbinger of
the nineteenth century, the poet of the rights and reign of the common people, whom, it
has been said, God must love because he made so many of them. The earth was fresh
upon the tomb of George Washington when that century was born; it discovered Lincoln and
buried him with infinite regret. But its triumphant melody first found voice in the
songs of Robert Burns, as the greek singer inspired Patriarch with the fire which kindled
the Revival of Learning, and out of the inertia of the Middle Ages created modern
times. So when Taine, the French critic, came to account for that age he found that
it's spirit "Broke First in the Scotch Peasant, Robert Burns." - a man of all
men most fitted to give it voice, because "scarcely ever was seen together more of
misery and of talent."
There are those who dream of a vague blur of cosmopolitism, in which all
local loyalties, all heroic national genius shall be merged and forgotten. Not so Robert
Burns. He was distinctively a national poet, striking deep roots in his native soil,
and, for that reason, touching a chord so haunting that it echoes forever. This at
least is true; a man who is not deeply rooted somewhere - to whom one spot on earth is not
a little dearer, and the sky over it a little bluer - will not be of much use anywhere.
When Burns appeared the spirit of Scotland was a
low ebb. Her people were crushed and her ancient fire almost quenched. Her
scholars blushed if they used her dialect. It was at such a time that a God-Endowed
singer took up his harp, inspired by the history of his people, the traditions of Wallace
and Bruce stirring him like a passion, his soul attuned to the old ballads of love and
daring, singing the simple life of his nation in its vivid and picturesque language.
He struck with a delicate but strong hand the deep and noble feelings of his
countrymen, and somewhere upon his variegated robe of song will be found embroidered the
life, the faith, the genius of his people. No wonder the men loved a poet, and make
his home at once a throne of melody and a shrine of national glory.
Because he was so deeply rooted
in the soil of his own land; because he was so sweetly, sadly, joyously - yea, and even
sinfully - human, his spirit and appeal are universal, for the human heart beats
everywhere the same, and by loyalty to the genius of our own country we best serve our
His passion for liberty, his affirmation of the nobility of man, his sense if dignity of
labor, his pictures of the pathos and the hard lot of the lowly, find response in every
breast where beats the heart of a man. It is thus that all men love Burns, for it
was he who taught, as few have taught since the Son of Man lodged with the fishermen by
the sea, the brotherhood of man and the kinship of all breathing things. Such
singers live as long as men love life, and their words become a part of the sacred
scriptures of the human heart.
This is no time to deal in literary criticism - a dreary business at best, a dismal
business at worst. It is by all agreed that Robert Burns was a lyric poet of
the first order, if not the greatest song writer of the world. Draw a line from
Shakespeare to Browning, and he is one of the few minds tall enough to touch it. The
qualities of Burns are simplicity, naturalness, vividness, fire, sweet-toned pathos, and
rollicking humor - qualities rare enough, and still more rarelyblended. His fame
rests upon verses written swiftly, as men write letters, and upon songs as
spontaneous, as artless, as lovely as the songs of birds. He sang of simple things,
of the joys and woes and pieties of the common life, where
sin bewshadows virtue and the cup of death is pressed to the lips of love.He saw the world
as God made it, woven of good and ill, of light and shadow, and his songs come home to
rich and poor alike, a comfort and a consecration.
No wonder Burns was the best
beloved poet of Lincoln, as much for his democracy as for his humor, his pathos, and his
rich humanity. With him social rank was but a guinea stamp, a bit of tawdry tinsel
alongside the native nobility of manhood. He honored a man for his worth, not
wealth. For the snob, for the fop, he had genuine contempt. If he flayed the
selfish pride of the rich, it was not from envy - just as truly did he scorn the poor man
who, instead of standing erect, only cringes and whines. He told the poor man that it is
no sin to be poor, but that it is a sin to be ashamed of it. He taught that honest
poverty is not only nobler, but
happier, than indolent or il-gotten wealth. The Cotter's dog and the Laird's dog are
very real dogs, as all admit, but their talk is something more than dog-philosophy.
It is the old, old story of the high and the low, and it is like Burns to take the part of
the under dog. Still, had the Cotter's dog given way to self-pity, Burns would have been
the first to kick him. He hated fawning, as he hated sham, and he knew that if toil
is tragedy, labor is an honor and joy. That which lives in Robert Burns, and will live
while human nature is the same, is his love of justice, of honesty, of reality, his touch
of pathos and melting sympathy, his demand for liberty, his faith in man and God - all
uttered with simple speech and the golden voice of song. His poems were little jets
of love and liberty and pity finding their way out through the fissures in the
granite-like theology of his day. They came fresh from the heart of a man whom the
death of a little bird set dreaming of the meaning of the world wherein life is woven of
beauty, mystery and sorrow.
A flower crushed in the budding, a field mouse turned out of his home by a plowshare, a
wounded hare limping along the road to dusty death, or the memory of a tiny bird who sang
for him in the days agone, touched him to tears, and made him feel the old hurt and
heartache of the world. The poems of Burns did not grow; they awoke complete. He was
a child of the open air, and about all his songs there is an outdoor feeling - never a
smell of the lamp. He saw nature with the swift glances of a child - saw beauty in
the fold of clouds, in the slant of trees, in the lilt and glint of flowing waters, in the
immortal game of hide-and-seek played by sunbeams and shadows, in the mists trailing over
the hills. The sigh of the wind in the forest filled him with a kind of wild, sad
joy, and the tender face of a mountain daisy was like the thought of one much loved and
The throb of his heart was warm in his words, and it was a heart in which he
carried an alabaster box of pity. He had a sad life and soul of fire, the instincts
of an angel in the midst of hard poverty; yet he lived with dash and daring, sometimes
with folly, and, we must add, - else we do not know Burns - with a certain bubbling
joyousness, despite his tragedy.
Such was the spirit of Robert
Burns, a man passionate and piteous, compact of light and flame and loveliness, capable of
withering scorn of wrong, quickly shifting from the ludicrous to the horrible in his
fancy, poised between laughter and tears - and if by some art se could send his soul
into all the dark places of the world, pity and joy would return to the common ways of
man. His feet may have been in the furrow, but the nobility of manhood was in his
heart, on his lips the voice of eternal melody, and in his face the light of the morning
star. Long live the spirit of Robert Burns, Poet and Freeemason! May it grow
and glow to the confounding of all injustice, all unkindness!
He haunts his native land As an immortal youth; his hand
Guides every plow. His presence haunts this room tonight,
A form of mingled mist and light From that far coast.