Note:  The following material is a scanned-in research resource; it is NOT intended as an exact reproduction of the original volume. Due to computer display variances, page numbers are approximate. Scanned at Phoenixmasonry by Ralph Omholt, PM - June 2007.

The History Of Freemasonry


Albert G. Mackey 33





CHAPTER                                                                              PAGE

                                                                   [Original Volumes  /  This Copy]

Dr. Mackey's Preface ..................................... iv. to xi.  /  12

Introduction .. ??  /  17

1. - Tradition and History in Masonry.......................... 1  / 21

2. - The Legendary History of Freemasonry. .................... 10  / 28

3. - The Old Manuscripts ..................................... 13  /  30

4. - The Legend of the Craft.................................. 18  /  37

5. - The Halliwell Poem and the Legend........................ 25  /  43

6. - The Origin of the Halliwell Poem.......................... 33   /  53

7. - The Legend, the Germ of History........................... 36   /  52

8. - The Origin of Geometry................................... 40   /  55

9. - The Legend of Lamech's Sons and the Pillars................ 44  /  58

10. - The Legend of Hermes.................................... 50  /  63

11. - The Tower of Babel....................................... 53  /  66

I2. - The Legend of Nimrod.................................... 63  /  74

13. - The Legend of Euclid..................................... 67  /  79

14. - The Legend of the Temple................................. 73  /  84

15. - The Extension of the Art into Other Countries............... 83  /  93

16. - The Legend of Charles Martel and Namus Grecus........... 85  /  95

17. - The Legend of St. Alban.................................. 90   /  99

18. - The York Legend......................................... 95   /  103

19. - Summary of the Legend of the Craft........................ 111   /  118

20. - The Andersonian Theory .................................. 117   /  123

21. - The Prestonian Theory.................................... 124   /  129

22. - The Hutchinsonian Theory................................ 128   /  133

23. - The Oliverian Theory..................................... 143   /  147

24. - The Temple Legend....................................... 151   /  151

25. - The Legend of the Dionysiac Artificers...................... 166   /  165

26. - Freemasonry and the Ancient Mysteries..................... 174   /  174

27. - Druidism and Freemasonry ................................         99   /  201

28. - Freemasonry and the Crusades............................. 217   /  220

29. - The Story of the Scottish Templars......................... 255  /  257
















Dr. Albert Gallatin Mackey................................ Frontispiece

The Inner Chamber..................................... Vignette Title

Fellow Craft before King Solomon.............................. 28  /  35

Operative Masons of the Tenth Century......................... 60  / 79

Anthony Sayer ............................................... 108 / 105

The Passes of the Jordan....................................... 140 / 134

Monument of the Third Degree................................. 172 /  162

Daniel Coxe ................................................. 204 /  194

The Meeting on the Coast of Joppa............................. 236  /  228

Strasburg Cathedral .......................................... 252 /  259


































SO comprehensive a title as the one selected for the present work would be a vain assumption if the author's object was not really to embrace in a series of studies the whole cycle of Masonic history and science. Anything short of this would not entitle the work to be called THE HISTORY OF FREEMASONRY.


Freemasonry as a society of long standing, has of course its history, and the age of the institution has necessarily led to the mixing in this history of authentic facts and of mere traditions or legends.


We are thus led in the very beginning of our labors to divide our historical studies into two classes. The one embraces the Legendary History of Freemasonry, and the other its authentic annals.


The Legendary History of Freemasonry will constitute the subject of the first of the five parts into which this work is divided. It embraces all that narrative of the rise and progress of the institution, which beginning with the connection with it of the antediluvian patriarchs, ends in ascribing its modern condition to the patronage of Prince Edwin and the assembly at York.


This narrative, which in the I5th and up to the end of the I7th century, claimed and received the implicit faith of the Craft, which in the I8th century was repeated and emendated by the leading writers of the institution, and which even in the 19th century has had its advocates among the learned and its credence among the unlearned of the Craft, has only recently and by a new school been placed in its true position of an apocryphal story.


And yet though apocryphal, this traditionary story of Freemasonry which has been called the Legend of the Craft, or by some the Legend of the Guild, is not to be rejected as an idle fable. On the contrary, the object of the present work has been to show that these Masonic legends contain the germs of an historical, mingled often with a symbolic, idea, and that divested of certain evanescences in the shape of anachronisms, or of unauthenticated statements, these Masonic legends often, nay almost always, present in their simple form a true philosophic spirit.


To establish this principle in the literature of Freemasonry, to divest the legends of the Craft of the false value given to them as portions of authentic history by blind credulity, and to protect them from the equally false estimate that has been bestowed upon them by the excessive incredulity of unphilosophic sceptics, who view them only as idle fables without more meaning than what they attach to monkish legends-in one word, to place the Legendary History of Freemasonry in the just position which it should occupy but has never yet occupied, is the object of the labors expended in the composition of the first part of this work.


The second part of the work will pass out of the field of myth and legend and be devoted to the authentic or recorded history of Freemasonry.


Rejecting as wholly untenable and unsupported by historical evidence, the various hypotheses of the origin of the institution in the Pagan mysteries, in the Temple of Solomon, or in the Crusades, an attempt has been made to trace its birth to the Roman Colleges of Artificers, which present us with an almost identical organization of builders and architects. Following the progress of the Roman Masons of the Colleges, through their visits to the different provinces of the Empire, where they went, accompanying the legions in their victorious excursions, we will find that the art of building was communicated by them to the Italians, the Spaniards, the Gauls, and the Britons.


In this way the knowledge of Operative Masonry and its practice in guilds, sodalities, and confraternities was preserved by these peoples after the extinction of the Roman Empire.


We next find this sodality emerging in the 10th century from Lombardy, and under the name of "Traveling Freemasons, perambulating all Europe and re-establishing confraternities of Stonemasons in Germany, France, England, Scotland, and other countries.


The narrative of the progress of this fraternity of builders from Como, which was evidently an outshoot from the ancient Roman Colleges, is treated with great particularity, because without the aid of any mythical or legendary instrumentality we are thus enabled to connect it continuously with the modern system of Operative Masonry.


The merging of Operative into Speculative Masonry in the beginning of the 18th century is an historical incident based on the most authentic records. Its details, derived from records of whose genuineness there never has been a doubt, will complete and perfect the history of Freemasonry from its rise to its present condition.


Thus we may imagine the growth of that magnificent tree, beneath whose wide-spreading branches the fraternity now recline. In the far remote reign of Numa, the philosophic and religious king of Rome (or if his personality be doubted by the disciples of Niebuhr), in the times represented by his name, we find the germ of the institution in those organized confraternities of craftsmen, whom history records as flourishing with varying success and popularity through the times of the Kingdom, the Republic, and the Empire of Rome.


The seeds of a co-operative association of builders, based on the principles of fraternity, were carried with the legions of Rome into the various provinces that had been conquered by the soldiers of the Empire, and as colonies of Romans were there established, the Latin language, the manners and customs of the Roman people and their skill in the arts were introduced among the natives.


Of these arts, the most important was that of architecture, and by means of monuments still remaining, as well as other historical evidences, we are enabled to follow the gradual growth of the operative societies out of the Roman guilds and then that of the speculative institution out of the operative societies.


The hypothesis sought to be sustained in investigating the history of Freemasonry, in the present work, may be succinctly stated as follows:


Operative Masonry is the basis on which Speculative Freemasonry is founded-that is to say, the lodges of Freemasons of the present day are the successors of the lodges of Operative Masons which existed all over Europe during the Middle Ages and up to the beginning of the 18th century.


But the Operative Masonry that gave birth to the modern speculative order was not the mere craft or trade or art of building. The men who practiced it were not mere cutters and layers of stone. There were large numbers of workmen who belonged to a lower class of the trade or profession, who were never looked upon with any respect, with whom companionship was denied, and who were employed only in subordinate positions. These men were called cowans, rough layers, foreigners or similar titles intimating degradation of class and inferiority of skill.


No relation can be traced between the Operative Masons of this class and the Speculative Masons, who have represented Freemasonry since the beginning of the 18th century. The Operative Masons, between whom and the modern Freemasons there is a relation of succession, were a higher class of artists. They were possessed of secrets connected with peculiar skill in their craft. But above all, they were distinguished for the adoption of what might, in our modern phrase, be called the co-operative principle in the practice of their Craft. Perhaps it may more properly be called, a principle of sodality. It was shown in the formation of a company, a society, a guild, a corporation, or a confraternity, call it by what name you please, in which there was an association of skill, of labor, and of interests. This principle has been called the guild spirit, and it is this spirit which constitutes the essential characteristic of the Masonic institution.


If we propose to establish a chain of historical continuity, which shall extend from the first appearance of any association in which the origin of modern Freemasonry is sought to be found, to the present day, when the institution has assumed its well-recognized form, there are two elements which must be well marked in every link of the chain.


In the first place, there must be an operative element. Freemasonry can be traced only to an association of builders or architects. Every ceremony in the ritual, every symbol in the philosophy of Speculative Freemasonry, indicates-nay, positively proves - that it has been derived from and is closely connected with the art of building. The first Freemasons were builders, they could have been nothing else. To seek for them in a mystical, religious association as the ancient pagan Mysteries, or in an institution of chivalry as in the Knights of the Crusades would be a vain and unprofitable task. As well might one look for the birthplace of the eagle in the egg of the crow as to attempt to trace the origin of Freemasonry to anything other than an association of builders.


In the second place there must be a guild spirit. The builders who have come together must not have associated temporarily for the mere purpose of accomplishing a certain task, each man wholly independent of the others, and arbitrarily exercising only his own skill. There must be a permanent organization, a community of interest, a division of labor, a spirit of fraternity, an organization looking beyond the present moment. A certain number of Masons, brought together to construct an edifice, who after its construction would be ready to disperse, each Mason on his own footing to seek fresh employment under new masters and with new companions, could never, under such circumstances, be concentrated into such organizations as would, in the lapse of time, give rise to the lodges of modern Speculative Freemasons.


The hypothesis, then, which is advanced in the present work and on which its authentic historical part is constructed, is that there was from the earliest days of Rome an organization of workmen under the name of the Collegium Arlificum, or Collegium Fabrorum, that is, the College of Artificers, or the College of Workmen. That this college consisted of builders and architects, that it was regularly organized into an association, which was marked with all the peculiarities that afterward distinguished the guilds or incorporations of the Middle Ages. That this college, flourishing greatly under the later empire, sent its members, imbued with the skill in architecture and the spirit of confraternity which they had acquired in the home organization, into the various provinces which the Roman legions penetrated and conquered. And, finally, that in all these provinces, but principally in Northern Italy, in Gaul, and in Britain, they established similar colleges or associations, in which they imparted to the natives their knowledge of the art of building and impressed them with their spirit of fraternal co-operation in labor.


From these colleges of workmen sprang in the course of time, and after the fall of the empire and the transition of the provinces into independent and sovereign states, organizations of builders, of masons and architects, who in Italy assumed the name and title of Traveling Freemasons, in Gaul that of the Mestrice des Masons, in Germany that of the Steinmetzen, in England that of the Guilds and Companies, and in Scotland that of the Lodges and Incorporations. All these were associations of builders and architects, who were bound together by regulations which were very similar to and evidently derived from those by which the Roman Colleges had been governed, with others suggested by change of conditions and circumstances.


The associations, though mainly made up of professional work men, sometimes admitted, as the Roman Colleges had done, nonprofessionals, men of wealth, distinction, or learning into their ranks as honorary members.


About the close of the 17th century the number of these nonprofessional members was greatly increased, which fact must have produced a gradual and growing influence on the organizations.


Finally, during the second decade of the 18th century, these non-professional members completely changed the character of the Masonic organizations known at that time under the name of Lodges. The operative element was entirely eliminated from them, and the Lodges became no longer companies of builders, but fraternities of speculative philosophers.


The new institution of Speculative Freemasonry retained no other connection with or relation to the operative organization, than the memory of its descent, and the preservation of the technical language and the tools of the art, all of which were, however, subjected to new and symbolic interpretations.


This transition of the operative into the speculative organizations occurred in London in the year 1717, at which time the Grand Lodge of Free and Accepted Masons was established.


From England the change passed over into other countries and Lodges were everywhere instituted under the authority of the Grand Lodge of London. The history of Freemasonry from that time is to be found in the recorded annals of the various Lodges and Grand Lodges which sprung up in the course of time from the parent stem, the common mother of all the speculative Lodges of the world.


Scotland might seem at first to be an exception to this cosmopolitan maternity, but though the growth of the speculative out of the operative element was there apparently an independent act of transition, yet it cannot be denied that the influence of the English society was deeply felt in the sister kingdom and exhibited especially in the adoption of the three degrees, in the organization of the Grand Lodge on a similar model, and in the establishment of the office of Grand Master, a title of entirely modern and English origin.


Such is the plan of the history that has been pursued in the present work, a plan which materially and essentially differs from that of any preceding writer. Iconoclasts have composed monographs in which they have attacked particular fallacies and denounced special forgeries, but the history of Masonry as a whole has not before been written with the same spirit of candor that has been or should always be exercised in the composition of history.


Doubtless the well-settled and carefully nourished prejudices of some will be shocked by any attempt to expose the fallacies and falsehoods which have too long tarnished the annals of Freemasonry. But such an attempt cannot, if it be successfully pursued, but command the approval of all who believe with Cicero that history is "the witness of time, the light of truth, and the life of memory."

                                                                                    ALBERT G. MACKEY, M.D.




Of all the institutions which have been established for the purpose of improving the condition of mankind, Freemasonry stands preeminent in usefulness as it is in age. Its origin is lost in the abyss of unexplored antiquity. No historical records, no traditionary accounts, can with certainty point out the precise time, the place, or the particular manner of its commencement. While some have endeavored to discover its footsteps amongst the master builders and artists engaged in the construction of the first Jewish temple, others have attempted to trace it to the Eleusinian mysteries, which are said to have taught the immortality of the soul and the other sublime truths of natural religion. Some again have ascribed its rise to the sainted heroes of the Crusades; while others have endeavored to penetrate the mysteries of the Druids, and to discover its origin amongst the wise men of that institution.

-De Witt Clinton


THE fraternal order of Free and Accepted Masons, or the Freemasons, is a secret society, yet its influence and effect on Western society have been great. Many of the Founding Fathers of the United States-George Washington, Thomas Jefferson, John Hancock, Benjamin Franklin, and Paul Revere-were Masons. Simon Bolivar, the great freedom fighter of South America, and Giuseppe Garibaldi, Italy's distinguished patriot, were also members, as were the great writers Voltaire and Goethe, and the composers Franz Joseph Haydn and Amadeus Mozart. However, the order's ultimate purpose has always been shrouded in the self-imposed mystery that surrounds the organization as well as the wild conjecture about it that arose from the fear of the ignorant. Accusations that the Freemasons have cultivated the occult sciences-particularly alchemy, astrology, and ceremonial magic-have pursued the order throughout its history. While, without a doubt, some branches of the organization have endeavored to explore the realms of esotericism, it was merely a means to an end, not an end in itself.


Order out of chaos is the famous motto of the Freemasons. It means the occasion of rising beyond one's aimless animal nature and attaining a higher plane of existence. To learn the way to that plane, to follow the proper paths, and to continue the journey and complete the wondrous voyage to a higher self and the unity of the whole, are the ultimate goals of a Freemason.


The mythology and symbolism of Freemasonry is very rich and complex. As the age of the society is unknown, its history blends facts with traditions and legends. Until the end of the seventeenth century, these apocryphal stories of Freemasonry-called the Legend of the Craft, or the Legend of the Guild-were believed with implicit faith by its members. The object of this book, Albert Gallatin Mackey's The History of Freemasonry: Its Legendary Origins, is to present a complete survey of the mythical and allegorical narratives of Freemasonry and to show that these Masonic legends contain the germs of historical truth often mingled with a symbolic idea, and almost always reflect in their unadorned form the true philosophic spirit of the Order.


Most scholars today believe the origins of modern Freemasonry can be traced to ancient Rome, where an organization of workmen formed under the name of the Collegium Artificum, or Collegium Fabrorum-the College of Artificers, or the College of Workmen. This brotherhood consisted of builders and architects and was the prototype of the guilds and incorporations of the Middle Ages. The college flourished under the Roman empire, which sent its members, endowed with skill in architecture and the spirit of confraternity, to the various provinces that the Romans had conquered. In all these provinces, but principally in Northern Italy, Gaul, and Britain, they established similar colleges or associations, in which they transmitted to the native inhabitants their knowledge of the art of building and impressed them with their spirit of fraternal cooperation in labor.


After the fall of the empire and the transition of the provinces into independent and sovereign states, these colleges of workmen evolved into organizations of builders-masons and architects-who in Italy assumed the name of Traveling Freemasons, in Gaul that of the Mestrice des Marons, in Germany that of the Steinmetzen, in England that of the Guilds and Companies, and in Scotland that of the Lodges and Incorporations. These associations of builders and architects were bound together by regulations very similar to and evidently derived from those that governed the Roman Colleges, with other rules suggested by change of conditions and circumstances.


The associations, though mainly made up of professional workmen, sometimes admitted nonprofessionals-men of wealth, distinction, or learning-into their ranks as honorary members. At the end of the seventeenth century the number of these nonprofessional members greatly increased, and by the early eighteenth century they had completely changed the character of the Masonic organizations, known at that time as Lodges. The operative element-the practical application of the rules of architecture to the construction of public and private edifices-was entirely eliminated, and the Lodges were no longer companies of builders, but fraternities of speculative philosophers. The new institution of Speculative Freemasonry retained no relation to the practical purposes of operative Freemasonry other than the memory of its descent and the retention of its technical language and the tools of the art. These, however, were subjected to new and symbolic interpretations, adapted to the worship of God as the Grand Architect of the universe.


This transition from the operative to the speculative form of Masonry was complete by the year 1717, when the Grand Lodge of Free and Accepted Masons was established in London. From England the change passed over to other Lodges as Freemasonry spread to the United States, South America, and throughout the rest of the world. In The History of Freemasonry: Its Legendary Origins you will find the lore and mythology that is the philosophical and ritual foundation upon which Freemasonry is built and from which its three great principles-brotherly love, charity, and truth-have evolved. Albert Gallatin Mackey is an excellent guide through this compelling exploration of the Masonic tradition. Included are excerpts from many rare and hard-to-find original manuscripts sacred to the Masons-including the Halliwell Poem, the oldest Masonic document in existence, dating from the late fourteenth to the middle fifteenth century-and a learned discussion of the origin, significance, and meaning of these works. Mackey recounts the various stories that explore Freemasonry's origins, ranging from its beginnings with Abraham, the Old Testament patriarch, to the builders of the Tower of Babel, to King Solomon and the builders of the Temple of Jerusalem. He also explores the possible associations of the Freemasons with the Knights Templars of the Crusades, the Druids, the Rosicrucians, and the Assassins-a secret Muslim sect. Throughout, this erudite and illuminating book investigates the subject with detail and completeness.


Albert Gallatin Mackey was born on March 12, 1807, in Charleston, South Carolina. He was the youngest son of Dr. John Mackey, a physician, editor, and teacher, who also published the periodical The Investigator from 1812 to 1817. After teaching for a time, Albert Mackey followed in his father's footsteps and attended the South Carolina Medical College, Charleston, from which he graduated in 1832. He practiced medicine in Charleston and became a teacher at the Medical College, but in 1854 his growing interest in Freemasonry impelled him to give up his practice and devote his energies to his Masonic activities.


Mackey eventually became the grand secretary of the Grand Lodge, grand high priest of the Grand Chapter, grand master of the Grand Council, and general grand high priest of the General Grand Chapter of the United States. The last decade of his life was spent in Washington, D.C., where he devoted himself to the continuance of his work as secretary general of the Supreme Council of the 33rd Degree. He died on June 20, 1881, at Old Point Comfort, Virginia.


While Mackey attained high official positions in the Masonic order, he is remembered today for his writings on Freemasonry. In 1849 he established The Southern and Western Masonic Miscellany, a weekly magazine, and in 1858-60 he published "Quarterly," which he dedicated to the same interests. He was also the author of many books on Freemasonry. His first book was A Lexicon of Freemasonry (1845), followed by The Mystic Tie (1849), The Ahiman Rezon, or Book of Constitutions of the Grand Lodge of South Carolina (1852), Principles of Masonic Law (1856), The Book of the Chapter (1858), A Text Book of Masonic Jurisprudence (1859), History of Freemasonry in South Carolina (1861), Manual of the Lodge (1862), Cryptic Masonry (1867), Mackey's Masonic Ritualist (1869), The Symbolism of Freemasonry (1869), Encyclopedia of Freemasonry (1874), and Masonic Parliamentary Law ( 1875). He was working on the present volume, The History of Freemasonry, when he died. Many of Mackey's books, particularly the Encyclopedia of Freemasonry, are considered among the most authoritative and definitive works on the subject.
















IN the study of Freemasonry there are two kinds of statements which are presented to the mind of the inquiring scholar, which are sometimes concurrent, but much oftener conflicting, in their character.


These are the historical and the traditional, each of which appertains to Freemasonry as we may consider it in a different aspect.


The historical statement relates to the Institution as we look at it from an exoteric or public point of view; the traditional refers only to its esoteric or secret character.


So long as its traditional legends are confined to the ritual of the Order, they are not appropriate subjects of historical inquiry. They have been invented by the makers of the rituals for symbolic purposes connected with the forms of initiation. Out of these myths of Speculative Masonry its philosophy has been developed; and, as they are really to be considered as merely the expansion of a philosophic or speculative idea, they can not properly be posited in the category of historical narratives.


But in the published works of those who have written on the origin and progress of Masonry, from its beginning to the present time, the legendary or traditional has too much been mingled with the historical element. The effect of this course has been, on adversely prejudiced minds, to weaken all claims of the Institution to an historical existence. The doctrine of "false in one thing, false in all," has been rigidly applied, and those statements of the Masonic historian which are really authentic have been doubted or rejected, because in other portions of his narrative he has been too credulous.


Borrowing the technical language of archoeology, I should say that the history of Masonry (1) may be divided into two periods ‑ prehistoric and the historic. The former is traditional, the latter documentary. Each of these divisions must, in any historical inquiry, be clearly defined. There is also another division, into esoteric and exoteric history. The first is exclusively within the arcana of the Order, and can not, as I have said, be the subject of historical investigation. The second properly comes within the sphere of historical study, and is subjected to all the laws of historical criticism.


When we are treating of Freemasonry as one of the social organizations of the world ‑ as one of those institutions which are the results of civilization, and which have sprung up in the progress of society; and, finally, when we are considering what are the influences that the varying conditions of that society have produced upon it, and what influences it has reciprocally produced upon these varying conditions ‑ we are then engaged in the solution of a historical problem, and we must pursue the inquiry in a historical method and not otherwise. We must discard all speculation, because history deals only with facts.


If we were treating the history of a nation, we should assert nothing of it as historical that could not be traced to and be verified by its written records. All that is conjectured of the events that may have occurred in the earlier period of such a nation, of which there is no record in contemporaneous or immediately subsequent times, is properly thrown into the dim era of the prehistoric ago It forms no part of the authentic history of the nation, and can be dignified, at its highest value, with the title of historical speculation only, which claims no other credence than that which its plausibility or its probability commands.


Now, the possibility or the probability that a certain event may have occurred in the early days of a nation's existence, but of which event there is no record, will be great or little, as dependent on certain other events which bear upon it, and which come within the era of its records. The event may have been possible, but not probable, and then but very little or no importance would be im‑


(1) in the progress of this work I shall use the terms Masonry and Freemasonry without discrimination, except on special, and at the time specified, occasions.


puted to it, and it would at once be relegated to the category of myths. Or it may have been both possible and highly probable, and we may be then permitted to speculate upon it as something that had exerted an influence upon the primitive character or the subsequent progress of the nation. But, even then, it would not altogether lose its mythical character. Whatever we might predicate of it would only be a plausible speculation. It would not be history, for that deals not in what may have been, but only in that which actually has been.


The progress in these latter days of what are called the exact sciences has led, by the force of example and analogy, to a more critical examination of the facts, or, rather, the so‑called facts, of history.


Voltaire said, in his Life of Charles XII of Sweden that "incredulity is the foundation of history." Years passed before the axiom in all its force was accepted by the learned. But at length it has been adopted as the rule of all historical criticism. To be credulous is now to be unphilosophical, and scholars accept nothing as history that can not be demonstrated with almost mathematical certainty.


Niebuhr began by shattering all faith in the story of Rhea Sylvia, of Romulus and Remus, and of the maternal wolf, which, with many other incidents of the early Roman annals, were consigned by him to the region of the mythical.


In later times, the patriotic heart of Switzerland has been made to mourn by the discovery that the story of William Tell, and of the apple which he shot from the head of his son, is nothing but a medioeval fable which was to be found in a great many other countries, and the circumstances of which, everywhere varying in details, still point to a common origin in some early symbolic myth.


It is thus that many narratives, once accepted as veracious, have been, by careful criticism, eliminated from the domain of history; and such works as Goldsmith's Histories of Greece ana Rome are no longer deemed fitting text‑books for schools, where nothing but truth should be taught.


The same rules of critical analysis which are pursued in the separation of what is true from what is false in the history of a nation should be applied to the determination of the character of all statements in Masonic history. This course, however, has, unhappily, not been generally pursued. Many of its legends are unquestionably founded, as I shall endeavor hereafter to show, on a historical basis; but quite as many, if not more, are made up out of a mixture of truth and fiction, the distinctive boundaries of which it is difficult to define; while a still greater number are altogether mythical, with no appreciable element of truth in their composition. And yet for nearly two centuries, all of these three classes of Masonic legendary lore have been accepted by the great body of the Fraternity, without any discrimination, as faithful narratives of undoubted truthfulness.


It is this liberal acceptation of the false for the true, and this ready recognition of fables as authentic nauatives whereby imaginative writers have been encouraged to plunge into the realms of absurdity instead of confining themselves to the domain of legitimate history, that have cast an air of romance over all that has hitherto been written about Freemasonry. Unjustly, but very naturally, scholars have been inclined to reject all our legends in every part as fabulous, because they found in some the elements of fiction.


But, on the other hand, the absurdities of legend‑makers, and the credulity of legend‑readers, have, by a healthy reaction, given rise to a school of iconoclasts (to whom there will soon be occasion to refer), which sprang up from a laudable desire to conform the principles of criticism which are to govern all investigations into Masonic history to the rules which control profane writers in the examination of the history of nations.


As examples of the legends of Masonry which have tempted the credulity of many and excited the skepticism of others, those almost universally accepted legends may be cited which attribute the organization of Freemasonry in its present form to the era of King Solomon's temple ‑ the story of Prince Edwin and the Grand Lodge congregated by him at the city of York in the 10th century ‑ and the theory that the three symbolic degrees were instituted as Masonic grades at a period very long anterior to the beginning of the 18th century.


These statements, still believed in by all Masons who have not made the history of the Order an especial study, were, until recently, received by prominent scholars as veracious narratives. Even Dr. Oliver, one of the most learned as well as the most prolific of Masonic authors, has, in his numerous works, recognized them as historic truths without a word of protest or a sign of doubt, except, perhaps, with reference to the third legend above mentioned, of which he says, with a cautious qualification, that he has "some doubts whether the Master's degree, as now given, can be traced three centuries backwards." (1)


But now comes a new school of Masonic students, to whom, borrowing a word formerly used in the history of religious strifes, has been given the name of "iconoclasts." The word is a good one. The old iconoclasts, or image‑breakers of the 8th century, demolished the images and defaced the pictures which they found in the churches, induced by erroneous but conscientious views, because they thought that the people were mistaking the shadow for the substance, and were worshipping the image or the picture instead of the Divine Being whom it represented.


And so these Masonic iconoclasts, with better views, are proceeding to destroy, by hard, incisive criticism, the intellectual images which the old, unlettered Masons had constructed for their veneration. They are pulling to pieces the myths and legends, whose fallacies and absurdities had so long cast a cloud upon what ought to be the clear sky of Masonic history. But they have tempered their zeal with a knowledge and a moderation that were unknown to the iconoclasts of religion. These shattered the images and scattered the fragments to the four winds of heaven, or they burnt the picture so that not even a remnant of the canvas was left. Whatever there was of beauty in the work of the sculptor or painter was forever destroyed. Every sentiment of zesthetic art was overcome by the virulence of religious fanaticism. Had the destructive labors of these iconoclasts been universal and long continued, no foundation would have been left for building that science of Christian symbolism, which in this day has been so interesting and so instructive to the archoeologist. (2)


Not so have the Masonic iconoclasts performed their task of critical reformation. They have shattered nothing; they have destroyed nothing. When in the course of their investigations into true Masonic history, they encounter a myth or a legend, replete, ap‑


(1) "Dissertation on the State of Masonry in the Eighteenth Century." (2) Thus the Emperor Leo, the Isaurian, caused all images and pictures to be removed from the churches and publicly burnt ‑ an act of vandalism not surpassed by that Saracen despot who (if the story be true) ruthlessly committed the books of the Alexandrian library to the flames as fuel for the public baths.


parently, with absurdities or contradictions, they do not consign it to oblivion as something unworthy of consideration, but they dissect it into its various parts; they analyze it with critical acumen; they separate the chaff from the wheat; they accept the portion that is confirmed by other and collateral testimony as a legitimate contribution to history; what is undoubtedly fictitious they receive as a myth, and either reject it altogether as an unmeaning addition to a legend, or give it an interpretation as the expression of some symbolic idea which is itself of value in a historical point of view.


That lamented archaeologist, Mr. George Smith, late of the British Museum, in speaking of the cuneiform inscriptions excavated in Mesopotamia, and the legends which they have preserved of the old Babylonian empire, said: (1) "With regard to the supernatural element introduced into the story, it is similar in nature to many such additions to historical narratives, especially in the East; but I would not reject those events which may have happened, because, in order to illustrate a current belief, or add to the romance of the story, the writer has introduced the supernatural."


It is on this very principle that the iconoclastic Masonic writers, such as Hughan and Woodford, are pursuing their researches into the early history of Freemasonry. They do not reject those events related in the old legends, which have certainly happened, because in them they find also mythical narratives. They do not yield to the tendency which George Smith says is now too general, "to repudiate the earlier part of history, because of its evident inaccuracies and the marvelous element generally combined with it." (2) It is in this way, and in this way only, that early Masonic history can be rightly written. Made up, as it has been for centuries past, of a commingled tissue of historical narrative and legendary invention, it has been heretofore read without judicious discrimination. Either the traditional account has been wholly accepted as historical, or it has been wholly rejected as fabulous, and thus, in either case, numerous errors have been the consequence.


As an example of the error which inevitably results from pursuing either of these methods of interpretation, one of which may be distinguished as the school of gross credulity, and the other as that of great skepticism, let us take the legend of the Temple origin of


(1) Chaldean Account of Genesis," p. 302. (2) Ibidem.


Masonry ‑ that is to say, the legend which places the organization of the Institution at the time of the building of the temple at Jerusalem.


Now, the former of these schools implicitly receives the whole legend as true in all its details, and recognizes King Solomon as the first Grand Master, with Hiram of Tyre and Hiram as his Wardens, who, with him, presided over the Craft, divided into three degrees, the initiation into which was the same as that practiced in the lodges of the present day, or at least not very unlike it.


Thus Dr. Anderson, who was the first to publicly promulgate this legend and the theory founded on it, says, in the second edition of his "Constitutions," that Hiram Abif, "in Solomon's absence, filled the chair as Deputy Grand Master, and, in his presence, was the Senior Grand Warden"; (1) and, again, that "Solomon partitioned the Fellow Crafts into certain lodges, with a Master and Wardens in each"; (2) and, lastly, that "Solomon was Grand Master of all Masons at Jerusalem. King Hiram was Grand Master at Tyre, and Hiram Abif had been Master of Work." (3) The modern rituals have made some change in these details, but we evidently see here the original source of the legend as it is now generally believed by the Fraternity.


Indeed, so firmly convinced of its truth are the believers in this legend, that the brand of heterodoxy is placed by them on all who deny or doubt it.


On the contrary, the disciples of the latter school, whose skepticism is as excessive as is the credulity of the former, reject as fabulous everything that tends to connect Freemasonry with the Solomonic temple. To the King of Israel they refuse all honor, and they contemptuously repudiate the theory that he was a Masonic dignitary, or even a Freemason at all. One of these Pyrrhonists has gone so far as to defile the memory of the Jewish monarch with unnecessary and unmerited abuse.


Between these two parties, each of which is misdirected by an intemperate zeal, come the iconoclasts ‑ impartial inquirers, who calmly and dispassionately seek for truth only. These disavow, it is true, the authenticity of the Temple legend in its present form. They deny that there is any proof which a historian could, by applying the just canons of criticism, admit as competent evidence, that Freemasonry was organized at the building of the temple of Solomon,


(1) Anderson, "Constitutions," 2d ed., chap. iii., p. 12. (2) Ibid., p. 13 (3) Ibid., p. 15


and hence they look for its origin at some other period and under different circumstances.


But they do not reject the myth connected with the temple as being wholly unworthy of consideration. On the contrary, they respect this legend as having a symbolic significance, whose value can not be overestimated. They trace its rise in the Old Constitutions; they find it plainly alluded to in the Legend of the Craft; and they follow it in its full development in the modern rituals. They thus recognize the influence that the story of the temple and its builders has exerted on the internal construction of the Order, and hence they feel no disposition to treat it, notwithstanding its historical inaccuracy, with contumely.


Knowing what an important part the legends and symbols of Freemasonry have performed in the progress of the Institution, and how much its philosophic system is indebted to them for all that is peculiar to itself, they devote their literary energies, not to the expurgation of this or any other myth or legend, but to the investigation of the questions how and when it arose, and what is its real significance as a symbol, or what foundation as a narrative it may have in history. And thus they are enabled to add important items to the mass of true Masonic history which they have been accumulating.


In short, the theory of the iconoclastic school is that truth and authenticity must always, and in the first place, be sought; that nothing must be accepted as historical which has not the internal and external evidences of historical verity, and that in treating the legends of Masonry ‑ of almost every one of which it may be said, "Se non vero, e ben trovato" ‑ if it is not true, it is well invented ‑ we are not to reject them as altogether fabulous, but as having some hidden and occult meaning, which, as in the case of all other symbols, we must diligently seek to discover. But if it be found that the legend has no symbolic significance, but is simply the distortion of a historical fact, we must carefully eliminate the fabulous increment, and leave the body of truth to which it had been added, to have its just value.


Such was the method pursued by the philosophers of antiquity; and Plato, Anaxagoras, and Cicero explained the absurdities of the ancient mythologists by an allegorical mode of interpretation.


To this school I have for years been strongly attached, and in the composition of this work I shall adopt its principles. I do not fear that the claims of Freemasonry to a time‑honored existence will be injured by any historical criticism, although the era in which it had its birth may not be admitted to be as remote as that assigned to it by Anderson or Oliver.


Iconoclastic criticism can not depreciate, but will rather elevate, the character of the Institution. It will relieve it of absurdities, will often explain the cause of anachronisms, will purify the fabulous element, and confine it within the strict domain of history.


It was a common reproach against the great Niebuhr that he had overthrown the whole fabric of early Roman history, and yet Dr. Arnold, the most competent of critics, has said of him that he had built up much more than he had destroyed, and fixed much that modern skepticism had rejected as fabulous on firmer historic grounds.


Following such a method as that pursued by the most learned of modern historians, it will be necessary, for a faithful and comprehensible investigation of the history of Masonry, to discriminate between the two periods into which it is naturally divided,






The HISTORIC embraces the period within which we have authentic documents in reference to the existence of the Order, and will be considered in the second part of this book.


The PREHISTORIC embraces the period within which we have no authentic memorials, and when we have to depend wholly on legends and traditions.


The legendary history of Masonry will, therefore, be commenced in the next chapter.


P. 9









IN the history of every ancient nation there is a prehistoric and a historic period.


The prehistoric period is that which has no records to prove the truth of the events that have been attributed to it. It is made up of myths and legends, founded ‑ some of them, in all probability ‑ on a distortion of historical facts, and some of them indebted entirely to imagination for their invention.


The historic period is that which begins with the narration of events which are supported by documents, either contemporary with the events or so recently posterior to them as to have nearly all the validity of contemporary evidence. Just such a division of periods as this we find in the history of Freemasonry.


The prehistoric period, more commonly styled the legendary history, embraces the supposed history of the rise and progress of the Institution in remote times, and details events said to have occurred, but which have no proof of their occurrence other than that of oral tradition, unsupported by that sort of documentary evidence which is essentially necessary to give a reliable character to an historical statement.


The historic period of Freemasonry commences with the time when written or printed records furnish the necessary testimony that the events narrated did actually occur.


In treating of the history of nations, scholars have found great difficulty in precisely defining the point of separation between the prehistoric and the historic periods. As in natural history, it is almost impossible to define the exact line of demarkation between any two consecutive classes of the kingdoms of nature so as to distinguish the highest species of a vegetable from the lowest of an animal organization, so in political history it is difficult to tell when the prehistoric period ends and the historic begins.


In Freemasonry we meet with the same embarrassment, and this embarrassment is increased according; to the different standpoints from which we view the institution.


If we adopt the theory (as has been done by a few writers too iconoclastic in their views) that Speculative Masonry never was anything but that which its present organization presents, with Grand Lodges, Grand Masters, and a ritual of distinct degrees, then we are compelled to place the commencement of the historic era at that period which has been called the Revival in the second decade of the 18th century.


If, with more liberal views, we entertain the opinion that Speculative Masonry was founded on, and is the offspring of, the Operative system of the Stonemasons, then we must extend our researches to at least the Middle Ages, where we shall find abundant documentary evidence of the existence and character of the Operative parent to which the Freemasonry of the present day, by a well‑marked transition, has succeeded.


Connecting the written history of the Operative Masons with that of its speculative offshoot, we have an authentic and continuous history that will carry us back to a period many centuries anterior to the time of the so‑called Revival in the year 1717.


If I were writing a history of Speculative Masonry merely, I should find myself restricted to an era, somewhere in the 17th century, when there is documentary evidence to show that the transition period began, and when the speculative obtruded into the Operative system.


But as I am really writing a history of Freemasonry, of which the Operative and the Speculative systems are divisions, intimately connected, I am constrained to go farther, and to investigate the rise and the progress of the Operative art as the precursor and the founder of the Speculative science.


The authentic details of the condition of Operative Masonry in the Middle Ages, of its connection, if it had any, with other organizations, and its transmutation at a later period into Speculative Masonry, will constitute the historic narrative of Freemasonry.


Its prehistoric narrative will be found in the myths and legends which were, unfortunately, for a long time accepted by the great body of the Craft as a true history, but which, though still credited by many, are yet placed by most modern Masonic scholars in their proper category.


These legends, some of which are preserved in the rituals, and some are becoming almost obsolete, have a common foundation in that traditional narrative which is known as the Legend of the Craft, (1) and which must first be understood before we can with satisfaction attempt to study the legendary history of the Institution.


But this legend is of such length and of so much importance that it demands for its consideration a separate and distinct chapter.


I, by no means, intend to advance the proposition that all the myths and legends now taught in the Lodges, or preserved in the works of Masonic writers, are to be found in the Legend of the Craft, but only the most important ‑ those that are still recognized by the more credulous portion of the Fraternity as genuine and authentic narratives ‑ receive their first notice in the Legend of the Craft, although they are indebted for their present, fuller form, to a development or enlargement, subsequently made in the course of the construction of the modern ritual.


(1) The Rev. Bro. Woodford calls it the "Legend of the Guild." But I prefer the title here used, because it does not lead to embarrassing questions as to the relation of the mediaeval Guilds to Freemasonry.                  


P. 12






ANDERSON tells us, in the second edition of the Book of Constitutions, that in the year 1719, "at some private Lodges several very valuable manuscripts concerning the Fraternity, their Lodges, Regulations, Charges, Secrets, and Usages, were too hastily burnt by some scrupulous Brothers, that these papers might not fall into strange hands." (1)


Fortunately, this destruction was not universal. The manuscripts to which Anderson alludes were undoubtedly those Old Constitutions of the Operative Masons, several copies of which, that had escaped the holocaust described by him, have since been discovered in the British Museum, in old libraries, or in the archives of Lodges, and have been published by those who have discovered them. (2)


These are the documents which have received the title of "Old Records," "Old Charges," or "Old Constitutions." Their general character is the same. Indeed, there is so much similarity, and almost identity, in their contents as to warrant the presumption that they are copies of some earlier document not yet recovered.


The earliest of these documents is a manuscript poem, entitled the Constitutiones artis geometriae, secundum Eucleydem, which is preserved in the British Museum, and which was published in 1840 by Mr. Halliwell, in his Early History of Freemasonry in England. The date of this manuscript is supposed to be about the year 1390. A second and enlarged edition was published in 1844.


The next of the English manuscripts is that which was published


(1) Anderson's " Constitutions," 1738, P. 111 (2) Among these writers we must not omit to mention Bro. William James Hughan, facile princeps of all Masonic antiquarians, who made, in 1872, a valuable contribution to this literature, under the title of "The Old Charges of the British Freemasons," the value of which is enhanced by the learned Preface of Bro. A.F.A. Woodford.


in 1861 by Bro. Matthew Cooke from the original in the British Museum, and which was once the property of Mrs. Caroline Baker, from whom it was purchased in 1859 by the Curators of the Museum. The date of this manuscript is supposed to be about 1490.


All the English Masonic antiquarians concur in the opinion that this manuscript is next in antiquity to the Halliwell poem, though there is a difference of about one hundred years in their respective dates. It is, however, mere guesswork to say that there were not other manuscripts in the intervening period. But as none have been discovered, they must be considered as non‑existent, and it is impossible even to conjecture, from any groundwork on which we can stand, whether, if such manuscripts did ever exist, they partook more of the features of the Halliwell or of the Cooke document, or whether they presented the form of a gradual transmission from the one to the other.


The Cooke MS. is far more elaborate in its arrangement and its details than the Halliwell, and contains the Legend of the Craft in a more extended form.


In the absence of any other earlier document of the same kind, it must be considered as the matrix, as it were, in which that Legend, in the form in which it appears in all the later manuscripts, was moulded.


In the year 1815, Mr. James Dowland published, in the Gentleman's Magazine, (1) the copy of an old manuscript which had lately come into his possession, and which he described as being "written on a long roll of parchment, in a very clear hand, apparently early in the 17th century, and very probably is copied from a manuscript of an earlier date." Although not as old as the Halliwell and Cooke MSS., it is deemed of very great value, because it comes next to them in date, and is apparently the first of that series of later manuscripts, so many of which have, within the past few years, been recovered. It is evidently based on the Cooke MS., though not an exact copy of it. But the later manuscripts comprising that series, at the head of which it stands, so much resemble it in details, and even in phraseology, that they must either have been copies made from it, or, what is far more probable, copies of some older and common original, of which it also is a copy.


(1) Gentleman's Magazine, vol. 85, P. 489, May, 1815.


The original manuscript which was used by Dowland for the publication in the Gentleman's Magazine is lost, or can not now be found. But Mr. Woodford and other competent authorities ascribe the year 1550 as being about its date.


Several other manuscript Constitutions, whose dates vary from the middle of the 16th to the beginning of the 18th century, have since been discovered and published, principally by the industrious labors of Brothers Hughan and Woodford in England, and Brother Lyon in Scotland.


The following list gives the titles and conjectural dates of the most important of these manuscripts: (1)


Halliwell MS.............              supposed,                  1390.


Cooke MS.................                        "                       1490.


Dowland MS. .............                       "                       1500.


Landsdowne MS........                                              1560.


York MS., No. 1..........






1600. Harleian MS., NO. 2054...




1625. Grand Lodge MS...........




1632. Sloane MS., NO. 3848.....


certain, 1646. Sloane MS., NO. 3323.....




1659. Harleian MS., No. 1942...


supposed, 1660. Aitcheson‑Haven MS. .....


certain, 1666. Edinburgh‑Kilwinning MS.. supposed, 1670. York MS., No. 5 .........




1670. York MS., No. 6..........




1680. Lodge of Antiquity MS....


certain, 1686. York MS., No. 2..........




1693. Alnwick MS...............






1701. York MS., No. 4..........




1704. Papworth MS..............


supposed, 1714.


All of these manuscripts begin, except the Halliwell poem, with an invocation to the Trinity. Then follows a descant on the seven liberal arts and sciences, of which the fifth, or Geometry, is said to be Masonry. This is succeeded by a traditional history of Masonry, from the days of Lamech to the reign of King Athelstan of England. The manuscripts conclude with a series of "charges," or regulations, for the government of the Craft while they were of a purely operative character. (1) I have relied on the excellent authority of Rev. A.F.A. Woodford for the dates. See Hoghan's "Old Charges of the British Freemasons," p. xii.


The traditional history which constitutes the first part of these "Old Records" is replete with historical inaccuracies, with anachronisms, and even with absurdities. And yet it is valuable, because it forms the germ of that system of Masonic history which was afterward developed by such writers as Anderson, Preston, and Oliver, and from whose errors the iconoclasts of the present day are successfully striving to free the Institution, so as to give its history a more rational and methodic form.


This traditional history is presented to us in all the manuscripts, in an identity of form, or, at least, with very slight verbal differences. These differences are, indeed, so slight that they suggest the strong probability of a common source for all these documents, either in the oral teaching of the older Masons, or in some earlier record that has not yet been recovered. The tradition seems always to have secured the unhesitating belief of the Fraternity as a true relation of the origin and the progress of Masonry, and hence it has received the title of the Legend of the Craft.


From the zealous care with which many manuscripts containing this legend were destroyed in 1719 by "scrupulous brothers" who were opposed to its publication, we might believe that it formed a part of the esoteric instructions of the Guild of Operative Masons. If so, it lost this secret character by the publication of Roberts's edition of the "Constitutions" in 1722.


In the earlier German and French Masonic records, such as the Ordenung dey Steinmetzen at Strasburg in 1462, and the Reglements sur les Arts et Metiers at Paris in the 12th century, there is no appearance of this legend. But it does not follow from this that no such legend existed among the French and German Masons. Indeed, as it is well known that early English Operative Masonry was derived from the continent, it is natural to suppose that the continental Masons brought the legend into England.


There is, besides, internal evidence in the English manuscripts of both French and German interpolations. The reference in the Legend to Charles Martel connects it with the French Masonry of the 12th century, and the invocation to the "Four Crowned Martyrs" (1) in the Halliwell MS. is undoubtedly of German origin. (2)


(1) Die heiligen Vier gekronten, "Ordenung der Steinmetz, zu Strasburg, 1459," and in all the other German Constitutions, (2) Findel thinks that this invocation to the Four Crowned Martyrs " must be regarded as a most decided proof of the identity of the German and English Stonemasons, and of their having one common parentage." ("Geschichte der Frei Maurerei." Lyon's translation, p. 31.) Woodford does not concur with this view, but I think without good reason.




The importance of this Legend in the influence that it exerted for a long period on the Craft as the accredited history of the Institution makes it indispensably necessary that it should form a part of any work that professes to treat of the history of Masonry.


For this purpose I have selected the Dowland MS., because it is admitted to be the oldest of those that assumed that general form which was followed in all the subsequent manuscripts, between which and it there is no substantial difference.













THE might of the Father of Kings, (1) with the wisdome of his glorious Son, through the grace of the goodness of the Holy Ghost, there bene three persons in one Godheade, be with us at our beginninge, and give us grace so to governe us here in this mortall life liveinge, that we may come to his kingdome that never shall have endinje. Amen.


"Good Bretheren and Followes: Our purpose is to tell you how and in what manner this worthy science of Masonrye was begunne, and afterwards how it was favoured by worthy Kings and Princes, and by many other worshippfull men. And also to those that be willings, wee will declare the charge that belongeth to any true Mason to keepe for in good faith. And yee have good heede thereto; it is well worthy to be well kept for a worthy craft and a curious science.


"For there be Seaven liberall Sciences, of the which seaven it is one of them. And the names of the Seaven Seyences bene these: First is Grammere, and it teacheth man to speake truly and write truly. And the second is Rhethoricke; and teacheth a man to speake faire in subtill termes. And the third is Dialectyke; and teacheth a man for to discern or know truth from false. And the fourth is Arithmeticke; and that teacheth a man for to recken and to accompte all manner of numbers. And the fifth is called Geometrie; and that teacheth mett and measure of earth and of all other things; of the which science is called Masonrye. And the sixth science is called Musicke; and that teacheth a man of songe and voice, of tongue and orgaine, harpe and trompe. And the seaventh science is called Ashonomye; and that teacheth a man the course of


(1) In the Landsdowne, and most of the other MSS., the formula is "the Father of the Heavens," or "of Heaven."


the sunn, moone and starts. These be the Seaven liberall Sciences, the which bene all founded by one Science, that is to say Geometric. And this may a man prove, that the science of the work is founded by Geometric, for Geometrie teacheth a man mett and measure, ponderation and weight, of all manner of things on earth, for there is no man that worketh any science, but he worketh by some mett or measure, nor no man that buyeth or selleth, but he buyeth or selleth by some measure or by some weight, and all these is Geometric. And these use merchants and all craftsmen, and all other of the Seaven Sciences, and in especiall the plowman and tillers of all manner of grounds, graynes, vynes, flowers and setters of other fruits; for Grammere or Retricke, neither Astronomie nor none of all the other Seaven Sciences can no manner find mett nor measure without Geometric. Wherefore methinketh that the science of Geometrie is most worthy, and that findeth (1) all other.


"How that these worthy Sciences were first begunne, I shall you tell. Before Noye's flood, there was a man called Lameche, as it is written in the Byble in the iiijth chapter of Genesis; and this Lameche had two wives, and the one height Ada, and that other height Sella; by his first wife Ada he gott two sons, and that one Jabell and thother Tuball, and by that other wife Sella he got a son and a daughter. And these four children founden the beginning of all sciences in the world. And this elder son Jabell found the science of Geometric, and he departed flocks of sheep and lambs in the field, and first wrought house of stone and tree, (2) as is noted in the chapter above said. And his brother Tuball found the science of musicke, songe of tonge, harp and orgaine. And the third brother, Tuball Cain, found smithcraft of gold, silver, copper, iron and steele; and the daughter found the craft of Weavinge. And these children knew well that God would take vengeance for synn, either by fire or by water; wherefore they writt their science that they had found in two pillars of stone, that they might be found after Noye's flood. And that one stone was marble, for that would not burn with fire; and


(1) Used in its primitive Anglo‑Saxon meaning of "to invent, to devise." Geometry invented or devised all the other sciences. (2) This is an instance of the inaccuracy of these old records in historical lore. So far from Jabal being the first who "wrought house of stone and tree," he was the originator of the nomadic life, in which such buildings are never used. He invented tents, made most probably of skins, to be the temporary residence of a pastoral people, led by the exigency of a want of food to remove their flocks from time to time to new pastures.


that other stone was clepped laterns, (1) and would not drown in noe water.


"Our intent is to tell you trulie how and in what manner these stones were found that these sciences were written in. The great Hermarynes, that was Cuby's son, the which Cub was Sem's son, that was Noy's son. This Hermarynes afterwards was called Harmes, the father of wise men; he found one of the two pillars of stone, and found the science written there, and he taught it to other men. And at the making of the Tower of Babylon there was Masonrye first made much of. And the Kinge of Babylon that height Nemrothe, (2) was a mason himself; and loved well the science, and it is said with masters of histories. And when the City of Nyneve and other cities of the East should be made, Nemrothe, the King of Babylon, sent thither three score Masons at the rogation of the King of Nyneve, his cosen. And when he sent them forth, he gave them a charge on this manner. That they should be true each of them to other, and that they should love truly together, and that they should serve their lord truly for their pay; soe that the master may have worshipp and all that long to him. And other moe charges he gave them. And this was the first time that ever Masons had any charge of his science.


"Moreover when Abraham and Sara his wife went into Egipt, there he taught the Seaven Sciences to the Egiptians; and he had a worthy scoller that height Ewclyde, (3) and he learned right well and was a master of all the vij Sciences liberall. And in his days it befell that the lord and the estates of the realme had soe many sonns that they had gotten, some by their wives and some by other ladyes of the realme; for that land is a hott land and a plentious of generacion. And they had not competent livelode to find with their children, wherefor they made much care, and then the king of the land made a great Counsell and a Parliament, to witt, how they might find their children honestly as gentlemen; and they could find no manner of good way. And then they did crye through all the realme, if there were any man that informe them, that he should come to them, and he should be soe rewarded for his travail, that he should hold him pleased.


(1) This word is a corruption of the Latin "later," brick. (2) Nimrod. (3) Bro. Matthew Cooke, in his Notes to the MS. which he was the first to publish, and which thence bears his name, protests against being held responsible for the chronology which makes Abraham and Euclid contemporaries. It will hereafter be seen that this legend of Euclid is merely a symbol.


"After that this crye was made, then came this worthy clarke Ewclyde and said to the king and all his great lords, 'If yee will take me your children to governe, and to teach them one of the Seaven Scyences, wherewith they may live honestly as gentlemen should, under a condition, that yee will grant me and them a commission that I may have power to rule them after the manner that the science ought to be ruled.' And that the kinge and all his Counsell granted to him anone and sealed their commission. And then this worthy Doctor tooke to him these lord's sonns, and taught theat the scyence of Geometrie in practice, for to work in stones all manner of worthy worke that belongeth to buildinge churches, temples, castells, towres, and mannors, and all other manner of buildings; and he gave them a charge in this manner.


"The first was that they should be true to the Kynge, and to the Lord that they owe. And that they should love well together and be true each one to other. And that they should call each other his fellowe or else brother and not by servant nor his knave, nor none other foul name. And that they should deserve their pale of the lord or of the master that they serve. And that they should ordaine the wisest of them to be master of the worke and nether for love nor great lynneage, ne riches ne for no favour to lett another that hath little conning for to be master of the lord's worke, wherethrough the lord should be evill served and they ashamed. And also that they should call their governors of the worke, Master, in the time that they worke with him. And other many moe charges that longe to tell. And to all these charges he made them to sweare a great oath that men used in that time; and ordayned them for reasonable wages, that they might live honestly by. And also that they should come and semble together every yeare once, how they might worke best to serve the lord for his profitt and to their own worshipp; and to correct within themselves him that had trespassed against the science. And thus was the seyence grounded there; and that worthy Mr. Ewclyde gave it the name of Geometrie. And now it is called through all this land, Masonrys.


"Sythen longe after, (1) when the children of Israell were coming into the land of Beheast, (2) that is now called amongst us, the country of


(1) Since then long after‑long after that time. (2) The Land of Promise, or the Promised Land. "Beheste Promissio," says the Promptorium Parvulorum.


Jhrlm. Kinge David began the Temple that they called Templum D'ni, and it is named with us the Temple of Jerusalem. And the same Kinge David loved Masons well and cherished them much, and gave them good pale. And he gave the charges and the manners as he had learned of Egipt given by Ewclyde, and other charges moe that ye shall heare afterward. And after the decease of Kinge David, Solomon, that was David's sonn, performed out the Temple that his father begonne; and sent after Masons into divers countries and of divers lands; and gathered them together, so that he had fourscore thousand workers of stone, and were all named Masons. And he chose out of them three thousand that were ordayned to be masters and governors of his worke. And furthermore there was a Kinge of another region that men called Iram, (1) and he loved well Kinge Solomon and he gave him tymber to his worke. And he had a sonn that height Aynon, (2) and he was a Master of Geometric, and was chief Master of all his Masons, and was Master of all his gravings and carvinge, and of all manner of Masonrye that longed to the Temple; and this is witnessed by the Bible, in libro Regum, the third chapter. And this Solomon confirmed both charges and the manners that his father had given to Masons. And thus was that worthy Science of Masonrye confirmed in the country of Jerusalem, and in many other kingdoms.


"Curious craftsmen walked about full wide into divers countryes, some because of learning more craft and cunning, and some to teach them that had but little cunnynge. And soe it befell that there was one curious Mason that height Maymus Grecus,' that had been at the making of Solomon's Temple, and he came into France, and there he taught the science of Masonrye to men of France. And there was one of the Regal line of France that height Charles Martell; (4) and he was a man that loved well such a science, and drew to this Maymus Grecus that is above‑said, and learned of him the science, and tooke upon him the charges and manners; and afterwards by the


(1) It is scarcely necessary to explain that this is meant for Hiram. (2) The true origin and meaning of this name, for which some of the modern Speculative Masons have substituted Hiram, Abiff, and others Adoniram, will be hereafter discussed. (3) This name has been a Sphinxian enigma which many a Masonic CEdipos has failed to solve. I shall recur to it in a subsequent page. (4) The introduction of this monarch into the Legend leads us to an inquiry into an interesting period of French Masonic history that will be hereafter discussed.


grace of God, he was elect to be Kinge of Fraunce. And when he was in his estate, he tooke Masons, and did helpe to make men Masons that were none; and set them to worke, and gave them both the charge and the manners and good pale, as he had learned of other Masons; and confirmed them a charter from yeare to yeare, to hold their semble when they would; and cherished them right much; and thus came this science into Fraunce.


"England in all this season stood voyd, as for any charge of Masonrye unto St Adbones (1) tyme. And in his days the King of England that was a Pagan, he did wall the towne about, that is called Sainct Albones. And Sainct Albones was a worthy Knight and stewart with the Kinge of his household, and had governance of the realme, and also of the makinge of the town walls; and loved well Masons and cheished them much. And he made their paie right good, standing as the realme did; for he gave them ij.s. vjd. a weeke and iij.d. to their nonesynches. (2) And before that time, through all this land, a Mason tooke but a penny a day and his meate, till Sainct Albones amended it, and gave them a chartour of the Kinge and his Counsell for to hold a general councell, and gave it the name of Assemble; and thereat he was himselfe, and helped to make Masons and gave them charges as you shall heare afterward.


"Right soon after the decease of Sainct Albone, there came divers wars into the realme of England of divers Nations soe that the good rule of Masonrye was destroyed unto the tyme of Kinge Athelstone's days that was a worthy Kinge of England and brought this land into good rest and peace; and builded many great works of Abbyes and Toures, and other many divers buildings; and loved well Masons. And he had a sonne that height Edwinne, and he loved Masons much more than his father did. And he was a great practiser in Geometric; and he drew him much to talke and to commune with Masons, and to learn of them science; and afterwards for love that he had to Masons, and to the science, he was made Mason, and he gatt of the Kinge his father, a Chartour and Commission to hold every yeare (1) St. Alban, the protomartyr of England. Of his connection with the Legend, more hereafter. (2) A corruption of the old English word noonshun, from which comes our modern luncheon. It meant the refreshment taken at noon, when laborers desist from work to shun the heat. It may here mean food or subsistence in general. St. Alban gave his Masons two shillings a week and three pence for their daily food. (See Nonesynches in ,Mackey's " Encyclopzedia of Freemasonry.")


once an Assemble, wher that ever they would, within the realme of England; and to correct within themselves defaults and trespasses that were done within the science. And he held himselfs an Assemble at Yorke, (1) and these he made Masons, and gave them charges, and taught them the manners, and commanded that rule to be kept ever after, and tooke then the chartour and commission to keepe, and made ordinance that it should be renewed from kinge to kinge.


"And when the Assemble was gathered he made a cry that all old Masons and young that had any writeinge or understanding of the charges and the manners that were made before in this land, or in any other, that they should show them forth. And when it was proved, there were founden some in French, and some in Greek, and some in English and some in other languages; and the intent of them all was founden all one. And he did make a booke thereof, and how the science was founded. And he himselfe bad and commanded that it should be readd or tould, when that any Mason should be made for to give him his charge. And fro that day into this tyme manners of Masons have been kept in that form as well as men might governe it. And furthermore divers Assembles have beene put and ordayned certain charges by the best advice of Masters and fellows."


Then follow the charges that are thus said to have been enacted at York and at other General Assemblies, but which properly constitute no part of the Legend, at least no part connected with the legendary details of the rise and progress of the Institution. The Legend ends with the account of the holding of an Assembly at York, and other subsequent ones, for the purpose of enacting laws for the government of the Order.


(1) This part of the Legend which refers to Prince Edwin and the Assembly at York is so important that it demands and will receive a future comprehensive examination.


P. 24





THERE is one manuscript which differs so much from all the others in its form and in its contents as to afford the strongest internal evidence that it is derived from a source entirely different from that which gave origin to the other and later documents.


I allude to what is known to Masonic anti‑quaries as the Halliwell MS. As this is admitted to be the oldest Masonic document extant, and as some very important conclusions in respect to the early history of the Craft are about to be deduced from it, a detailed account of it will not be deemed unnecessary.


This work was first published in 1840 by Mr. James Orchard Halliwell, under the title of "A Poem on the Constitutions of Masonry," (1) from the original manuscript in the King's Library of the British Museum. Mr. Halliwell, who subsequently adopted the name of Phillips, is not a member of the Brotherhood, and Woodford appropriately remarks that "it is somewhat curious that to Grandidier and Halliwell, both non‑Masons, Freemasonry owes the impetus given at separate epochs to the study of its archaeology and history." (2)


Halliwell says that the manuscipt formerly belonged to Charles Theyer, a well‑known collector of the 17th century. It is undoubtedly the oldest Masonic MS. extant. Messrs. Bond and Egerton of the British Museum consider its date to be about the middle of the 15th century. Kloss (3) thinks that it was written between the years 1427 and 1445. Dr. Oliver (4) maintains that it is a transcript of the Book of Constitutions adopted by the General Assembly, held


(1) In a brochure entitled "The Early History of Freemasonry in England." A later improved edition was published in 1844. (2) In Kenning's "Encyclopeadia," voc. Halliwell. (3) "Die Freimaur in ihrer wahren Bedentung." S. 12. (4) American Quart. Rev. of Freemasonry, vol. i., p. 547.


in the year 926, at the City of York. Halliwell himself places the date of the MS. at 1390. Woodford (1) concurs in this opinion. I am inclined to think that this is the true date of its transcription.


The manuscript is in rhymed verse, and consists of 794 lines. At the head of the poem is the inscription: "Hic incipiunt constitluciones artis gemetria, secundum Euclydem." The language is more archaic than that of Wicliffe's version of the Bible, which was written toward the end of the 14th century, but approaches very nearly to that of the Chronicles of Robert of Gloucester, the date of which was at the beginning of the same century. Therefore, if we admit that the date of 1390, attributed by Halliwell and Woodford to the transcription in the British Museum, is correct, we may, I think, judging by the language, safely assign to the original the date of about 1300. Further back than this, philology will not permit us to go.


Lines 1‑86 of this MS. contain the history of the origin of geometry, or Masonry, and the story of Euclid is given at length, much like that which is in the Legend of the Craft. But no other parts of that Legend are referred to, except the portion which records the introduction of Masonry into England. From the narrative of the establishment of Masonry in Egypt by Euclid, the poem passes immediately to the time when the "craft com unto Englond." Here the legendary story of King Athelstan and the Assembly called by him is given, with this variation from the common Legend, that there is no mention of the city of York, where the Assembly is said to have been held, nor of Prince Edwin, who summoned it.


Lines 87 ‑ 470 contain the regulations which were adopted at that Assembly, divided into fifteen articles and the same number of points. There is a very great resemblance, substantially, between these regulations and the charges contained in the subsequent or second set of Manuscript Constitutions. But the regulations in the Halliwell poem are given at greater length, with more particularity and generally accompanied with an explanation or reason for the law.


After an interpolation, to be referred to hereafter, the poem proceeds under the title of "Ars quatuor coronatorum," The Art of


(1) Preface to Hughan's "Old Charges," p. vii.


the Four Crowned Ones, a title never applied to Masonry in the later and purely English manuscripts. We have first an invocation to God and the Virgin, and then the Legend of the Four Crowned Martyrs, which ends on line 534.


Now this Legend of the Four Crowned Martyrs (1) ‑ die Vier Gekronten ‑ is found in none of the purely English manuscripts, but is of German origin, and peculiar to the German Steinmetzen or Stone Masons of the Middle Ages. Its introduction in this manuscript is an evidence of the German origin of the document, and, as Findel (2) says, "must be regarded as a most decided proof of the identity of the German and English Stone Masons, and of their having one common parentage."


The details of this Legend close at the 534th line, and the poem then proceeds to give a small and imperfect portion of what is known in our later manuscripts as the Legend of the Craft.


I am persuaded that all this part of the poem has been dislocated from its proper place, and that in the original the lines from 535 to 576 formed a portion of the Legend of the Craft, as it must have been inserted in the introductory part of the second manuscript. I think so, first, because in all other manuscripts the Legend forms the exordium and precedes the charges; secondly, because it has no proper connection with or sequence to the Legend of the Four Crowned Martyrs which precedes it, and which terminates on the 354th line; and lastly, because it is evidently an interruption of the religious instructions which are taken up on line 577, and which naturally follow line 534. The writer having extolled the Christian steadfastness and piety of the four martyrs whose feast he tells us is on the eighth day after Allhalloween, proceeds on line 576 to admonish his readers to avoid pride and covetousness and to practice virtue. There is here a regular and natural connection, which, however, would be interrupted by the insertion between the two clauses of an imperfect portion of a legend which has reference to the very beginning of the history of Masonry. Hence I conclude that all that part of the Legend which described the events that were connected with Noah's Flood and the Tower of Babel is an interpolation, and belongs to another manuscript and to another place.


(1) See the full details of this Legend in Mackey's "Encyclopeadia of Freemasonry," art. Four Crowned Martyrs. (2) "History of Freemasonry," Lyon's Trans., p. 31.


In fact, the copyist had two manuscripts before him, and he transcribed sometimes from one and sometimes from the other, apparently with but little judgment, or, rather, he copied the whole of one and then interpolated it with extracts from the other without respect to any congruity of subjects.


The rest of the poem is occupied with instructions as to behavior when in church, when in the company of one's superiors, and when present at the celebration of the mass. The whole ends with what we find in no other manuscript, the now familiar Masonic formula, "Amen, so mote it be."


Line 471 furnishes, I think, internal evidence that the poem was originally composed of two distinct works, written, in all probability, by two different persons, but in the copy which we now have, combined in one by the compiler or copyist. Mr. Woodford also is of the opinion that there are two distinct poems, although the fact had not attracted the attention of Halliwell. The former gentleman says that "it seems to be in truth two legends, and not only one." This is evident, from the fact that this second part is prefaced by the title, "Alia ordinacio artis gemetriae," that is, "Another Constitution of the art of geometry." This title would indicate that what followed was a different Ordinacio or Constitution and taken from a different manuscript. Besides, line 471, which is the beginning of the other or second Constitution, does not fall into its proper place in following line 470, but is appropriately a continuation of line 74. To make this evident, I copy lines 70‑74 from the poem, and follow them by lines 471‑474, whence it will be seen that the latter lines are an appropriate and natural continuation of the former.


Line 70. He sende about ynto the londe


71. After alle the masonus of the crafte,


72. To come to hym ful evene stragfte


73. For to amende these defaultys alle


74. By good counsel gef it hyt mytgh falle.




471. They ordent ther a semble to be y‑holde


472. Every yer, whersever they wolde


473. To amende the defautes, gef any where fonde


474. Amonge the craft withynne the londe.


The second manuscipt seems to have been copied from line 471, as far as line 496. There, I suppose, the charges or regulations to have followed, which having been given from the first manuscript the copyist omitted, as a needless repetition, but went on immediately with the "ars quatuor coronatorum." This ended at line 534. It is now evident that he went back to a preceding part of the second manuscript and copied the early account of Masonry from line 535 to 576. The bare reading of these lines will convince the reader that they are not in their proper place, and must have formed a part of the beginning of the second poem.


Line 577 appropriately follows line 534, when the interpolation is left out, and then the transcription is correctly made to the end of the poem. The first manuscript was apparently copied correctly, with the exception of the two interpolations from the second MS. There is a doubt whether the Legend of the Crowned Martyrs belonged to the first or to the second poem. If to the first, then we have the whole of the first poem, and of the second only the interpolations. This is, however, a mere conjecture without positive proof. Yet it is very probable.


On the whole, the view I am inclined to take of this manuscript is as follows:


1. There were two original manuscripts, out of which the copyist made a careless admixture.


2. The first MS. began with line 1 and went on to the end at line 794. But this is only conjectural. It may have ended, or rather the copying ceased, at line 470.


3. If the conjecture just advanced be correct, then from a second MS. the copyist made interpolations, in the following way.


4. The beginning of the second MS. is lost. But from very near the commencement, which probably described the antediluvian tradition of Lamech, the copyist had selected a portion which begins with line 535 and ends at line 576. He had previously interpolated the lines from 471 to 496.


5. We have, then, the whole of the first manuscript, from the 1st line to the 794th, with the addition of two interpolations from the second, consisting only of 68 lines, namely: from line 471 to 496, and from line 535 to 576.


6. The first manuscript is deficient in any references to antediluvian Masonry, but begins with the foundation of Masonry in Egypt, as its title imports. This deficiency was, in part, supplied by the second interpolation (535‑596). This part begins with the building of Babel. But it is evident from the words, "many years after," that there was a preceding part to this manuscript that has not been copied. The "many years after" refer to some details that had been previously made. The account of the Seven Sciences, found in all later manuscripts, is not given in the first poem. It is inserted in this from the second.


7. So of the poem in the form we now have it, the parts copied from the second MS. consist only of 68 lines, which have been interpolated in two places into the first MS. ‑ namely, lines 471 ‑ 496, and lines 535‑576; and these have been dislocated from their proper places. All the rest of the poem constitutes the original first manuscript. If I hesitate at all in coming to the positive conclusion that the first and last parts of the poem were composed by the same author, it is because the latter is written in a slightly different metre. This, therefore, leaves the question where the first poem ends and where the second begins, still open to discussion.


The variations which exist between the Halliwell poem, or, rather, poems, and other Masonic manuscripts of later date, are very important, because they indicate a difference of origin, and, by the points of difference, suggest several questions as to the early progress of Masonry in England.


1. The form of the Halliwell MS. differs entirely from that of the others. The latter are in prose, while the former is in verse. The language, too, of the Halliwell MS. is far more antiquated than that of the other manuscripts, showing that it was written in an earlier stage of the English tongue. It belongs to the Early English which succeeded the Anglo‑Saxon. The other manuscripts were written at a later period of the language.


2. The Halliwell MS. is evidently a Roman Catholic production, and was written when the religion of Rome prevailed in England. The later manuscripts are all Protestant in their character, and must have been written after the middle of the 16th century, at least, when Protestantism was introduced into that country by Edward VI. and by Queen Elizabeth. (1)


The different religious character of the two sets of manuscripts


(1) Edward VI. reigned from 1547‑1553; Elizabeth reigned from 1558‑1603; the interval was occupied by the Roman Catholic reign of Mary. But the archaic style of the "Halliwell MS." forbids any theory of its having been written during that intermediate period.


is very patent. We see ecclesiastical influence very strongly manifested in the Halliwell MS. So marked is this that Mr. Halliwell supposes that it was written by a priest, which, I think, is not impossible, although not for the reason he assigns, which is founded on his incorrect translation of a single word. (1)


But the Roman Catholic character of the poem is proven by lines 593‑692, which are occupied in directions how the mass is to be heard; and, so ample are these directions as to the ritual observance of this part of the Roman Catholic worship, that it is very probable that they were written by a priest.


In the subsequent manuscripts we find no such allusions. Freemasonry, when these documents were written, was Christian in its character, but it was Protestant Christianity. The invocation with which each one begins is to the Trinity of Father, Son, and Holy Ghost; but no mention is made, as in the Halliwell MS. of the Virgin and the saints. The only reference to the Church is in the first charge, which is, "that you shall be a true man to God and the holy Church, and that you use no heresy nor error by your understanding or teaching of discreet men" ‑ a charge that would be eminently fitting for a Protestant Christian brotherhood.


On referring to the first charge adopted after the revival in 1717 by the Grand Lodge of England, we find that then, for the first time, the sectarian character was abandoned, and the toleration of a universal religion adopted.


Thus it is said in that charge: "Though in ancient times Ma‑


(1) A philological note may, here, be not uninteresting. Mr. Halliwell, in support of his assertion that the writer of the poem was a priest, quotes line 629: "And, when the Gospel me rede schal" ‑ where he evidently supposes that me was used instead of I, and that the line was to be translated‑ "when I shall read the Gospel." But in none of the old manuscripts is the flagrant blunder committed of using the accusative me in place of the nominative Y or I. The fact is, that the Anglo‑Saxon man, signifying one, or they, like the French on in "on dit," as "man dyde," one or they did, or it was done, gave way in Early English to me, used in the same sense. Examples of this may be found in the writers who lived about the time of the composition of the "Halliwell MS." A few may suffice. In the Ayenbite of Inwyt is the following line: "Ine the ydele wordes me zeneyeth ine vif maneres," that is, "In the idle word one sinneth in five ways." Again, in Robert of Gloucester's Chronicle are these phrases "By this tale me may yse," i.e.: "By this tale may be seen," Story of Lear, line 183. And best me may to hem truste," i.e.: "And they may be trustedliest," ib., 1. 184. "The stude that he was at yslawe me cleputh yet Morgan," i.e.: "The place where he was slain is called Morgan still," ib., 1. 213. And the line in the Halliwell poem, which Mr. Halliwell supposed to mean, "And when I shall read the Gospel," properly translated, is, " And when the Gospel shall be read." It furnishes, therefore, no proof that the writer was a priest.


sons were charged in every country to be of the religion of that country or nation, whatever it was, yet 'tis now thought more expedient only to oblige them to that religion in which all men agree, leaving their particular opinions to themselves." (1)


Now, comparing the religious views expressed in the oldest Masonic Constitution of the 14th century, with those set forth in the later ones of the 16th and 17th, and again with those laid down in the charge of 1717, we find an exact record of the transitions which from time to time took place in the religious aspect of Freemasonry in England and in some other countries.


At first it was Roman Catholic in its character, and under ecclesiastical domination.


Then, after the Reformation, rejecting the doctrines of Rome and the influence of the priesthood, it retained its Christian character, but became Protestant in its peculiar views.


Lastly, at the time of the so‑called Revival, in the beginning of the 18th century, when Speculative Masonry assumed that form which it has ever since retained, it abandoned its sectarian character, and adopted a cosmopolitan and tolerant rule, which required of its members, as a religious test, only a belief in God.


(1) Anderson's " Constitutions," 1st ed, 1723, P. 50.


P. 32






ALL these facts concerning the gradual changes in the religious character of the Institution, which by a collation of the old manuscripts we are enabled to derive from the Legend of the Craft, are corroborated by contemporaneous historical documents, as will be hereafter seen, and thus the "Legend," notwithstanding the many absurdities and anachronisms which deface it, becomes really valuable as an historical document.


But this is not all. In comparing the Halliwell poem with the later manuscripts, we not only find unmistakable internal evidence that they have a different origin, but we learn what that origin is.


The Halliwell poem comes to us from the Stonemasons of Germany. It is not, perhaps, an exact copy of any hitherto undiscovered German document, but its author must have been greatly imbued with the peculiar thoughts and principles of the German "Steinmetzen" of the Middle Ages.


The proof of this is very palpable to any one who will carefully read the Halliwell poem, and compare its idea of the rise and progress of Geometry with that exhibited in the later manuscript Constitutions.


These latter trace the science, as it is always called, from Lamech to Nimrod, who "found" or invented the Craft of Masonry at the building of the Tower of Babel, and then to Euclid, who established it in Egypt, whence it was brought by the Israelites into Judea, and there again established by David and Solomon, at the building of the Temple. Thence, by a wonderful anachronism it was brought into France by one Namus Grecus, who had been a workman at the Temple, and who organized the Science in France under the auspices of Charles Martel. From France it was carried to England in the time of St. Alban. After a long interruption in consequence of the Danish and Saxon wars, it finally took permanent root at York, where Prince Edwin called an Assembly, and gave the Masons their charges under the authority of a Charter granted by King Athelstan.


It will be observed that nowhere in this later Legend is there any reference to Germany as a country in which Masonry existed. On the contrary, the Masonry of England is supposed to have been derived from France, and due honor is paid to Charles Martel as the founder of the Order in that kingdom.


Hence we may rationally conclude that the Legend of the Craft was modified by the influence of the French Masons, who, as history informs us, were brought over into England at an early period.


In this respect, authentic history and the Legend coincide, and the one corroborates the other.


Different from all this is the Legend of the Halliwell poem, the internal evidence clearly showing a Germanic origin, or at least a Germanic influence. The Rev. Bro. Woodford objects to this view, because, as he says, "the Legend was then common to both countries." But with all due respect, I can not but look upon this argument as a sort of petitio principi. The very question to be determined is, whether this community of belief, if it existed at that time, did not owe its origin to an importation from Germany. It is certain that in none of the later English manuscripts is there any allusion to the Four Crowned Martyrs, who were the recognized patrons of German Operative Masonry.


The variations of the Halliwell poem from the later manuscripts are as follows: It omits all reference to Lamech and his sons, but passing rapidly over the events at the Tower of Babel, the building of which it ascribes to Nebuchadnezzar, it begins (if we except a few lines interpolated in the middle of the poem) with the Legend of Euclid and the establishment of Masonry by him in Egypt.


There is no mention of King Solomon's Temple, whereas the history of the building of that edifice, as a Masonic labor, constitutes an important part of all the later manuscripts.


The Legend of the Four Crowned Martyrs, concerning whom all the later manuscripts are silent, is given at some length, and they are described as "gode masonus as on erthe schul go." These were the tutelar saints of the German Operative Masons of the Middle Ages, but there is no evidence that they were ever adopted as such by the English brotherhood.


There is no allusion in the Halliwell poem to Charles Martel, and to the account of the introduction of Masonry into England from France, during his reign, which forms a prominent part of all the later manuscripts.


Neither is there any notice of the Masonry in England during the time of St. Alban, but the poem attributes its entrance into that country to King Athelstan.


Lastly, while the later manuscripts record the calling of the Assembly at the city of York by Prince Edwin, the Halliwell makes no mention of York as the place where the Assembly was called, nor of Edwin as presiding over it. This fact demolishes the theory of Dr. Oliver, that the Halliwell poem is a copy of the so‑called Old York Constitutions.


From all these considerations, I think that we are justified in assigning to the Halliwell poem and to the other later manuscripts two different sources. The former is of Germanic, and the latter of French origin. They agree, however, in a general resemblance, diversified only in the details. This suggests the idea of a common belief, upon which, as a foundation, two different structures have been erected.












THE Legend of the Craft, as it has been given in the fourth chapter of this work from the exemplar in the Dowland MS., appears to have been accepted for centuries by the body of the Fraternity as a truthful history. Even at the present day, this Legend is exerting an influence in the formation of various parts of the ritual. This influence has even been extended to the adoption of historical views of the rise and progress of the Institution, which have, in reality, no other foundation than the statements which are contained in the Legend.


For these reasons, the Legend of the Craft is of great importance and value to the student of Masonic history, notwithstanding the absurdities, anachronisms, and unsupported theories in which it abounds.


Accepting it simply as a document which for so long a period claimed and received the implicit faith of the Fraternity whose history it professed to give ‑ a faith not yet altogether dead ‑ it is worthy of our consideration whether we can not, by a careful examination of its general spirit and tenor, irrespective of the bare narrative which it contains, discover some key to the true origin and character of that old and extensive brotherhood of which it is the earliest record.


I think that we shall find in it the germ of many truths, and the interpretation of several historic facts concerning which it makes important suggestions.


In the first place, it must be remarked that we have no way of determining the precise period when this Legend was first composed, nor when it was first accepted by the Craft as a history of the Institution. The earliest written record that has been discovered among English Masons bears a date which is certainly not later than about the end of the 14th century. But this by no means proves that no earlier exemplar ever existed, of which the Constitutions, which have so far been brought to light, may only be copies.


On the contrary, we have abundant reason to believe that all the Old Records which have been published are, with the exception of the Halliwell MS., in fact derived from some original text which however, has hitherto escaped the indefatigable researches of the investigators. If, for instance, we take the Sloane MS., No. 3,848, the assumed date of which is A.D. 1646, and the Harleian MS., NO. 2,054, the date of which is supposed to be A.D. 1650, and if we carefully collate the one with the other, we must come to the conclusion either that the latter was copied from the former, or that both were copied from some carlier record, for whose exhumation from the shelves of the British Museum, or from the archives of some old Lodge, we may still confidently hope.


The resemblances in language and ideas, and the similarity of arrangement that are found in both documents, very clearly indicate a common origin, while the occasional verbal discrepancies can be safely attributed to the carelessness of an inexpert copyist. Brother Hughan, (1) who is high authority, styles the Harleian, from its close resemblance, "an indifferent copy" of the Sloane. The Rev. A.F.A. Woodford, (2) who assigns the earlier date of 1625 to the original Harleian, says it "is nearly a verbatim copy of Dowland's form, slightly later, and must have been transcribed either from an early, and almost contemporary, copy of Dowland's, or it is really a copy of Dowland's itself." These opinions by experts strengthen the view I have advanced, that there was a common origin for all of these manuscripts.


If we continue the collation of the manuscripts of later date, as far, even, as the Papworth, which is supposed to have been transcribed about the year 1714, the same family likeness will be found in all. It is true, that in the transcription of the later manuscripts ‑ those, for example, that were copied toward the end of the 17th and the beginning of the 18th centuries ‑ the language has been improved, some few archaisms have been avoided, and more recent words substituted for them. Scriptural names have been sometimes spelt with a greater respect for correct orthography, and a feeble


(1) "Old Charges of the Brit. Freemasons," p. 8. (2) Preface to Hughan's "Old Charges," p. xi.


attempt has been made to give a modern complexion to the document. But in all of them there is the same misspelling of words, the same violations of the rules of grammar, the same arrangement of the narrative, and a preservation and repetition of all the statements, apocryphal and authentic, which are to b)e found in the earliest exemplars.


I have said that the Legend of the Craft, as set forth in the later manuscripts, was for centuries accepted by the Operative Masons of England, with all its absurdities of anachronism, as a veritable history of the rise and progress of Masonry from the earliest times, and that the influence of this belief is still felt among the Speculative Masons of the present day, and that it has imbued the modern rituals with its views.


This fact gives to this Legend an importance and a value irrespective of its character as a mere Legend. And its value will be greatly enhanced if we are able to show that, notwithstanding the myths with which it abounds, the Legend of the Craft really contains the germ of historical truth. It is, indeed, an historical myth ‑ one of that species of myths so common in the mythology of antiquity, which has a foundation in historical truth, with the admixture of a certain amount of fiction in the introduction of personages and circumstances, that are either not historical, or are not historically treated. Indeed, it may be considered as almost rising into the higher class of historical myths, in which the historical and truthful greatly predominate over the fictitious. (1)


In the contemplation of the Legend of the Mediaeval Masons from this point of view, it would be well if we should govern ourselves by the profound thought of Max Muller, (2) who says, in writing on a cognate subject, that "everything is true, natural, significant, if we enter with a reverent spirit into the meaning of ancient art and ancient language. Everything becomes false, miraculous, and unmeaning, if we interpret the deep and mighty words of the seers of old in the shallow and feeble sense of modern chroniclers."


Examined in the light of this sentiment, which teaches us to look upon the language of the myth, or Legend, as containing a deeper meaning than that which is expressed upon its face, we shall


(1) For a classification of myths into the historical myth and the mythical history, see the author's treatise on the "Symbolism of Freemasonry," P‑ 347. (2) "Science of Language," 2d series, p. 578.


find in the Legend of the Craft many points of historical reference, and, where not historical, then symbolical, which will divest it of much of what has been called its absurdities.


It is to an examination of the Legend in this philosophic spirit that I now invite the reader. Let it be understood that I direct my attention to the Legend contained in the later manuscripts, such as the Dowland, Harleian, Sloane, etc., of which a copy has been given in preceding pages of this work, and that reference is made only, as occasion may require to the Halliwell MS. for comparison or explanation. This is done because the Legend of the later manuscripts is undoubtedly the one which was adopted by the English Masons, while that of the Halliwell MS. appears to have been of exotic growth, which never took any extensive root in the soil of English Masonry.


In the subsequent chapters devoted to this subject, which may be viewed as Commentaries on the Legend of the Craft, I shall investigate the signification of the various subordinate Legends into which it is divided.


P. 39









THE manuscript begins with an invocation to the Trinity. This invocation is almost identical with that which prefaces the Harleian, the Sloane, the Landsdowne, and, indeed, all the other manuscripts, except the Halliwell and the Cooke. From this fact we may justly infer that there was a common exemplar, an "editio princeps," whence each of these manuscripts was copied. The very slight verbal variations, such as "Father of Kings" in the Dowland, which is "Father of Heaven" in the others, will not affect this conclusion, for they may be fairly attributed to the carelessness of copyists. The reference to the Trinity in all these invocations is also a conclusive proof of the Christian character of the building corporations of the Middle Ages ‑ a proof that is corroborated by historical evidences. As I have already shown, in the German Constitutions of the Stone‑masons, the invocation is "In the name of the Father, Son, and Holy Ghost, in the name of the blessed Virgin Mary, and also in honor of the Four Crowned Martyrs " ‑ an invocation that shows the Roman Catholic spirit of the German Regulations; while the omission of all reference to the Virgin and the Martyrs gives a Protestant character to the English manuscripts.


Next follows a descant on the seven liberal arts and sciences, the nature and intention of each of which is briefly described. In all of the manuscripts, even in the earliest ‑ the Halliwell ‑ will we find the same reference to them, and, almost literally, the same description. It is not surprising that these sciences should occupy so prominent a place in the Old Constitutions, as making the very foundation of Masonry, when we reflect that an equal prominence was given to them in the Middle Ages as comprehending the whole body of human knowledge. Thus Mosheim (1) tells us that in the 11th century they


(1) "Ecclesiast. Hist. XI. Cent.," part ii., chap. i.


were taught in the greatest part of the schools; and Holinshed, who wrote in the 16th century, says that they composed a part of the curriculum that was taught in the universities. Speculative Masonry continues to this day to pay an homage to these seven sciences, and has adopted them among its important symbols in the second degree. The connection sought to be established in the old manuscripts between them and Masonry, would seem to indicate the existence of a laudable ambition among the Operative Masons of the Middle Ages to elevate the character of their Craft above the ordinary standard of workmen ‑ an elevation that, history informs us, was actually effected, the Freemasons of the Guild holding themselves and being held by others as of higher rank and greater acquirements than were the rough Masons who did not belong to the corporation of builders.


The manuscript continues by a declaration that Geometry and Masonry are idendcal. Thus, in enumerating and defining the seven liberal arts and sciences, Geometry is placed as the fifth, "the which science," says the Legend, "is called Masonrys." (1)


Now, this doctrine that Geometry and Masonry are identical sciences, has been held from the time of the earliest records to the present day by all the Operative Masons who preceded the 18th century, as well as by the Speculative Masons after that period.


In the ritual of the Fellow Craft's degree used ever since, at least from the middle of the last century, the candidate is informed that "Masonry and Geometry are synonymous terms." The Lodge‑room, wherever Speculative Masonry has extended, shows, by the presence of the hieroglyphic letter in the East, that the doctrine is still maintained.


Gadicke, the author of a German Lexicon of Freemasonry, says, that as Geometry is among the mathematical sciences the one which has the most especial reference to architecture, we can, therefore, under the name of Geometry, understand the whole art of Freemasonry.


Hutchinson, speaking of the letter G, says that it denotes Geometry, and declares that as a symbol it has always been used by artificers ‑ that is, architects ‑ and by Masons. (2)


(1) Dowland MS. The Halliwell poem expresses the same idea in different words:


"At these lordys prayers they counterfetyd gemetry, And gaf hyt the name of Masonry." (Lines 23, 24.)


(2) "Spirit of Freemasonry," lect. Viii., P. 92, 2d edit.


The modern ritual maintains this legendary idea of the close connection that exists between Geometry and Masonry, and tells us that the former is the basis on which the latter, as a superstructure, is erected. Hence we find that Masonry has adopted mathematical figures, such as angles, squares, triangles, circles, and especially the 47th proposition of Euclid, as prominent symbols.


And this idea of the infusion of Geometry into Masonry as a prevailing element ‑ the idea that is suggested in the Legend ‑ was so thoroughly recognized, that in the 18th century a Speculative Mason was designated as a "Geometrical Mason."


We have found this idea of Geometry as the fundamental science of Masonry, set forth in the Legend of the Craft. It will be well to see how it was developed in the Middle Ages, in the authentic history of the Craft. Thus we shall have discovered another link in the chain which unites the myths of the Legend with the true history of the Institution.


The Operative Masons of the Middle Ages, who are said to have derived the knowledge of their art as well as their organization as a Guild of Builders from the Architects of Lombardy, who were the first to assume the title of "Freemasons," were in the possession of secrets which enabled them everywhere to construct the edifices on which they were engaged according to the same principles, and to keep up, even in the most distant countries, a correspondence, so that every member was made acquainted with the most minute improvement in the art which had been discovered by any other. (1) One of these secrets was the knowledge of the science of symbolism, (2) and the other was the application of the principles of Geometry to the art of building.


"It is certain," says Mr. Paley, (3) "that Geometry lent its aid in the planning and designing of buildings"; and he adds that "probably the equilateral triangle was the basis of most formations."


The geometrical symbols found in the ritual of modern Freemasonry may be considered as the debris of the geometrical secrets of the Mediaeval Masons, which are now admitted to be lost. (4) As


(1) Hope, " Historical Essay on Architecture." (2) M. Maury ("Essai sur les Legendes Pieures du Moyen‑Aye") gives many instances of the application of symbolism by these builders to the construction of churches. (3) "Manual of Gothic Architecture," P. 78. (4) Lord Lindsay, "Sketches of the History of Christian Art," ii., 14.


these founded their operative art on the knowledge of Geometry, and as the secrets of which they boasted as distinguishing them from the "rough Masons" of the same period consisted in an application of the principles of that science to the construction of edifices, it is not surprising that in their traditional history they should have so identified architecture with Geometry, and that with their own art of building, as to speak of Geometry and Masonry as synonymous terms. "The fifth science," says the Dowland MS., is "called Geometry, . . . the which science is called Masonrye." Remembering the tendency of all men to aggrandize their own pursuits, it is not surprising that the Mediaeval Masons should have believed and said that "there is no handycraft that is wrought by man's hand but it is wrought by Geometry."


In all this descant in the old manuscripts on the identity of Geometry and Masonry, the Legend of the Craft expresses a sentiment the existence of which is supported by the authentic evidence of contemporaneous history.













THE traditional history of Masonry now begins, in the Legend of the Craft, with an account of the three sons of Lamech, to whom is attributed the discovery of all sciences. But the most interesting part of the Legend is that in which the story is told of two pillars erected by them, and on which they had inscribed the discoveries they had made, so that after the impending destruction of the world the knowledge which they had attained might be communicated to the post‑diluvian race.


This story is not mentioned in the Bible, but is first related by Josephus in the following words:


"They also [the posterity of Seth] were the inventors of that peculiar sort of wisdom which is concerned with the heavenly bodies and their order. And that their inventions might not be lost before they were sufficiently known, upon Adam's prediction that the world was to be destroyed at one time by the force of fire, and at another time by the violence and quantity of water, they made two pillars, the one of brick, the other of stone; they inscribed their discoveries on them both, that in case the pillar of brick should be destroyed by the flood, the pillar of stone might remain and exhibit those discoveies to mankind, and also inform them that there was another pillar of brick erected by them. Now this remains in the land of Siriad to this day." (1)


Although this traditional narrative has received scarcely any estimation from scholars, and Josephus has been accused either of incredible audacity or frivolous credulity," (2) still it has formed the


(1) Josephus, "Antiquities of the Jews," B.I., ch. ii., Whiston's trans. (2) " Incredibili audacia aut futili credulitate usus est," is the language of Hornius in his "Geographia Vetus." But Owen ("Theologomena," lib. iv., c. ii., 6), although inclined to doubt the story, thinks it not impossible if we suppose hieroglyphics like those of the Egyptians to have been used for the inscriptions, instead of letters.


foundation on which the Masonic Legend of the pillars has been erected. But in passing from the Jewish historian to the Legend‑ maker of the Craft, the form of the story has been materially altered. In Josephus the construction of the pillars is attributed to the posterity of Seth; in the Legend, to the children of Lamech. Whence was this important alteration derived ?


The Dowland and all subsequent manuscripts cite the fourth chapter of Genesis as authority for the Legend. But in Genesis no mention is made of these pillars. But in the Cooke MS., which is of an earlier date, we can trace the true source of the Legend in its Masonic form, which could not be done until that manuscript was published.


To the Cooke MS. has been accorded the date of 1490. It differs materially in form and substance from the Halliwell MS., which preceded it by at least a century, and is the first of the Old Constitutions in which anything like the present form of the Legend appears.


The way in which the Legend of Lamech is treated by it, enables us to dicover the true source whence this part of the Legend of the Craft was derived.


It must be remarked, in the first place, that the Halliwell poem, the earliest of the old manuscripts, the date of which is not later than the close of the 14th century, contains no allusion to this Legend of Lamech and his children. The Cooke MS. is the first one in which we find the details. The Cooke MS. is assigned, as has been before said, to the end of the 15th century, about the year 1490. In it the Legend of the pillars is given (from line 253 to 284) in the following words:


"And these iii brotheryn [the sons of Lamech] aforesayd, had knowlyche that God wold take vengans for synne other by fyre or watir, and they had greter care how they myght do to saue the sciens that they founde, and they toke her [their] consell to gedyr and by all her [their] witts they seyde that were ij manner of stonn of suche virtu that the one wolde neuer brenne [burn] and that stonn is called marbyll and that other stonn that woll not synke in watir, and that stone is namyd laterus, (1) and so they deuysyd to wryte all the sciens that they had Found (2) in this ij stonys if that god wolde


(1) From the Latin "later," a brick. (2) It is to be regretted that in nearly all the recent printed copies of the old manuscripts, the editors have substituted the double ff for the capital F which is in the original. The scribes or amanuenses of the Middle Ages were fond of employing capital letters often when there was really no use for them, but they never indulged in the folly of unnecessarily doubling initial letters. What the modern editors of the manuscripts have mistaken for a double ff was really the ff or ff the capital F of the scribes. This is not of much importance, but even in small things it is well to be accurate. Bro. Hughan, in his edition of the "Old Charges," is, as we might expect, generally correct in this particular. But sometimes, perhaps inadvertently, he has printed the double instead of the capital letter.‑


take vengeans by fyre that the marbyll scholde not brenne. And yf god sende vengeans by watir that the other scholde not droune, and so they prayed her elder brother jobell that wold make ij pillers of these ij stones, that is to sey of marbill and of laterus, and that he wolde write in the ij pylers alle the sciens and crafts that alle they had founde, and so he did."


Comparing this Legend with the passage that has been cited from Josephus, it is evident that the Legend‑maker had not derived his story from the Jewish historian. The latter attributes the building of the pillars to the children of Seth, while the former assigns it to the children of Lamech. How are we to explain this change in the form of the Legend ? We can only solve the problem by reference to a work almost contemporary with the legendist.


Ranulph Higden, a Benedictine monk of St. Werburg's Abbey, in Chester, who died in the latter half of the 14th century, wrote a Universal history, completed to his own times, under the title of Polychronicon.


The Polychronicon was written in the Latin language, but was translated into English by Sir John Trevisa. This translation, with several verbal alterations, was published in London by William Caxton in 1482, about ten years before the date of the Cooke MS. With this work, the compiler of the Legend in the Cooke MS. appears to have been familiar. He cites it repeatedly as authority for his statements.


Thus he says: "Ye schal understonde that amonge all the craftys of the world of mannes crafte Masonry hath the most notabilite and moste parte of this sciens Gemetry as his notid and seyd in storiall as in the bybyll and in the master of stories. And in policronico a cronycle prynted."


Now the Legend of Lamech's children is thus given in Caxton's edition of the translation of Higden's Polychronicon: (1)


(1) Book 11., ch. v.


"Caym Adams fyrste sone begate Enoch, he gate Irad, he gate Manayell, he gate Matusale, he gate Lameth. This Lameth toke twey wyves, Ada and Sella, and gate tweyne sons on Ada. Iabeh that was fader of them that woned in tentes and in pauylons. And Tuball that was fader of organystre and of harpers. And Lameth gate on Sella Tubal cayn that was a smith worchyng with hamer, and his sister Noema, she found fyrst weuynge crafte.


"Josephus. Jabell ordayned fyrste flockes of beestes and marks to know one from another. And departed kyddes from lam bes and yonge from the olde. Peir s Tubalcayn founde fyrst smythes crafte. Tuball had grete lykynge to here the hareers sowne. And soo he vsed them moche in the accords of melodys, but he was not finder of the instruments of musyke. For they were founde longe afterwarde."


The reader will at once perceive whence the composer of the Legend in the Cooke MS. derived his information about the family of Lamech. And it will be equally plain that the subsequent writers of the Old Constitutions took the general tone of their Legend from this manuscript.


The Polychronicon, after attributing the discovery of music to Pythagoras, proceeds to descant upon the wickedness of mankind immediately after the time of Seth, and repeats the biblical story of the intermarriage of the sons of God and the daughters of men, which he explains as signifying the sons of Seth and the daughters of Cain. Then follows the following passage


"Josephus. That tyme men wyste as Adam and sayde, that they sholde be destroyed by fyre or elles by water. Therefore bookes that they hadde made by grete trauaille and studys, he closed them in two grete pylers made of marbill and of brent tyle. In a pyler of marbill for water and in a pyler of tyle for fyre. For it should be sauved by that maner to helpe of mankynde. Men sayth that the pyler of stone escaped the floods, and yet is in Syrya."


Here we find the origin of the story of the two pillars as related in the Legend of the Craft. But how can we account for the change of the constructors of these pillars from the children of Seth, as stated in Josephus, and from him in the Polychronicon, to the children of Lamech, as it is given in the Legend ?


By the phrase "That tyme men wyste," or "at that time men knew," with which Trevisa begins his translation of that part of Higden's work, he undoubtedly referred to the "tyme" contemporary with the children of Seth, of whom he had immediately before been speaking. But the writer of the Legend engaged in recounting the narrative of the invention of the sciences by the children of Lamech, and thus having his attention closely directed to the doings of that family, inadvertently, as I suppose, passed over or omitted to notice the passage concerning the descendants of Seth, which had been interposed by the author of the Polychronicon, and his eye, catching the account of the pillars a little farther on, he applied the expression, "that tyme," not to the descendants of Seth, but to the children of Lamech, and thus gave the Masonic version of the Legend.


I have called this ascription of the pillars to the children of Lamech a "Masonic version," because it is now contained only in the Legend of the Craft, those who do not reject the story altogether as a myth, preferring the account given by Josephus.


But, in fact, the error of misinterpreting Josephus occurred long before the Legend of the Craft was written, and was committed by one of the most learned men of his age.


St. Isidore, Bishop of Seville, who died in the year 636, was the author of many works in the Latin language, on theology, philosophy, history, and philology. Among other books written by him was a Chronicon, or Chronicle, in which the following passage occurs, where he is treating of Lamech:


"In the year of the world 1642, Lamech being 190 years old, begat Noah, who, in the five hundredth year of his age, is commanded by the Divine oracle to build the Ark. In these times, as Josephus relates, those men knowing that they would be destroyed either by fire or water, inscribed their knowledge upon two columns made of brick and of stone, so that the memory of those things which they had wisely discovered might not be lost. Of these columns the stone one is said to have escaped the Flood and to be still remaining in Syria." (1)


It is very evident that in some way the learned Bishop of Seville had misunderstood the passage of Josephus, and that to him the sons of Lamech are indebted for the honor of being considered the con‑


(1) "Opera Isidori," ed. Matriti, 1778, tom. i., p. 125.


structors of the pillars. The phrase "his temporibus," in these times, clearly refers to the times of Lamech.


It is doubtful whether the author of the Legend of the Craft was acquainted with the works of Isidore, or had read this passage. His Etymologies are repeatedly cited in the Cooke manuscript, but it is through Higden, whose Polychronicon contains many quotations from the Libri Etymologiarum of the Spanish Bishop and Saint. But I prefer to assume that the Legend‑maker got his ideas from the Polychronicon in the method that I have described.


In the last century a new Legend was introduced into Masonry, in which the building of these pillars was ascribed to Enoch. But this Legend, which is supposed to have been the invention of the Chevalier Ramsay, is altogether modern, and has no connection with the Legend of the Craft.


In borrowing the story of the antediluvian pillars from Josephus, through the Polychronicon, though they have made some confusion in narrating the incidents, the Old Operative Masons were simply incorporating into their Legend of the Craft a myth which had been universal among the nations of antiquity, for all of them had their memorial columns. Sesostris, the great Egyptian king and conqueror, sometimes called Sethos, or Seth, and who, Whiston think, has been confounded by Josephus with the Adamic Seth, erected pillars in all the counties which he conquered as monuments of his victories.


The Polychronicon, with which we see that the old Masons were familiar, had told them that Zoroastres, King of Bactria, had inscribed the seven liberal arts and sciences on fourteen pillars, seven of brass and seven of brick. Hercules was said to have placed at the Straits of Gades two pillars, to show to posterity how far he had extended his conquests.


In conclusion, it should be observed that the story of the pillars as inserted in the Legend of the Craft has exerted no influence on the modern rituals of Freemasonry, and is never referred to in any of the ceremonies of Ancient Craft Masonry. The more recent Legend of the pillars of Enoch belongs exclusively to the higher and more modern degrees. The only pillars that are alluded to in the primitive degrees are those of Solomon's temple. But these develop so important a portion of the symbolism of the Institution as to demand our future consideration in a subsequent part of this work.


P. 50










THE next part of the Legend of the Craft which claims our attention is that which relates to Hermes, who is said to have discovered one of the pillars erected by the sons of Lamech, and to have communicated the sciences inscribed on it to mankind. This may, for distinction, be called "The Legend of Hermes."


The name has suffered cruel distortion from the hands of the copyists in the different manuscripts. In the Dowland MS. it is Hermarynes; in the Landsdowne, Herminerus; in the York, Hermarines; in the Sloane, 3,848, Hermines and Hermenes, who "was afterwards called Hermes"; and worst and most intolerable of all, it is in the Harleian, Hermaxmes. But they all evidently refer to the celebrated Hermes Trismegistus, or the thrice great Hermes. The Cooke MS., from which the story in the later manuscripts is derived, spells the name correctly, and adds, on the authority of the Polychronicon, that while Hermes found one of the pillars, Pythagoras discovered the other. Pythagoras is not mentioned in any of the later manuscripts, and we first find him referred to as a founder in Masonry in the questionable manuscript of Leland, which fact will, perhaps, furnish another argument against the genuineness of that document.


As to Hermes, the Legend is not altogether without some historical support although the story is in the Legend mythical, but of that character which pertains to the historical myth.


He was reputed to be the son of Taut or Thoth, whom the Egyptians deified, and placed his image beside those of Osiris and Isis. To him they attributed the invention of letters, as well as of all the sciences, and they esteemed him as the founder of their religious rites.


Hodges says, in a note on a passage of Sanchoniathon, (1) that "Thoth was an Egyptian deity of the second order. The Graeco‑ Roman mythology identified him with Hermes or Mercury. He was reputed to be the inventor of writing, the patron deity of learning, the scribe of the gods, in which capacity he is represented signing the sentences on the souls of the dead." Some recent writers have supposed that Hermes was the symbol of Divine Intelligence and the primitive type of Plato's "Logos." Manetho, the Egyptian priest, as quoted by Syncellus, distinguishes three beings who were callcd Hermes by the Egyptians. The first, or Hermes Trismegistus, had, before the deluge, inscribed the history of all the sciences on pillars; the second, the son of Agathodemon, translated the precepts of the first; and the third, who is supposed to be synonymous with Thoth, was the counsellor of Osiris and Isis. But these three were in later ages confounded and fused into one, known as Hermes Trismegistus. He was always understood by the philosophers to symbolize the birth, the progress, and the perfection of human sciences. He was thus considered as a type of the Supreme Being. Through him man was elevated and put into communication with the gods.


The Egyptians attributed to him the composition of 36,525 books on all kinds of knowledge. (2) But this mythical fecundity of authorship has been explained as referring to the whole scientific and religious encyclopoedia collected by the Egyptian priests and preserved in their temples.


Under the title of Hermetic books, several works falsely attributed to Hermes, but written, most probably, by the Neo‑Platonists, are still extant, and were deemed to be of great authority up to the 16th century. (3)


It was a tradition very generally accepted in former times that this Hermes engraved his knowledge of the sciences on tables of pillars of stone, which were afterward copied into books.


Manetho attributes to him the invention of stylae, or pillars, on which were inscribed the principles of the sciences. And Jamblichus


(1) Cory's "Ancient Fragments," edited by E. Richmond Hodges, Lond., 1876, p. 3. (2) Jamblichus, citing Selencos, "de Mysteries," segm. viii., c. 1. (3) Rousse, Dictionnaire in voc. The principal of these is the "Poemander," or of the Divine Power and Wisdom.


says that when Plato and Pythagoras had read the inscriptions on these columns they formed their philosophy. (1)


Hermes was, in fact, an Egyptian legislator and priest. Thirty‑ six books on philosophy and theology, and six on medicine, are said to have been written by him, but they are all lost, if they ever existed. The question, indeed, of his own existence has been regarded by modern scholars as extremely mythical. The Alchemists, however, adopted him as their patron. Hence Alchemy is called the Hermetic science, and hence we get Hermetic Masonry and Hermetic Rites.


At the time of the composition of the Legend of the Craft, the opinion that Hermes was the inventor of all the sciences, and among them, of course, Geometry and Architecture, was universally accepted as true, even by the learned. It is not, therefore, singular that the old Masons, who must have been familiar with the Hermetic myth, received it as something worthy to be incorporated into the early history of the Craft, nor that they should have adopted him, as they did Euclid, as one of the founders of the science of Masonry.


The idea must, however have sprung up in the 15th century, as it is first broached in the Cook MS. And it was, in all probability, of English origin, since there is no allusion to it in the Halliwell poem.


The next important point that occurs in the Legend of the Craft is its reference to the Tower of Babel, and this will, therefore, be the subject of the next chapter.


(1)   Juxta antiquas Mercurii columnas, quas Plato quondam, et Pythagoras cum lectitas‑sent, philosophism constituerunt. Jamblichus, " de Mysteries," segm. i., c. 2.


P. 52






UNLIKE the legend of Hermes, the story of the Tower of Babel appears in the Halliwell poem, which shows, if my theory of the origin of that poem be correct, that the Legend was not confined at an early period to the English Masons. In the second of the two poems, which I have heretofore said are united in one manuscript, the legend of Babel, or Babylon, is thus given: (1)


"Ye mow hen as y do rede, That many years after, for gret drede, That Noee's flod was alle y‑ronne, (2) The tower of Bebyloine was begonne, Also playne werk of lyme and ston, As any mon schulde toke uppon, Seven myle the heyghte shadweth the sonne. King Nabugodonosor let hyt make To gret strenthe for monus (3) sake Thaygh such a flod agayne schulde come, Over the werke hyt schulde not nome, (4) For they hadde so hye pride, with strange bost, Aile that werke therfore was y‑lost ; An angele smot hem so with dyvcres speechs, That never won wyste what other schuld reche." (5)


The statements of this Halliwell Legend are very meagre, nor is it possible to say with any certainty whence the writer derived his details. From neither the Book of Genesis, nor Berosus, nor Josephus could he have derived the information which has given its peculiar form to the legend. The anachronism of making Nebuchadnezzar, who lived about sixteen centuries after the event, the builder of the


(1) Lines 535‑550. (2) Rain ‑ Ang. ‑Sax. rinan, to rain ‑ That Noah's flood would still rain. (3) Men's sake. (4) Get ‑ should not get over the work ‑ cover it. (5) Say


tower is worthy of notice. It would appear that the writer of the poem had a general acquaintance with the well‑known tradition of Babel, and that in loosely giving an account of it, he had confused the time and place of the erection and the supposed name of the builder. At all events, the subsequent Masonic legendists


did not accept the Halliwell writer as authority, or, more probably, were wholly unacquainted with his poem. It did not exert any influence over the subsequent manuscripts.


The next time that the Babel legend appears is in the Cooke MS., written at least a century after the Halliwell. The legend, as there given, is in the following words:


"Hit is writen in the bibull Genesis, Cap. I mo wo [how] that Cam, Noe's sone, gate Nembrothe, and he wax a myghty man apon the erthe, and he wax a stronge man, like a Gyant, and he was a grete kyng, and the bygynyng of his kyngdom was [the] trew kyngdom of Babilon and Arach and Archad and Calan (1) and the lond of Sennare. And this same Cam (2) he gan the towre of babilon, and he taught to his werkemen the craft of mesurie, (3) and he had with him mony masonys mo than x1. thousand, and he louyd and chereshed them well, and hit is wryten in Policronicon and in the master of stories and in other stories rno, and this a part wytnes [the] bybull in the same x. chapter where he seyth that asure [Assur] was nye kynne to Nembrothe (4) gede [went] owt of the londe of Senare, and he bylded the City Nunyve and Plateas and other mo. Thus he seyeth, 'De terra illa et de Sennare egressus est Asure et edifiiavit Nunyven et Plateas civitates et Cale et Iesu quoque inter Nunyven et haec est Civitas Magna.'


"Reson wolde [requires] that we schold telle opunly how and in what manner that the charges of masoncraft was fyrst foundyd and ho gaf [who gave] fyrste the name to hit of masonri. And ye schyll knaw well that hit [is] told and writen in Policronicon and in Methodus episcopus and Martyrus that Asur that was a worthy lord


(1) The names of cities. (2) The word Nembroth had been first written in the manuscript, then erased, and the "Cam" (for Ham) inserted. But this correction is itself incorrect and incongruous with the rest of the legend. (3) Mesuri‑measure. The author of the manuscript had previously maintained that measure and geometry were identical. So here "the craft of mesuri" means the craft of geometry, and geometry was always supposed to be the same as Masonry. (4) Cam originally written, then erased and Membrothe inserted.


of Sennare, sende to Nembroth the kyng to sende hym masons and workemen of crafte that myght helpe hym to make his Cite that he was in wyll to make. And Nembroth sende hym xxx C. (3,000) of masons. And whan they scholde go and [he] sende hem forth he callyd hem by for hym [before him] and seyd to hem, ye must go to my cosyn Asure to helpe hym to bilde a cyte, but loke that ye be well governyd, and I shall give you a charge profitable for you and me. . .


"And they resceyved the charge of him that was here [their] maister and here lordq, and went forth to Asure and bilde the cite of Nunyve in the country of Plateas and other cites mo, that men call Cale and lesen that is a gret cite bi twene Cale and Nunyve. And in this manner the craft of masonry was fyrst preferryd [brought forward] and chargyd for a sciens."


We next meet with the Legend in the later manuscripts, in a form differing but little from that of the Cooke MS. The Dowland, which is the earliest of these manuscript Constitutions, and the date of which is supposed to be about the year 1550, has already been printed in this work. But for the convenience of the reader, in comparing the three forms of the Legend, so much of it as refers to the Babel legend is again inserted. It is in these words, which, it may be remarked, are very closely followed by all the subsequent manuscipts up to the beginning of the 18th century:


"At the makinge of the Tower of Babylon, there was Masonrye first made much of. And the Kinge of Babylon that height Nemrothe was a mason himselfe, and loved well the science as it is said with masters of histories. And when the City of Ninyve and other citties of the East should be made, Nemrothe the Kinge of Babylon sent thither three score masons at the rogation of the Kinge of Nyneve, his cosen. And when he sent them forth he gave them a charge in this manner. . . . And this was the first tyme that ever Masons had any charge of his science."


In comparing the three forms of the Babylonish legend, which have here been cited, namely, as given in the Halliwell, the Cooke, and the Dowland MSS., we shall readily detect that there was a gradual growth of the details until the legend eventually took the shape which for a long time was accepted by the Craft.


In the Halliwell poem the legend is very brief, and by its abrupt termination would impress the opinion upon the reader that Masonry had no part in the building of the Tower of Babel, the only effect of which was to produce a confusion of languages and the dispersion of mankind. It was only "many years after" that the "craft of geometry," or Masonry, was taught by Euclid. In fact, the whole tendency of the Halliwell legend is to trace the origin of Masonry to Euclid and the Egyptians. In his account of the Tower of Babel, the writer of the Halliwell poem seems to have been indebted only to the Scriptural narrative, although he has confounded Nebuchadnezzar, the repairer of Babylon, with Nimrod, its original founder.


But the writer of the Cooke MS. took his details of the legend from another source. Only a few years before the composition of this manuscript, Caxton had published, and thus placed in the hands of the English Masons, Trevisa's translation of Ranulph Higden's Polychronicon, or Universal History. Of this book, rich in materials for legendary composition the writer of the Cooke MS. readily availed himself. This he honestly acknowledges in several places. And although he quotes as other authorities Herodotus, Josephus, and Methodius, it is very evident that he knows nothing of these historians except from the citations from them made by the monk Higden in the Polychronicon.


The English Masons were probably already acquainted with the legend in the imperfect form in which it is given in the Halliwell poem. But for the shape which it assumed from the time of the composition of the Cooke MS., and which was adopted in the Dowland and all the later manuscripts, the Craft were, I think, undoubtedly indebted to the Polychronicon of the Monk of Chester, through its translation by Trevisa and its publication by Caxton.


There are two other forms of the Babylonian legend, of later date, which must be read before we can thoroughly understand the growth of that legend.


In 1723 Anderson published, by authority of the Grand Lodge of England, the Constitutions of the Free‑Masons. Dr. Anderson was, no doubt, in possession of, or had access to, many sources of information in the way of old manuscripts which have sincc been lost, and with these, assisted in some measure by his own inventive genius, he has extended the brief Legend of the Craft to 34 quarto pages. But as this work was of an official character, and was written and published under the sanction of the Grand Lodge, and freely distributed among the Lodges and Masons of the time, the form of the Legend adopted by him was accepted by the Fraternity for a very long period as authentic. The Andersonian legend of the Tower of Babel molded, therefore, the belief of the English Craft for at least the whole of the 18th century.


Before giving any citations from the Andersonian version of the legend, it will be necessary to refer to another copy of the Old Constitutions.


Dr. Krause, the author of a learned Masonic work, entitled The Three Oldest Documents of the Brotherhood of Freemasons, published in that work in 1810 a German translation of a document which he calls the York Constitutions. (1)


Of this document Krause goves the following account. He says that Bro. Schneider, of Altenberg, had written communication from Bro. Bottger, who stated that in the year 1799 he had seen at London a copy of the York Constitutions in a very old manuscript, consisting of 107 leaves in large folio, almost one‑third of which he had been unable to read, because it was written in the early English language, and hence he was forced to employ a learned Englishman as an interpreter. Schneider made diligent inquiries after this manuscript, and eventually received a certified Latin translation, made in 1806, from which, in 1808, he composed a German version.


This document Krause supposes to be a genuine exemplar of the Constitutions enacted at York in 926. The original manuscript has, however, never been found; it is not referred to in any of the records of the old Grand Lodge of York, and seems to have remained in mysterious obscurity until seen in 1799 by this Bro. Bottger while on a visit to London.


For these reasons, Findel deems it a spurious document. Bro. Woodford, than whom there is none more competent to judge of questions of this kind, does not assent to this opinion, but, having his doubts, thinks the matter should remain in abeyance for the present. Bro. Hughan, another accomplished critic, believes that it is probably a compilation of the early part of the last century.


When the reader shall have collated the extracts about to be given from Anderson's Constitutions and the Krause MS., he will, I think, concur with me, that either Anderson had seen the latter


(1) "Die drei altesten Kunsturkunden der Freimaurerbruderschaft," vol. iii., P. 5.


manuscript, or that the author of it had been familiar with the work of Anderson. The general similarity of ideas, the collocation of certain words, and the use of particular phrases, must lead to the conclusion that one of the two writers was acquainted with the production of the other. Which was the earlier one is not easily determined, nor is it important, since they were almost contemporaneous documents, and, therefore, they both show what was the form assumed by the legend in the early part of the 18th century. (1)


The Anderson version of the Babylon legend is as follows: (2)


"About 101 years after the Flood we find a vast number of 'em [the offspring of the sons of Noah], if not the whole race of Noah, in the vale of Shinar, employed in building a city and large tower, in order to make themselves a name and to prevent their dispersion. And tho' they carried on the work to a monstrous height, and by their vanity provoked God to confound their devices, by confounding their speech, which occasioned their dispersion; yet their skill in Masonry is not the less to be celebrated, having spent above 53 years in that prodigious work, and upon their dispersion carried the mighty knowledge with them into distant parts, where they found the good use of it in the settlement of their kingdoms, commonwealths, and dynasties. And tho' afterwards it was lost in most parts of the earth it was especially preserved in Shinar and Assyria, where Nimrod, the founder of that monarchy, after the dispersion built many splendid cities, as Ereck, Accad and Calneh in Shinar, from whence afterwards he went forth into Assyria and built Nineveh, Rehoboth, Calch, and Rhesin.


"In these parts, upon the Tigris and the Euphrates, afterwards flourished many learned Priests and Mathematicians, known by the names of Chaldees and Magi, who preserved the good science, Geometry, as the kings and great men encouraged the Royal Art."


The Krause MS., or the reputed York Constitutions, gives the Babylonian legend as follows: (3)


(1) The oftener I read this document, and the more I reflect on its internal evidence, the more I become convinced that it was written after the first edition of Anderson's "Constitutions," and, perhaps, after the second. Indeed, I am almost prepared to assign any part of the 18th century for the date of its composition. (2) "Constitutions," 1st edition, p. 3. (3) See it in Hughan's "Old Charges of the British Freemasons," p.80. It must be remembered that it is there an English version of the German which had been translated from a Latin translation of the original old English ‑ ut dicitur. I have corrected a few errors in the translation in the "Old Charges" by a collation with the German of Krause.


"Two generations after Noah, his descendants, proud of their knowledge, built on a plain, in the land of Shinar, a great city and a high tower of lime, stones, and wood, in order that they might dwell together, under the laws which their ancestor, Noah, had made known, and that the names of Noah's descendants might be preserved for all time. This arrogance, however, did not please the Lord in heaven, the lover of humility, therefore he caused a confusion of their speech before the tower was finished, and scattered them in many uninhabited lands, whither they brought with them their laws and arts, and then founded kingdoms and principalities, as the Holy Books often testify. Nimrod, in particular, built a town of considerable size; but Noah's son, Shem, remained in Ur, in the land of the Chaldeans, and propagated a knowledge of all the arts and sciences abroad, and taught also Peleg, Serug, Nahor, Terah, and Abraham, the last of whom knew all the sciences, and had knowledge, and continued to instruct the sons of free‑born men, whence afterwards the numerous learned priests and mathematicians who have been known under the name of the wise Chaldeans."


We have now five different documents presenting three different forms of the Legend of the Tower of Babel: 1. The Halliwell poem. This Legend briefly recounts the facts of the building of the tower and the subsequent interruption of the work by the confusion of tongues and the dispersion of the builders. By an anachronism, Nebuchadnezzar is designated as the monarch who directed the construction. Not a word is said about the Institution of Masonry at that time. In fact, the theory of the Halliwell MS. seems rather to be that Masonry was, "many years after," taught for the first time in Egypt by Euclid.


The form of the Legend was never accepted by the Operative Masons of the Guild, certainly not after the end of the 15th century.


2. The Cooke and later manuscripts. This form of the Legend ascribes the origin of Masonry to the era of the building of the tower. Nimrod is made the Grand Master and makes the first charge ‑ that is, frames the first Constitution that the Masons ever had. Asshur, the son of Shem, is also represented as a great Mason, the builder of the city of Nineveh, and to whom Nimrod sent workmen to assist him. From Babylon, Masonry was carried next into Egypt.


This form of the Legend, first presented in the Cooke MS., and followed almost literally in the Dowland and all the succeeding manuscript Constitutions, seems to have embodied the prevailing belief of the Fraternity until about the end of the 17th or the beginning of the 18th century.


3. The Andersonian and the York Constitutions. In these the form of the Legend is greatly improved. The idea that Masonry was first established with appropriate laws at the Tower of Babel under the supeintendence of Nimrod is still preserved. But Asshur no longer appears as a builder of cities, assisted by "his cosen," but is transformed, and correctly too, into the kingdom of Assyria, where Nimrod himself built Nineveh and other cities. And the next appearance of Masonry is said to be, not in Egypt, as in the preceding manuscripts, but is said to have been propagated after the dispersion by the Magi in the land of the Chaldeans.


This form of the Legend prevailed during perhaps the whole of the 18th century. It became the settled conviction of the Masons of that period that Masonry was instituted at the Tower of Babel by Nimrod and thence propagated to the Chaldeans.


Thus, in Smith's Use and Abuse of Freemasonry, (1) published in 1783, it is said that after the Flood the Masons were first called Noachidvae, and afterwords sages or wise men, Chaldeans, etc. And Northouck, who, in 1784, by order of the Grand Lodge, published an edition of the Constitutions far superior to that of Anderson, says (2) that Nimrod founded the empire of Babylon, and that "under him flourished those learned mathematicians whose successors were styled Magi, or wise men."


But about the end of the last century, or, perhaps, still later, about the beginning of the present, this legendary account of the origin of Freemasonry began to be repudiated, and another one, in contradiction of the old manuscripts, was substituted for it.


Masonry was no longer believed to have originated at the Tower of Babel; the Temple of Jerusalem was considered as the place of its birth; and Solomon and not Nimrod was called the "first Grand Master."


Accepting this Legend, as we do the other Legends of Masonry, which, in the language of Oliver, (3) "are entitled to consideration, though their authenticity may be denied and their aid rejected," we


(1) Op. Cit., P. 29. (2) Op. Cii., p. 11. (3) "Historical Landmarks," vol. i., lect. i., p. 53.


say that at the present day the Babylonish legend has assumed the present form.


Before the Flood there was a system of religious instruction which, from the resemblance of its legendary and symbolic character to that of Freemasonry, has been called by some authors "antediluvian Masonry." This system was preserved by Noah, and after the deluge was communicated by him to his immediate descendants. This system was lost at the time of the dispersion of mankind, and corrupted by the pagans in their Mysteries. But subsequently it was purified, and Freemasonry, as we now have it, was organized by the King of Israel at the time of the building of the temple.


This idea is well exemplified in the American ritual, which was, we have every reason to believe, invented about the end of the last century.


In this ritual, much of which is, however, being lost or becoming obsolete, from the necessary imperfections of oral transmission, the aspirant is supposed to represent one who is travelling from the intellectual blindness of the profane world into the brightness of Masonry, in whose arena he expects to find the light and truth, the search for which is represented by his initiation. This symbolic journey is supposed to begin at the Tower of Babel, where, in the language of the ritual "language was confounded and Masonry lost," and to terminate at the Temple of Solomon, where "language was restored and Masonry found."


Hence, according to this latest form of the Legend, the Tower of Babel is degraded from the prominent place which was given to it in the older forms as the birth‑place of Masonry, and becomes simply the symbol of the darkness and ignorance of the profane world as contradistinguished from the light and knowledge to be derived from an initiation into the system of Speculative Masonry.


But the old Masons who framed the Legend of the Craft were conforming more than these modern ritualists to the truth of history when they assigned to Babylon the glory of being the original source of the sciences. So far from its being a place of intellectual darkness, we learn from the cuneiform inscriptions that the Ancient Babylonians and their copyists, the Assyrians, were in possession of a wonderful literature. From the ruins of Babylon, Nineveh, and other ancient cities of the plain of Shinar tablets of terra cotta have been excavated, inscribed with legends in cuneiform characters.


The interpretation of this once unknown alphabet and language has yielded to the genius and the labors of such scholars as Grotefend, Botta, Layard and Rawlinson.


From the fragments found at Kouyunjik, the modern Arabic name for the site of Nineveh, the late Mr. George Smith conjectured that there were in the Royal Library at Nineveh over ten thousand inscribed tablets, including almost every subject in ancient literature, all of which literature was borrowed by the Assyrians from Babylonian sources. (1)


Speaking of this literature, Smith says that "at an early period in Babylonian history a great literary development took place, and numerous works were produced which embodied the prevailing myths, religion, and science of that day. Written, many of them, in a noble style of poetry, and appealing to the strongest feelings of the people on one side, or registering the highest efforts of their science on the other, these texts became the standards for Babylonian literature, and later generations were content to copy these writings instead of making new works for themselves." (2)


We see, therefore, that the Masons of the present day are wrong when they make Babel or Babylon the symbol of intellectual darkness, and suppose that there the light of Masonry was for a time extinguished, to be re‑illumined only at the Temple of Solomon.


And, again, the Legend of the Craft vindicates its character, and correctly clothes an historical fact in symbolic language, when it portrays Babylonia, which was undoubtedly the fountain of all Semitic science and architecture, as also the birth‑place of Operative Masonry.


(1)   "Chaldean Account of Genesis," P. 21. (2) Ibid., P. 22.


P. 62













THE universal sentiment of the Masons of the present day is to confer upon Solomon, King of Israel, the honor of being their "first Grand Master." But the Legend of the Craft had long before, though there was a tradition of the temple extant, bestowed, at least by implication, that title upon Nimrod, the King of Babylonia and Assyria. It had attributed the first organization of a fraternity of craftsmen to him, in saying that he gave a charge to the workmen whom he sent to asist the King of Nineveh in building his cities. That is to say, he framed for them a Constitution, and, in the words of the Legend, "this was the first tyme that ever Masons had any charge of his science." It was the first time that the Craft were organized into a fraternity working under a Constitution or body of laws; and as Nimrod was the autocratic maker of these laws, it results as a necessary consequence, that their first legislator, legislating with dictatorial and unrestricted sovereign power, was also their first Grand Master.


This view of the early history of Masonry, presented to us by the Legend of the Craft, which differs so much from the modern opinion, although it has almost become obsolete, is worthy of at least a passing consideration.


Who was this Nimrod, who held so exalted a position in the eyes of the old legendists, and why had they assigned to him a rank and power which modern Craftsmen have thought to belong more justly to the King of Israel?


The answers to these questions will be an appropriate commentary on that part of the Legend of the Craft which contains the story of this old Assyrian monarch.


The estimation of the character of Nimrod which has been almost universally entertained by the ancients as well as the moderns, obtains no support from the brief account of him contained in the Book of Genesis.


Josephus portrays him as a tyrant in his government of his people, vainglorious of his great power, a despiser and hater of God, and instigated by this feeling, the builder of a tower through which he would avenge himself on God for having destroyed the world.


For this view of the character of Nimrod, Josephus was in an probability indebted to the legends of the orientalists, which had clustered around the name of Nimrod, just as in ancient times legends always did cluster around great and mighty men.


Thus in the ancient chronicles he was represented as of gigantic stature, ten or twelve cubits in height. To him was attributed the invention of idolatry, and he is said to have returned to Chaldea after the destruction of the Tower of Babel, and to have persuaded the inhabitants to become fire‑worshippers. He built a large furnace and commanded that all who refused the idolatrous worship should be cast into it. Among his victims were Abraham or Abram, the patriarch, and his father Terah. The latter was consumed, but the former by the interposition of a miracle came out unhurt. It is hardly necessary to say that such legends are altogether mythical and of no historical value.


The Scriptural account of Nimrod is a very brief and unsatisfactory one. It is merely that:


"Cush begat Nimrod; he began to be a mighty one in the earth. He was a mighty hunter before the Lord; wherefore it is said, Even as Nimrod the mighty hunter before the Lord. And the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar. Out of that land went forth Ashur and builded Nineveh, and the city Rehoboth, and Calah, and Resen between Nineveh and Calah: the same is a great city." (1)


The most learned commentators have differed as regards the translation of the 11th verse. The Septuagint, the Vulgate, Luther's and our own recognized version say‑ "Out of that land went forth Ashur, and builded Nineveh." Higden, in the Polychronicon, which I have already said was the source of the Masonic Legend, adopts the same version. And the Cooke and the later manuscripts assign the building of Nineveh and the other cities of Assyria to Ashur, the son of Shem, and the kinsman of Nimrod, who assisted


(1) Genesis x. 8‑12.




him with workmen. Such was the legend until the beginning of the 18th century.


But the best modern Hebrew scholars, such as Borhart, Le Clerc, Gesenius, and a great many others, insist that Ashur is not the name of a person, but of a country, and that the passage should be rendered: "Out of that land he (Nimrod) went forth to Assyria and builded Nineveh, and the city Rehoboth, and Calah, and Resen, between Nineveh and Calah." This is the form of the legend that was adopted by Dr. Anderson and by the author of the Krause document, and after the publication of Anderson's work it took the place of the older form.


The Craft have in both forms of the legend recognized Nimrod as a great Mason, nor have the vituperations of Josephus and the scandalous legends of the orientalists had the slightest effect on their apparent estimation of that mighty monarch, the founder of nations and the builder of cities.


And now, in the latter part of the 19th century, comes a learned scholar, (1) well acquainted with the language of the ancient Babylonians and Assyrians, and with the complicated cuneiform alphabet in which it is clothed, and visiting the remains of the ruined cities which Nimrod had built, finds the fragments of twelve tablets which contain the history of a Babylonian monarch to whom he gave the provisional name of Izdubar and whom he identified with Nimrod. If this identification be correct, and there is certainly strong internal evidence in favor of it, we have in these tablets a somewhat connected narrative of the exploits of the proto‑monarch of Babylon, which places his character in a more favorable light than that which had hitherto been received as the popular belief founded on the statement of Josephus and the oriental traditions.


The Izdubar legends, as Mr. Smith has called the inscriptions on these tablets, represent Nimrod as a mighty leader, a man of great prowess in war and in hunting, and who by his ability and valor had united many of the petty kingdoms into which the whole of the valley of the Euphrates was at that time divided, and thus established the first empire in Asia. (2) He was, in fact, the hero of the ancient


(1) The late George Smith, of the British Museum, the author of "Assyrian Discoveries," of the "Chaldean Account of Genesis," and many other writings in which he has eNen the learned result of his investigations of the cuneiform inscriptions. (2) Smith, "Chaldean Account of Genesis," p. 174.


Babylonians, and therefore it was only natural that they should consecrate the memory of him who as a powerful and beneficent king had first given them that unity which secured their prosperity as a nation. (1)


If we now refer to the Legend of the Craft, we shall find that the old Masonic legendist, although of course he had never seen nor heard of the discoveries contained in the cuneiform inscriptions, had rejected the traditional estimate of Nimrod's character, as well as the supposed results of the destruction of the Tower of Babel, and had wisely selected Babylon as the first seat and Nimrod (whoever may have been meant by that name) as the founder of the sciences, and especially of architecture.


In this there is a conformity of the legendary account with the facts of history, not usual with legendists.


"We must give," says Canon Rawlinson, "the Babylonians credit for a genius and a grandeur of conception rarely surpassed, which led them to employ the labor whereof they had the command, in works of so imposing a character. With only 'brick for stone,' and at first only 'slime for mortar,' they constructed edifices of so vast a size that they still remain, at the present day, among the most enormous ruins in the world, impressing the beholder at once with awe and admiration."


The Legend of the Craft continually confounds Masonry, Geometry, and Architecture, or rather uses them as synonymous and convertible terms. It is not, therefore, surprising that it should have selected Babylon as the birth‑place, and Nimrod as the founder of what they called "the science." The introduction of his name into the Legend, may be attributed, says the Rev. Bro. Woodford, (3) "to an old assumption that rulers were patrons of the building sodalities." I rather imagine that the idea may be traced to the fact that Nimrod was supposed to be a patron of architecture and the buider of a great number of cities. The mediaeval Operative Masons were always ready to accept any distinguished architect or builder as a patron and member of the Craft. Thus the history of Masonry compiled by Dr. Anderson, out of the Old Records, is nothing but a history of architecture, and almost every king, prelate, or nobleman who had erected a palace, a church, or a castle, is called a distinguished Freemason and a patron of the Institution.


(1)   Smith, ib., p. 294. (2) In Smith's "Dict. of the Bible," voce, Babel. (3) Kenning's " Encyclopaedia," in voce Nimrod.


P. 66













HAING disposed of the establishment of Masonry in Babylon, the Legend of the Craft next proceeds by a rapid transition to narrate the history of its introduction into Egypt. This Egyptian episode, which in reference to the principal action in it has been called the "Legend of Euclid," is found in all the old manuscripts.


It forms the opening feature of the Halliwell poem, being in that document the beginning of the history of Masonry; it is told with circumstantial minuteness in the Cooke MS., and is apparently copied from that into all the later manuscripts, where the important details are essentially the same, although we find a few circumstances related in some which are omitted in others.


Divesting the narrative of the archaic language of the manuscripts, the legend may be given as follows:


Once on a time, to use the story‑teller's style, Abraham and his wife went to Egypt. Now Abraham was very learned in all the seven arts and sciences, and was accompanied by Euclid, who was his scholar, and to whom he had imparted his knowledge. At that time the lords or rich men of Egypt were in sore distress, because having a very numerous progeny of sons, for whom they could find no occupation, they knew not how they could obtain for them a livelihood.


In this strait they held a council and made proclamation that if any one could suggest a remedy, he should lay his plans before them, when he should be suitably rewarded.


Upon this Euclid presented himself and offered to supply these sons with an honest means of living, by teaching them the science of Geometry, provided they should be placed by their fathers under his exclusive control, so that he might have the power of ruling them according to the laws of the Craft.


To this proposition the Egyptian nobles gladly consented, and granted Euclid all the power that he had asked, and secured the grant to him by a sealed commission.


Euclid then instructed them in the practical part of Geometry, and taught them how to erect churches, castles, towers, and all other kinds of buildings in stone. He also gave them a code of laws for their government.


Thus did Euclid found in the land of Egypt the science which he named Geometry, but which has ever since been called Masonry.


I have said that while all the manuscripts agree in the prominent circumstances of this legend, there are in some of them a few discrepancies as to some of the minor details.


Thus the Halliwell poem makes no allusion to Abraham, but imputes the founding of Masonry to Euclid alone, and it will be remembered that the title of that poem is, "The Constitutions of the art of Geometry according to Euclid."


The Cooke MS. is far more full in details than either the Halliwell poem or the manuscripts that succeeded it. It says that Abraham taught Geometry to the Egyptians, and that Euclid was his scholar. But a few lines after, quoting St. Isidore as its authority, it says that Euclid was one of the first founders of Geometry, and that in his time there was an inundation of the Nile, and he taught them to make dykes and walls to restrain the water, and measured the land by means of Geometry, and divided it among the inhabitants, so that every man could enclose his own property with ditches and walls. In consequence of this the land became fertile, and the population increased to such a degree, that there was found a difficulty in finding for all employment that would enable them to live. Whereupon the nobles gave the government of their children to Euclid, who taught them the art of Geometry, so called because he had with its aid measured the land, (1) when he built the walls and ditches to separate each one's possession.


The needles repetitions and confusion of details in the Cooke MS. show that the author had derived the information on which he constructed his legend from various sources ‑ partly from the authority of St. Isidore, as he is quoted in Higden's Polychronicon, and partly from the tradition of the Craft.


(1) Geometry from the Greek ge land and metron measure.


The later manuscripts have copied the details of the Legend as contained in the Cooke codex, but with many omissions, so as to give it the form in which it was known to the Craft in the 16th and 17th centuries.


Thus the Dowland MS., whose date is supposed to be about 1550, gives the story almost exactly as it is in the Halliwell poem, except that it adds Abraham and Sarah as dramatis persona, making it in this respect coincide with the Cooke MS., and probably with the form of the original Legend.


In this it is followed by the York, No. 1 (1600), the Grand Lodge (1632), the Sloane (1646), the Lodge of Hope (1680), the Alnwick (1701), and even the Papworth MS., as late as 1714.


The Landsdowne MS. (1560), and the Antiquity (1686), have the Legend in a very imperfect form, and either did not copy or greatly curtailed the Dowland MS., as they but slightly refer to Egypt and to Euclid, and not at all to Abraham.


As to the reputation for great learning which the legendists have given to Abraham, although the Bible dwells only on his piety, they found their authority in Josephus, as well as in Isidore.


Josephus says that among the Egyptians he was esteemed as a very wise man, and that besides reforming their customs, he taught them arithmetic and astronomy.


It is evident, as has been already noticed, that the Legend of the Craft has been indebted for much of its materials to the Antiquities of Josephus, and the Etymologies of St. Isidore, and the Polychronicon of Ranulph Higden ‑ the first two at second hand, in all probability through the citations of those works which are mdde in the third.


The Krause MS., which is said to have been translated from the English into the Latin, and afterward into German, and published by Dr. Krause, (1) gives the Legend in an entirely different form.


Notwithstanding that I have declared my belief that this document is spurious with a date of not earlier than the second decade, or more probably toward the middle of the 18th century, yet, as an indication of the growth and the change of the Legend at that period, it will be worth while to compare its form with that in the


(1) "Die drei altesten Kunsturkunden," iii., 59 ‑ 113.


older manuscripts, at least so far as relates to the Egyptian episode, which is in the following words:


"Abraham was skilled in all the sciences and continued to teach them to the sons of the freeborn, whence afterwards came the many learned priests and mathematicians who were known by the name of the Chaldean Magi. Afterwards, Abraham continued to propagate these sciences and arts when he came to Egypt, and found there, especially in Hermes, so apt a scholar, that the latter was at length called the Trismegistus of the sciences, for he was at the same time priest and natural philosopher in Egypt; and through him and a scholar of his the Egyptians received the first good laws and all the sciences in which Abraham had instructed him. Afterwards Euclid collected the principal sciences and called them Geometry. But the Greeks and Romans called them altogether Architecture.


"But in consequence of the confusion of languages, the laws and arts and sciences could not formerly be propagated until the people had learned to make comprehensible by signs that which they could not understand by words. Wherefore, Mizraim, the son of Cham, brought the custom of making himself understood by signs with him into Egypt, when he colonized a valley of the Nile. This art was afterwards extended into all distant lands, but only the signs that are given by the hands have remained in architecture; for the signs by figures are as yet known to but few.


"In Egypt the overflowings of the Nile afforded an opportunity to use the art of measurement, which had been introduced by Mizraim, and to build bridges and walls as a protection against the water. They used burnt stone and wood and earth for these purposes. Therefore when the heathen kings had become acquainted with this, they were compelled to prepare stone and lime and bricks and there‑with to erect buildings, by which, through God's will, however, they became only the more expeienced artists and were so celebrated that their art spread as far as Persia."


If the reader compares this legend of the Krause manuscript with that which is given by Dr. Anderson in the first edition of his Constitutions, he will be constrained to admit that both documents are derived from the same source, or that one of them is an abridged or an expository copy of the other. It is evident that the statement in Anderson is merely a synopsis of that more detailed narrative contained in the Krause Legend, or that it is an expansion of the statement in the first edition of the Constitutions.


If the Krause MS. was written before Anderson compiled his history, it could not have been long anterior, and must have been composed between 1714, the date of the Papworth MS., which contains the Legend in its mediaeval form, and 1723, when Anderson published his work.


Within this period the Masons sought to modify the old Legend of the Craft, so as to deprive it of its apparent absurdities, and to omit its anachronisms so as to give it the appearance of an authentic historical narrative.


Instead, therefore, of having the date of 926, which has been ascribed to it by Dr. Krause, his manuscript is, as Bro. Hughan thinks it, "a compilation of the early part of the last century." It is, however, important, as I have said, because it shows how the old Legend was improved and divested of its anachronisms.


It is certainly a very absurd anachronism to make Euclid the contemporary of Abraham, who lived more than two thousand years before him. Nor is it less absurd to suppose that Euclid invented Masonry in Egypt, whence it was carried to India, and practiced by King Solomon, since the great geometrician did not flourish until six centuries and a half after the construction of the Temple.


Considered, then, as an historical narrative, the Legend of Euclid is a failure. And yet it has its value as the symbolical development of certain historical facts.


The prominent points in this Legend being, of course, those on which the old believers of it most strenuously dwelt, are: 1. That Geometry is the groundwork of Masonry; 2. That Euclid was the most distinguished of all geometricians; and, 3. That the esoteric method of teaching this as well as all the other sciences which was pursued by the priests of Egypt, was very analogous to that which was adopted by the Operative Masons of the Middle Ages, in imparting to their disciples the geometric and architectural secrets, which constituted what they called the Mystery of the Craft.


The Legend, in fact, symbolizes the well‑recognized fact, that in Egypt, in early times ‑ of which there is no historical objection to make Abraham the contemporary ‑ there was a very intimate connection between the science of Geometry and the religious system of the Egyptians; that this religious system embraced also all scientific instruction; that this instruction was secret, and communicated only after an initiation, (1) and that in that way there was a striking analogy between the Egyptian system and that of the mediaeval Masons. And this fact of an analogy, the latter sought to embody in the apparent form of an historical narrative, but really in the spirit of a symbolic picture.


Thus considered, the Legend of the Craft, in its episode of Euclid and his marvelous doings in the land of Egypt, is divested of its absurdity, and it is brought somewhat nearer to the limits of historical verity than the too literal reader would be disposed to admit.


(1)   Kendrick confirms this statement in his Ancient Egypt," where he says: "When we read of foreigners (in Egypt) being obliged to submit to painful and tedious ceremonies of initiation, it was not that they might learn the secret meaning of the rites of Osiris, or Isis, but that they might partake of the knowledge of astronomy, physick, geometry, and theology."‑(Vol. i., p. 383.)


P. 72












FROM this account of the exploits of Abraham and his scholar Euclid, and of the invention of Geometry, or Masonry in Egypt, the Legend of the Craft proceeds, by a rapid stride, to the narrative of the introduction of the art into Judea, or as it is called in all of them, "the land of behest," or the land of promise.


Here it is said to have been principally used by King Solomon, in the construction of the temple at Jerusalem. The general details connected with the building of this edifice, and the assistance given to the King of Israel, by Hiram, King of Tyre, are related with sufficient historical accuracy, and were probably derived either directly or at second hand, through the Polychronicon, from the first Book of Kings, which, in fact, is referred to in all the manuscripts as a source of information. (1)


The assumption that Freemasonry, as it now exists, was organized at the Temple of Solomon, although almost universally accepted by Masons who have not made Masonry, a historical study but who derive their ideas of the Institution from the mythical teachings of the ritual, has been utterly rejected by the greater part of the recent school of iconoclasts, who investigate the history of Freemasonry by the same methods which they would pursue in the examination of any other historical subject.


The fact, however, remains, that in the Legend of the Craft the Temple is prominently and definitely referred to as a place where Masons congregated in great numbers, and where Masonry was confirmed or established, and whence it traveled into other countries. (2)


(1)"As it is said in the Bible, in the third book of Kings," are the words of the Cooke MS. In the canon of Scripture as then used, the two books of Samuel were called the first and second of Kings. The third book of Kings was then the first according to the present canon. (2) "And thus was that worthy Science of Masonry confirmed in the country of Jerusalem, and in many other kingdoms."‑Dowland MS.


Considering the Legend of the Craft as merely a narrative of the rise and progress of architecture in its connection with a peculiar architectural association, it was natural that in such a narrative some reference should be made to one of the most splendid specimens of ancient architectural art that the ancient world had exhibited. And since this Temple was, by its prominence in the ritual of Jewish worship, intimately connected with both the Jewish and Christian religions, we shall be still less surprised that an association not only so religious, but even ecclesiastical as mediaeval Masonry was, should have considered this sacred edifice as one of the cradles of its Institution.


Hence we find the Temple of Jerusalem occupying a place in the Legend of the Craft which it has retained, with many enlargements, to the present day.


But there is a difference in the aspect in which this subject of the Temple is to be viewed, as we follow the progress of the Order in its transition from an Operative to a Speculative Institution.


Originally referred to by the legendists as a purely historical fact, whose details were derived from Scripture, and connected by a sort of esprit du corps, with the progress of their own association, it was retained during and after the development of the Order into a Speculative character, because it seemed to be the very best foundation on which the religious symbolism of that Order could be erected.


But notwithstanding that the masses of the Institution, learned as well as unlearned, continue to accept the historical character of this part of the Legend, the Temple is chiefly to be considered in a symbolic point of view. It is in this aspect that we must regard it, and in so doing we shall relieve the Legend of another charge of absurdity. It is true that we are unable now to determine how much of true history and how much of symbolism were contemplated by the authors of the Legend, when they introduced the Temple of Jerusalem into that document as a part of their traditional narrative. But there is a doubt, and we can not now positively assert that the mediaeval Freemasons had not some impression of a symbolic idea when they incorporated it into their history.


The Temple might, indeed, from its prominence in the ritual, be almost called the characteristic symbol of Speculative Masonry. The whole system of Masonic Symbolism is not only founded on the Temple of Jerusalem, but the Temple idea so thoroughly permeates it that an inseparable connection is firmly established, so that if the Temple symbol were obliterated and eliminated from the system of Freemasonry ‑ if that system were purged of all the legends and myths that refer to the building of the Solomonic Temple, and to the events that are supposed to have then and there occurred, we should have nothing remaining by which to recognize and identify Speculative Masonry, as the successor of the Operative System of the Middle Ages. The history of the Roman Empire with no account of Julius Caesar, or of Pompey, or that of the French Revolution, with no allusion to Louis XVI., or to Robespierre, would present just as mutilated a narrative as Freemasonry would, were all reference to the Temple of Solomon omitted.


Seeing, then, the importance of this symbol, it is proper and will be interesting to trace it back through the various exemplars of the Legend of the Craft contained in the Old Constitutions, because it is to that Legend that modern Freemasonry owes the suggestion at least, if not the present arrangement and formulae of this important symbol.


In the oldest Constitution that we have, the one known as the Halliwell MS., whose date is supposed not to be later than the end of the 14th century, there is not the least allusion to the Temple of Solomon, which is another reason why I ascribe to that document, as I have before said, an origin different from that of the other and later manuscripts.


The word temple occurs but once in the entire poem, and then it is used to designate a Christian church or place of worship. (1) But in the Cooke MS., written, as it is estimated, about a century afterward, there are ample references to the Solomonic Temple, and the statement made in the Legend of the Craft is for the first time enunciated.


After this, there is not a Constitution written in which the same narrative is not repeated. There does not appear in any of them, from the Landsdowne MS. in 1560 to the Papworth in 1701, any enlargement of the narrative or any development of new occur‑


(1) "He made the bothe halle and eke bowre, And hye temhuls of gret honoure, To sport hym yn bothe day and nighth, And to worschepe hys God with all hys myght." (Lines 63‑66).


rences. Each of them dilates, in almost the same words, upon the Temple of Solomon as connected with Masonry in many words, and gives elaborate details of the construction of the edifice, of the number of Masons employed, how they were occupied in performing other works of Masonry, and, finally, how one of them left Jerusalem and extended the art into other countries. We thus see that up to the end of the 17th century the Legend of the Craft in all its essential details continued to be accepted as traditionary history.


In the beginning of the 18th century the Legend began to assume a nearer resemblance to its present form. The document already referred to as the Krause MS., and which Dr. Krause too hastily supposed was a copy of the original York Constitutions of 926, is really, as I have heretofore shown, a production of the early part of the 18th century. In this document the Legend is given in the following words:


"Although, by architecture great and excellent buildings had already been everywhere constructed, they all remained far behind the holy Temple, which the wise King Solomon caused to be erected in Jerusalem, to the honor of the true God, where he employed an uncommonly large number of workmen, as we find in the Holy Scriptures; and King Hiram of Tyre also added a number to them.


Among these assistants who were sent was King Hiram's most skilful architect, a widow's son, whose name was Hiram Abif, and who afterwards made the most exquisite arrangements and furnished the most costly works, all of which are described in the Holy Scriptures. The whole of these workmen were, with King Solomon's approval, divided into certain classes, and thus at this great building was first founded a worthy Society of Architects."


Whether the author of the Krause MS. had copied from Anderson, or Anderson from him, or both from some other document which is no longer extant, is a question that has already been discussed. But the description of the Temple and its connection with the history of Masonry, are given by Dr. Anderson with much of the features of the Krause form of the Legend, except that the details are more copious. Now, what was taught concerning the Temple by Anderson in his History contained in the first edition of the Constitutions, although afterward polished and perfected by Preston and other ritual makers, is substantially the same as that which is taught at the present day in all the Lodges.


Therefore, notwithstanding that Dr. Krause asserts, (1) that "the Temple of Solomon is no symbol, certainly not a prominent one of the English system," I am constrained to believe that it was one of the prominent symbols alluded to in the Mediaeval Legend, and that the symbol of the Temple upon which so much of the symbolism of Modern Speculative Masonry depends, was, in fact, suggested to the revivalists by the narrative contained in the Legend of the Craft.


Whether the Operative Masons of the Middle Ages, who seem to have accepted this Legend as authentic history, had also, underlying the narrative, a symbolic interpretation of the Temple and of certain incidents that are said to have occurred in the course of its erection, as referring to this life and the resurrection to a future one, or whether that interpretation was in existence at the time when the Legend of the Craft was invented, and was subsequently lost sight of, only to be recovered in the beginning of the 18th century, are questions that will be more appropriately discussed in succeeding pages of this work, when the subject of the myths and symbols of Freemasonry is under consideration.


But it is evident that between the narrative in the Legend concerning the Temple, with its three builders, the Kings of Israel and Tyre, and Solomon's Master of the Works, and the symbolism of Modern Speculative Masonry in allusion to the same building and the same personages, there has been a close, consecutive connection.


Hence, again, we find that the Legend of the Craft is of value in reference to the light which it throws on the progress of Masonic science and symbolism, which otherwise it would not possess, if it were to be considered as a mere mythical narrative without any influence on history.


Before concluding this subject, it will be necessary to refer to the name of the chief builder of the Temple, and whose name has undergone that corruption in all the manuscripts to which all proper names have been subjected in those documents.


Of course, it is known, from the testimony of Scripture, that the real name and title of this person, as used in reference to King Solomon and himself, was Hiram Abif, that is, "his father Hiram." (2)


(1) "Die drei altesten Kunsturkunden," vol. i., p. 155, note 41. (2) When the King of Tyre speaks of him, it is as Hiram Abi that is, "My


father Hiram," 2 Chron‑ ii. 13‑




This Hebrew appellative is found for the first time in Masonic documents in Anderson's Constitutions, and in the Krause MS., both being of the date of the early part of the 18th century. Previous to that period we find him variously called in all the Old Manuscripts, from the Dowland in 1550 to the Alnwick in 1701, Aman, Amon, Aynone, Aynon, Anon, and Ajuon.


Now, of what word are these a corruption? (1)


The Cooke MS. does not give any name, but only says, that "the King's son of Tyre was Solomon's Master Mason." All the other and succeeding manuscripts, without exception, admit this relation. Thus the Dowland, in which it is followed by all the others, says that King Hiram "had a son that was called AYNON, and he was a Master of Geometry, and was chief Master of all Solomon's Masons."


The idea was thus established that this man was of royal dignity, the son of a King, and that he was also a ruler of the Craft.


Now, the Hebrew word Adon denotes a lord, a prince, a ruler or master.


It is, in short, a title of dignity. In the Book of Kings we meet with Adoniram, who was one of the principal officers of King Solomon, and who during the construction of the Temple, performed an important part as the chief or superintendent of the levy of thirty thousand laborers who worked on Mount Lebanon.


The old Masons may have confounded this person with Hiram from the similarity of the terminational syllables. The modern Continental Masons committed the same error when they established the Rite of Adonhiram or Adoniram, and gave to Hiram Abif the title of Adon Hiram, or the Lord or Master Hiram. If the Old Masons did this, then it is evident that they abbreviated the full namc and called him Adon.


But I am more inclined to believe that the author of the first or original old manuscript, of which all the rest are copies, called the chief builder of Solomon Adon, Lord and Master, in allusion to his supposed princely rank and his high position as the chief builder or Master of the Works at the Temple.


(1) The Papworth MS., whose supposed date is 1714, rejects all these words and calls him Benaim, which is a misspelling of Bonaim, builders, and that a grammatical error for Boneh, the Builder. The writer had evidently got an inkling of the new form which the Legend was beginning to assume. Anderson, it will be recollected, speaks of the " Bonai, or builders in stone."


The corruption from Adon to Aynon, or Amon, or even Ajuon, is not greater than what occurs in other names in these manuscripts, as where Hermes is transmuted into Hermarines, and Euclid into Englet. Indeed the copyists of these mediaeval documents appear to have had a Gallic facility in corrupting the orthography of all foreign names, very often almost totally destroying their identity.


As to the real meaning of Hiram Abif, either as a historic or symbolic character, that topic will be thoroughly considered in another part of this work, when the subject of Masonic Symbols comes to be considered.


The topic of the corruption of the name in the old manuscripts, and its true signification, will again be treated when I come to investigate the " Legend of Hiram Abif."


The Legend of the Temple could not be appropriately completed without a reference to Solomon, King of Israel, and some inquiry as to how he became indebted for the important place he has held in mediaeval Freemasonry.


The popularity of King Solomon among the Eastern nations is a familiar fact, known not only to Oriental scholars, but even to those whose knowledge on the subject is confined to what they have learned from their youthful reading of the Arabian Nights' Entertainments. Among the Arabians and the Persians, the King of Israel was esteemed as a great magician, whose power over the genii and other supernatural beings was derived from his possession of the Omnific Name, by the use of which he accomplished all his wonderful works, the said name being inscribed on his signet ring.


It is not singular seeing the communication which took place before and after the Crusades between the East and the West, that the wise son of David should have enjoyed an equal popularity among the poets and romancers of the Middle Ages.


"But among them the character that he sustains is not that of a great magician, so much as that of a learned philosopher. Whenever a Norman romancer or a Provencal minstrel composed a religious morality, a pious declamation, or a popular proverb, it was the name of Solomon that was often selected to "point the moral or adorn the tale."


Unlike the Orientalists, whose tendencies were always toward the mystical, the mediaeval writers most probably derived their opinion of the King of Israel, from the account of him and of his writings in the Bible. Now, there he is peculiarly distinguished as a proverbialist.


Proverbs are the earliest outspoken thought of the people, and they precede, in every nation, all other forms of literature. It was therefore to be expected, that at the awakening of learning in the Middle Ages, the romancers would be fascinated by the proverbial philosophy of King Solomon, rather than by his magical science, on which the Eastern fabulists had more fondly dwelt.


Legrand D'Aussy, in his valuable work On the Fables and Romances of the 12th and 13th Centuries, gives two interesting specimens from old manuscripts, of the use made by their writers of the traditional reputation of King Solomon.


The first of these is a romance called "The Judgment of Solomon." It is something like the Jewish story of the two mothers. But here the persons upon whom the judgment is to be passed are two sons of the Prince of Soissons. The claim advanced was for a partition of the property. To determine who was better entitled to be the heir, by the reverence he might exhibit for the memory of his father, Solomon required each to prove his knightly dexterity by transfixing a mark with his lance, and that mark was to be the body of his dead father. The elder readily complied with the odious condition. The younger indignantly refused. To him Solomon decreed the heritage.


We see here how ready these romancers of the Middle Ages were to invent a narrative and fit it into the life of their favorite Solomon. The makers of the Masonic Legend of the Craft, who were their contemporaries, promptly followed their example. There is in that Legend, as we have seen, some anachronisms, but none more absurd than that which makes a Prince of Soissons, who could not have been earlier than the time of Clovis, in the 6th century, the contemporary of a Jewish monarch who lived at least sixteen centuries before Soissons was known as a kingdom.


But it shows us the spirit of the age and how Legends were fabricated.


We are thus prepared to form a judgment of the Masonic myths.


The Middle Ages also attributed to King Solomon a very familiar acquaintance with the science of astrology. In so doing they by no means borrowed the Oriental idea that he was a great magician; for astrology formed no part of Eastern occult magic. The mediaeval astrologer was deemed a man of learning, just as at this day is the astronomer. Astrology was, in fact, the astronomy of the Middle Ages.


Solomon's astrological knowledge was therefore only a part of that great learning for which he had the reputation.


In the collection of unpublished Fabliaux et Contes, edited by M. Meon, is a poem entitled, "Le Lunaire que Salemon fist"; that is, "The Lunary which Solomon made."


The lunary or lunarium was a table made by astrologers to indicate the influence exerted by the moon on human affairs.


The poem, which consists of 910 lines, written in the old French or Norman language, contains directions for the conduct of life, telling what is to be done or what omitted on every day of the month. The concluding lines assign, without hesitation, the authorship to Solomon, while it pays the mediaeval tribute to his character:


"Here is ended the lesson


Made by the good King Solomon, To whom in his life God gave


Riches and honor and learning, More than to any other born


Or begotten of woman."


The canonical book of Proverbs gave the writers of the Middle Ages occasion to have an exalted opinion of Solomon as a maker of those pithy sayings ‑ a characteristic of his genius of which the Orientals seem to have been unmindful.


One of the most remarkable works of mediaeval literature is a poem by the Comte de Bretagne, entitled "Proverbs of Marcol and Solomon."


This Marcol is represented as a commentator, or rather, perhaps, a rival of King Solomon. The work is a poem divided into stanzas of six lines each. The first three lines contain a proverb of Solomon; the next three another proverb on the same subject, and in response, by Marcol.


There is another mediaeval poem in the collection of M. Meon, entitled "Of Marco and Solomon." The responsive style is the same as that of the Comte de Bretagne, but the one hundred and thirty‑seven proverbs which it contains are all new.


But still more apposite to the present inquiry is the fact that among the medioeval writers Solomon bore the reputation of an artisan of consummate skill. He was like the Volund or Wieland of the Scandinavian and Teutonic myths ‑ the traditional smith who fabricated the decorations of chambers, the caparison of war‑horses, and the swords and lances of cavaliers. In the poems of the Middle Ages whenever it becomes necessary to speak of any of these things as having been made with exquisite and surpassing skill, it is said to be "the work of Solomon" ‑ l'uevre Salemon.


But enough has been said to show that King Solomon was as familiar to the romancers of the Middle Ages as he was to the Jews of Palestine or to the Orientalists of Arabia and Persia. Philip de Thuan, who, in the 12th century, wrote his Besliary, a sort of natural history spiritualized, says that by Solomon was signified any wise man ‑ Sacez par Salemuon sage gent entendum.


Now, about the same time that these fable‑makers and song‑writers of the 12th, 13th, and 14th centuries were composing these stories about King Solomon, the makers of the Masonic Legend of the Craft were inventing their myths about the same monarch and the Temple which he erected.


This is a concurrence of time which suggests that possibly the popularity of King Solomon with the romancers of the Middle Ages made the incorporation of his name in the Masonic Legend less difficult to those who framed that mythical story.


We might, indeed, be led to suspect that the use of Solomon in their Legends and traditions was first suggested to the Stonemasons and to the cognate associations, such as the "Compagnons de la Tour" of France, from the frequent references to it by the contemporary romancers.


But the subsequent myths connected with Solomon as the head of the association of Masons at the Temple were, at a much later period, borrowed, in great part, from the Talmudists, and have no place among the song‑writers and fabulists of the Middle Ages.



P. 82





THE Legend of The Craft next proceeds to narrate how Masonry was extended "into divers countryes," some of the Masons traveling to increase their knowledge of their art, and others to extend that which they already possessed.


This subject is very briefly treated in the different manuscripts. The Halliwell poem says nothing of the progressive march of Masonry except that it details almost as an episode the persecution of the "Four Crowned Martyrs" as Christian Masons, in the reign of the Roman Emperor Diocletian, and we should almost be led to infer from the tenor of the poem that Masonry was introduced directly into England from Egypt.


The Cooke MS. simply says that from Egypt Masonry "went from land to land and from kingdom to kingdom," until it got to England.


The later manuscripts are a little more definite, although still brief. They merely tell us that skillful craftsmen largely traveled into various countries, some that they might acquire more knowledge and skill, and others to teach those who had but little skill.


There is certainly nothing that is mythical or fabulous in this statement.


Every authentic history of architecture concurs in the statement that at an early period the various counties of Europe were perambulated by bodies of builders in search of employment in the construction of religious and other edifices. The name, indeed, of "Travelling Freemasons" which was bestowed upon them, is familiar in architectural historical works. (1)


Indeed, as Mr. George Godwin says, "There are few points in the Middle Ages more pleasing, to look back upon than the existence


(1) See Hope's " Historical Essay on Architecture."


of the associated Masons; they I are the bright spot in the general darkness of that period, the patch of verdure when all around is barren." (1)




But this interesting subject will be more fully discussed in another part of this work, when we come to treat of the authentic history of Masonry.


This portion of the Legend can not be said to belong to the prehistoric period.


It is sufficient, for the present, to have shown that in this part, as elsewhere, the Legend of the Craft is not a merely fictitious narrative, but that the general statement of the extension of Freemasonry throughout Europe at an early period is confirmed by historical evidence.


On examining the Legend of the Craft, it will be found to trace the extension of Masonry through its successive stages of progress from Babylon and Assyria to Egypt, from Egypt to Judea, from Judea to France, and from France to England. Accepting Masonry and the art of building as synonymous terms, this line of progress will not be very adverse, with some necessary modifications, to that assumed to be correct by writers on architecture. But, as I have just said, the consideration of this subject belongs not to the prehistoric, but to the historic period of the Society.


(1)   "The Builder," vol. ix., p. 463.


P. 84







THE Legend, now approaching the domain of authentic history, but still retaining its traditional character, proceeds to narrate, but in a very few words, the entrance of Masonry into France.


This account is given in the following language in the Dowland manuscript.


"And soe it befell that there was one curious Mason that height MAYMUS GRECUS, that had been at the making of Solomon's temple, and he came into France, and there he taught the science of Masonrys to men of France.


And there was one of the Regal lyne of Fraunce, that height CHARLES MARTELL; and he was a man that loved well such a science, and drew to this MAYMUS GRECUS that is above said, and learned of him the science, and tooke upon him the charges and manners; and afterwards, by the grace of God, he was elect to be Kinge of France. And whan he was in his estate, he tooke Masons and did helpe to make men Masons that were none; and he set them to worke, and gave them both the charge and the manners and good pale, as he had learned of other Masons; and confirmed them a Charter from yeare to yeare, to holde their semble wher they would; and cherished them right much; and thus came the science into France."


This Legend is repeated, almost word for word, in all the later manuscripts up to the year 1714.


It is not even alluded to in the earliest of all the manuscripts ‑ the Halliwell poem ‑ which is another proof that that document is of German origin.


The Cooke MS. has the Legend in the following words:


"Sumtyme ther was a worthye kyng in Frauns, that was clepyd Carolus secundus that ys to sey Charlys the secunde. And this Charlys was elyte [elected] kyng of Frauns by the grace of God and by lynage [lineage] also. And sume men sey that he was elite [elected] by fortune the whiche is fals as by cronycle he was of the kynges blode Royal.


And this same kyng Charlys was a mason bifor that he was kyng. And after that he was kyng he lovyd masons and cherschid them and gaf them chargys and mannerys at his devise the whiche sum ben yet used in fraunce and he ordeynyd that they scholde have a semly [assembly] onys in the yere and come and speke togedyr and for to be rculed by masters and felows of thynges amysse." (1)


The absence of all allusion to Namus Grecus (a personage who will directly occupy our attention) in the Cooke document is worthy of notice.


When Dr. Anderson was putting the Legend of the Craft into a modern shape, he also omitted any reference to Namus Grecus but he preserved the spirit of the Legend, so far as to say, that according to the old records of Masons, Charles Martel "sent over several expert craftsmen and learned architects into England at the desire of the Saxon kings." (2)


I think it will be proved, when in the course of this work the authentic history of Masonry comes to be treated, that the statement in the Legend of the Craft in relation to the condition of the art in France during the administration of Charles Martel is simply a historical fact. In claiming for the "Hammerer" the title of King of France, while he assumed only the humble rank of Duke of the Franks and Mayor of the Palace, the legendists have only committed a historical error of which more experienced writers might be guilty.


The introduction of the name of Namus Grecus, an unknown Mason, who is described as being the contemporary of both Solomon and of Charles Martel, is certainly an apparent anachronism that requires explanation.


This Namus Grecus has been a veritable sphinx to Masonic antiquaries, and no CEdipus has yet appeared who could resolve the riddle. Without assuming the sagacity of the ancient expounder of enigmas, I can only offer a suggestion for what it may be considered worth.


I suppose Grecuis to be merely an appellative indicating the fact that this personage was a Greek. Now, the knowledge of his exist‑


(1) Cooke MS., lines 576 ‑ 601.


(2) "Constitutions," ed. 1723, p. 30,.


ence at the court of Charles Martel was most probably derived by the English legendist from a German or French source, because the Legend of the Craft is candid in admitting that the English Masons had collected the writings and charges from other countries. Prince Edwin is said to have made a proclamation that any Masons who "had any writing or understanding of the charges and the manners that were made before in this land [England] or in any other, that they should shew them forth." And there were found "some in French, some in Greek, some in English, and some in other languages."


Now, if the account and the name of this Greek architect had been taken from the German, the text would most probably have been "ein Maurer Namens Grecus"; or, if from the French, it would have been "un Macon nomme Grecus." The English legendist would, probably, mistake the words Namens Grecus, or nomme Grecus, each of which means "he was named Grecus," or, literally, "a Mason by the name of Grecus," for the full name, and write him down as Namus Grecus. The Maymus in the Dowland MS. is evidently a clerical error. In the other manuscripts it is Namus. The corrected reading, then, would be ‑ "there was a Mason named (or called) a Greek."


It can not be scd that it is not probable that any legendist would have fallen into such an error when we remember how many others as great, if not greater, have been perpetrated in these Old Records. See, for instance, in these manuscripts such orthographical mistakes as Hermarines for Hermes, and Englet for Euclid; to say nothing of the rather ridiculous blunder in the Leland MS., where Pythagore, the French form of Pythagoras, has suffered transmutation into Peter Gower. So it is not at all unlikely that Namens Grecus, or nomme Grecus, should be changed into Namus Grecus.


The original Legend, in all probability meant to say merely that in the time of Charles Martel, a Greek artist, who had been to Jerusalem, introduced the principles of Byzantine architecture into France.


Now, history attests that in the 8th century there was an influx of Grecian architects and artificers into Southern and Western Europe, in consequence of persecutions that were inflicted on them by the Byzantine Emperors. The Legend, therefore, indulges in no spirit of fiction in referring to the advent in France, at that period, of one of these architects.


It is also a historical fact that Charles the Great of France was a liberal encourager of the arts and sciences, and that he especially promoted the cultivation of architecture on the Byzantine or Greek model in his dominions.


Dr. Oliver, in the second edition of the Constitutions, repeats the Legend with a slight variation. He says that "Ethelbert, King of Mercia, and general monarch, sent to Charles Martel, the Right Worshipful Grand Master of France (father of King Pippin), who had been educated by Brother Nimus Graecus, he sent over from France (about A.D. 710) some expert Masons to teach the Saxons those laws and usages of the ancient fraternity, that had been happily preserved from the havock of the Goths."


Pritchard, in his Masonry Dissected, gives, upon what authority I know not, the Legend in the following form:


Euclid "communicated the art and mystery of Masonry to Hiram, the Master Mason concerned in the building of Solomon's Temple in Jerusalem, where was an excellent and curious Mason, whose name was Mannon Grecus, who taught the art of Masonry to one Carolus Marcil in France, who was afterwards elected King of Flance."


Upon this change of the name to Mannon Grecus, Krause suggests a derivation as follows: In using this name he thinks that Pritchard intended to refer to the celebrated scholastic philosopher Mannon, or Nannon, who was probably celebrated in his time for his proficiency in the language and literature of Greece. Nannon lived in the reign of Charles the Bold, and was the successor of Erigena in the direction of the schools of France.


I think the derivation of the name offered by Dr. Krause is wholly untenable though ingenious, for it depends upon a name not found in any of the old manuscripts, and besides, the philosopher did not live in the time of Charles Martel, but long afterward.


Between his derivation and mine, the reader may select, and probably will be inclined to reject both.


As far as the Legend regards Charles Martel as the patron of architecture or Masonry in France, one observation remains to be made.


If there has been an error of the legendists in attributing to Charles Martel the honor that really belonged to his successor, Charles the Great, it is not surprising when we consider how great was the ignorance of the science of chronology that prevaded in those days.


However, it must be remarked, that at the present day the French Masonic writers speak of Charles Martel as the founder of Masonry in France.


The error of making the Greek architect a contemporary both of Solomon and of Charles Martel is one which may be explained, either as the expression of a symbolic idea, alluding to the close connection that had existed between Oriental and Byzantine architecture, or may be excused as an instance of blundering chronology for which the spirit of the age, more than the writer of the Legend, is to be blamed. This objection will not, however, lie if we assume that Namus Grecus meant simply a Greek architect.


But this whole subject is so closely connected with the authentic history of Masonry, having really passed out of the prehistoric period, that it claims a future and more elaborate consideration in its proper place.


P. 89











THE Legend of the Craft now proceeds to narrate the history of the introduction of Masonry into England, in the time of St. Alban, who lived in the 3d century.


The Legend referring to the protomartyr of England is not mentioned in the Halliwell poem, but is first found in the Cooke MS., in the following words: "And sone after that come seynt Adhabell into Englond, and he convertyd seynt Albon to cristendome. And seynt Albon lovyd well masons, and he gaf hem fyrst her charges and maners fyrst in Englond. And he ordeyned convenyent (1) to pay for their travayle." (2)


The later manuscripts say nothing of St. Adhabell, and it is not until we get to the Krause MS. in the beginning of the 18th century, that we find any mention of St. Amphibalus, who is described in that document as having been the teacher of St. Alban. But St. Amphibalus, of which the Adhabell of the Cooke MS. is undoubtedly a corruption, is so apocryphal a personage, that I am rejoiced that the later legendists have not thought proper to follow the Cooke document and give him a place in the Legend.


In fact, amphibalum was the ecclesiastical name of a cloak, worn by priests of the Romish Church over their other vestments. (3) It was a vestment ecclesiastically transmuted into a saint, as the hand‑


(1) Cooke translates this "convenient times," supplying the second word.


But a more correct word is suitable or proper, which is an old meaning of convenient. "He ordained suitable pay for their labor," and this agrees with the Iater manuscripts which impress the fact that St. Alban "made their pay right good." (2) Cooke MS., lines 602 ‑ 611. (3) It is significant that among the spurious relics sent, when fearing the Danish invasion, in the reign of Edward the Confessor, by the Abbot of St. Albans, to the monks of Ely, was a very rough, shagged old coat, which it was said had been usually worn by St. Amphibalus.


kerchief on which Christ left the image of His face when, as it is said, it was handed to Him on His way to Calvary, by a pious Jewess, became from the Greco‑Latin vera icon, "the true image," converted into St. Veronica. The Masonic are not the only legendists who draw deeply on our credulity.


Of St. Alban, ecclesiastical history furnishes only the following meager details, and even of these some are apocryphal, or at least lack the stamp of authenticity.


He was born (so runs the tradition) in the 3d century, in Hertfordshire, England, near the town of Verulanium. Going to Rome, he served for seven years as a soldier under the Emperor Diocletian. He then returned with a companion and preceptor Amphibalus, to Britain, and betook himself to Verulanium. When the persecutions of the Christians commenced in Britain, Amphibalus was sought for, as one who had apostatized to the new religion; but as he could not be found, St. Alban voluntarily presented himself to the judge, and after undergoing torture was imprisoned. Soon after this, the retreat of Amphibalus having been discovered, both he and St. Alban suffered death for being Christians.


Four centuries after his martyrdom, Offa, King of the Mercians, erected a monastery at Holmehurst, the hill where he was buried, and soon after the town of St. Albans arose in its vicinity.


When the Christian religion became predominant in England, the Church paid great honors to the memory of the protomartyr. A chapel was erected over his grave which, according to the Venerable Bede, was of admirable workmanship.


The Masonic Legend contains details which are not furnished by the religious one. According to it, St. Alban was the steward of the household of Carausius, he who had revolted from the Emperor Maximilian, and usurped the sovereignty of England. Carausius employed him in building the town walls. St. Alban, thus receiving the superintendence of the Craft, treated them with great kindness, increased their pay, and gave them a charter to hold a general assembly. He assisted them in making Masons, and framed for them a constitution ‑ for such is the meaning of the phrase, "gave them charges."


Now, there is sufficient historical evidence to show that architecture was introduced into England by the Roman artificers, who followed, as was their usage, the Roman legions, habilitated themselves in the conquered colonies, and engaged in the construction not only of camps and fortifications, but also when peace was restored in the building of temples and even private edifices. Architectural ruins and Latin inscriptions, which still remain in many parts of Britain, attest the labors and the skill of these Roman artists, and sustain the statement of the Legend, that Masonry, which, it must be remembered, is, in the Old Records, only a synonym of architecture, was introduced into England during the period of its Roman colonization.


As to the specific statement that St. Alban was the patron of Masons, that he exercised the government of a chief over the Craft, and improved their condition by augmenting their wages, we may explain this as the expression of a symbolical idea, in which history is not altogether falsified, but only its dates and personages confused.


Carausius, the Legend does not mention by name. It simply refers to some King of England, of whose household St. Alban was the steward.


Carausius assumed the imperial purple in the year in which St. Alban suffered martyrdom. The error of making him the patron of St. Alban is not, therefore, to be attributed to the legendist, but to Dr. Anderson, who first perpetrated this chronological blunder in the second edition of his Constitutions. And though he states that "this is asserted by all the old copies of the Constitutions," we fail to find it in any that are now extant.


This "Legend of St. Alban," as it has been called, is worthy of a farther consideration.


The foundation of this symbolical narrative was first laid by the writer of the Cooke MS., or, rather, copied by him from the tradition existing among the Craft at that time. Its form was subsequently modified and the details extended in the Dowland MS., for tradition always grows in the progress of time. This form and these details were preserved in all the succeeding manuscript Constitutions, until they were still further altered and enlarged by Anderson, Preston, and other Masonic historians of the last century.


With the gratuitous accretions of these later writers we have no concern in any attempted explanation of the actual signification of the Legend.


Its true form and spirit are to be found only in the Dowland MS. of the middle of the 16th century, and in those which


(1) Anderson, "Constitutions," 2d edit., p. 57.


were copied from it, up to the Papworth, at the beginning of the 18th.


To these, and not to anything written after the period of the Revival, we must direct our attention.


Admitting that on the conquest of England by the Roman power, the architects who had accompanied the victorious legions introduced into the conquered colony their architectural skill, it is very likely that some master workmen among them had been more celebrated than others for their skill, and, indeed, it is naturally to be supposed that to such skillful builders the control of the Craft must have been confided. Whether there were one or more of these chief architects, St. Alban, if not actually one of them, was, by the lapse of time and the not unusual process by which legendary or oral accretions are superimposed on a plain historical fact, adopted by the legendists as their representative. Who was the principal patron of the Architects or Masons during the time of the colonization of England by the Romans, is not so material as is the fact that architecture, with other branches of civilization, was introduced at that era into the island by its conquerors.


This is an historical fact, and in this point the Legend of the Craft agrees with authentic history.


But it is also an historical fact that when, by the pressure of the Northern hordes of barbarians upon Rome, it was found necessary to withdraw all the legions from the various colonies which they protected from exterior enemies and restrained from interior insurrection, the arts and sciences, and among them architecture, began to decline in England. The natives, with the few Roman colonists who had permanently settled among them, were left to defend themselves from the incursions of the Picts on the north, and the Danish and Saxon pirates in the east and south. The arts of civilization suffered a depression in the tumult of war. Science can not flourish amid the clang and clash of arms. This depression and suspension of all architectural progress in England, which continued for some centuries, is thus expressed in the quaint language of the Legend:


"Right soone after the decease of Saint Albone, there came divers wars into the realme of England of divers Nations, soe that the good rule of Masonrye was destroyed unto the tyme of Kinge Athelstone's days."


There is far more of history than of fiction in this part of the Legend.


The next point of the Legend of the Craft to which our attention is to be directed, is that which relates to the organization of Masonry at the city of York, in the 10th century. This part of the Legend is of far more importance than any of those which have been considered. The prehistoric here verges so closely upon the historic period, that the true narrative of the rise and progress of Masonry can not be justly understood until each of these prehistoric and historic elements has been carefully relegated to its appropriate period. This will constitute the subject matter of the next chapter.


P. 94













THE suppression of all architectural art and enterprise having lasted for so long a period in Britain, the Legend of the Craft next proceeds to account for its revival in the 10th century and in the reign of Athelstan, whose son Edwin called a meeting, or General Assembly, of the Masons at York in the year 926, and there revived the Institution, giving to the Craft a new code of laws.


Now, it is impossible to attach to this portion of the Legend, absolutely and without any reservation, the taint of fiction. The convocation of the Craft of England at the city of York, in the year 926, has been accepted by both the Operative Masons who preceded the Revival, and by the Speculatives who succeeded them, up to the present day, as a historical fact that did not admit of dispute. The two classes of Legends ‑ the one represented by the Halliwell poem, and the other by the later manuscripts ‑ concur in giving the same statement. The Cooke MS., which holds an intermediate place between the two, also contains it. But the Halliwell and the Cooke MSS., which are of older date, give more fully the details of what may be called this revival of English Masonry. Thoroughly to understand the subject, it will be necessary to collate the three accounts given in the three different sets of manuscripts.


The Halliwell poem, whose conjectural date is about 1390, contains the account in the following words. I will first give it, relieved of its archaisms, for the convenience of the reader inexpert in early English, and then follow with a quotation of the original language:


"This craft came into England, as I tell you, in the time of good King Athelstane's reign. He made them both hall and also chamber, and lofty churches of great honour, to recreate him in both day and night and to worship his God with all his strength. 'This good lord loved this craft full well, and purposed to strengthen it in every part, on account of several defects which he discovered in the craft. He sent about into the land after all the masons of the craft to come straight to him, to amend all these defects by good counsel, if it could be done. Then he permitted an assembly to be made of various lords according to their rank, dukes, earls, and barons also, knights, squires, and many more, and the great burgesses of that city, they were all there in their degree; these were there, each one in every way to make laws for the society of these masons. There they sought by their wisdom how they might govern it.


There they invented fifteen articles, and there they made fifteen points." (1) The original is as follows:


"Thys craft com ynto England as y you say, Yn tyme of good kynge Athelston's day; He made the both halle and eke boure, And hye templus of gret honoure, To sportyn hym yn bothe day and nyghth, And to worschepe his God with alle hys myghth. Thys goode lorde loved thys craft ful wel, And purposud to strenthyn hyt ever del, For dyvers defautys that yn the craft he fonde; He sende aboute ynto the londe After alle the masonus of the crafte To come to hym ful evene strayfte, For to amende these defaultys alle By good counsel gef hyt mygth falle. A semble thenne he cowthe let make Of dyvers lordis in here state Dukys, erlys and barnes also, Knygthys, sqwyers and mony mo, And the grete burges of that syte, They were ther alle yn here degre; These were there uchon algate, To ordeyne for these masonus estate, Ther they sowgton ly here wytte How they mygthyn governe hytte Fyftene artyculus they there sowgton, And fyftene poyntys ther they wrogton."


One hundred years afterward we find the Legend, in the Cooke MS., as follows:


"And after that was a worthy kynge in Englond that was callyd


(1) Halliwell MS., lines 61‑87.




First Grand Master of Speculative Masons  1717


Athelstone, and his yongest sone lovyd well the sciens of Gemetry, and he vont well that handcraft had the practyke of Gemetry so well as masons, wherefore he drew him to consell and lernyd [the] practyke of that sciens to his speculatyfe. (1) For of speculatyfe he was a master, and he lovyd well masonry and masons. And he bicome a mason hymselfe. And he gaf hem [gave them] charges and names (2) as it is now usyd in Englond and in other countries. And he ordeyned that they schulde have resonabull pay. And purchesed [obtained] a fre patent of the kyng that they schulde make a sembly when they saw resonably tyme a [to] cume togedir to her [their] counsell of the whiche charges, manors & semble as is write and taught in the boke of our charges wherefor I leve it at this tyme." (3)


In a subsequent part of the manuscript, which appears to have been taken from the aforesaid "boke of charges," with some additional details, are the following words:


"After that, many yeris, in the tyme of Kyng Adhelstane, wiche was sum tyme kynge of Englonde, bi his counsell and other gret loritys of the lond by comyn [common] assent for grete defaut y‑fennde [found] among masons thei ordeyend a certayne reule amongys hem [them]. On [one] tyme of the yere or in iii yere as nede were to the kyng and gret loritys of the londe and all the comente [community], fro provynce to provynce and fro countre to countre congregacions schulde be made by maisters, of all maisters masons and felaus in the forsayd art. And so at such congregacions, they that be made masters schold be examined of the articuls after written & be ransacked [examined] whether they be abull and kunnyng to the profyte of the loritys hem to serve [to serve them] and to the honour of the forsayd art." (4)


Sixty years afterward we find this Legend repeated in the Dowland MS., but with some important variations. This Legend has already been given in the Legend of the Craft, but for the convenience of immediate comparison with the preceding documents it will be well to repeat it here. It is in the following words:


"Right soone after the decease of Saint Albone there came divers


(1) Cooke calls particular attention to this word as of much significative import. I think it simply means that the king added a practical knowledge of Masonry or architecture to his former merely speculative or theoretical acquaintance with the art. (2) This is evidently an error of the pen for maners, i.e., usages. (3) Cooke MS., lines 611‑642. (4) Cooke MS., lines 693‑719.


warrs into the realme of England of divers Nations, soe that the good rule of Masonrye was destroyed unto the tyme of Kinge Athelstones days that was a worthy Kinge of England, and brought this land into good rest and peace and builded many great works of Abbyes and Towres and other many divers buildings and loved well Masons. And he had a Sonn that height Edwinne, and he loved Masons much more than his father did. And he was a great practiser in Geometry, and he drew him much to talke and to commune with Masons and to learne of them science, and afterwards for love that he had to Masons and to the science he was made Mason, (1) and he gatt of the Kinge his father a Chartour and Commission to hold every yeare once an Assemble wher that ever they would within the realme of England, and to correct within themselves defaults and trespasses that were done within the science.


And he held himselfe an Assemble at Yorke, and there he made Masons and gave them charges and taught them the manners, and commanded that rule to be kept ever after. And tooke them the Chartour and Commission to keepe and made ordinance that it should be renewed from kinge to kinge. "And when the Assemble was gathered he made a cry that all old Masons and young, that had any writeings or understanding of the charges and the manners that were made before in this land, or in any other, that they should shew them forth. And when it was proved there was founden some in Frenche and some in Greek and some in English and some in other languages; and the intent of them all was founden all one. And he did make a booke thereof, and how the science was founded. And he himselfe bad and commanded that it should be readd or tould, when that any Mason should be made, for to give him his Charge. And fro that day into this tyme manners of Masons have beene kept in that forme as well as men might governe it. And furthermore divers Assembles have beene put and ordayned certain charges by the best advice of Masters and Fellowes."


It will be remarked that in neither of the two oldest manuscripts,


(1) The next MS. in date, the Landsdowne, names the place where he was made as Windsor. This statement is not found in any of the other manuscripts except the Antiquity MS. It may here be observed that nothing more clearly proves the great carelessness of the transcribers of these manuscripts than the fact that although they must have all been familiar with the name of Edwin, one of them spells it Ladrian, and another Hoderine.


the Halliwell and the Cooke, is there any mention of Prince Edwin, or of the city of York. For the omission I shall hereafter attempt to account.


As to that of the lauer I agree with Bro. Woodford, that as the fact of the Assembly is stated in all the later traditions, and as a city is mentioned whose burgesses were present, we may fairly, understand both of the oldest manuscripts also to refer to York. (1) At all events, their silence as to the place affords no sufficient evidence that it was not York, as opposed to the positive declaration of the later manuscripts that it was.


We see, then, that all the old Legends assert expressly, or by implication, that York was the city where the first General Masonic Assembly was held in England, and that it was summoned under the authority of King Athelstan.


The next point in which all the later manuscripts, except the Harleian, (2) agree is, that the Assembly was called by Prince Edwin, the King's son.


The Legend does not here most certainly agree with history, for there is no record that Athelstan had any son. He had, however, a brother of that name, who died two years before him.


Edward the Elder, the son of Alfred the Great, died in the year 925, leaving several legitimate sons and one natural one, Athelstan. The latter, who was the eldest of the sons of Edward, obtained the throne, notwithstanding the stain on his birth, in consequence of his age, which better fitted him to govern at a time when the kingdom was engaged in foreign and domestic wars.


All historians concur in attributing to Athelstan the character of a just and wise sovereign, and of a sagacious statesman. It has been said of him that he was the most able and active of the ancient princes of England.


What his grandfather, the great Alfred, commenced in his efforts to consolidate the petty monarchies into which the land was divided, into one powerful kingdom, Athelstan, by his energy, his political wisdom, and his military prowess, was enabled to perfect, so that he has been justly called the first monarch of all England.


Although engaged duhng his whole reign in numerous wars, he


(1) "On the Connection of York with the History of Freemasonry in England." By A.F. Woodford, A.M., in Hughan's " Masonic Sketches and Reprints," p. 168. (2) The Harleian MS makes no mention of Prince Edwin, but attributes the organization of Masonry at York to King Athelstan himself.


did not neglect a cultivation of the employments of peace, and encouraged by a liberal patronage the arts and especially architecture.


The only stain upon his character is the charge that having suspected his brother Edwin of being engaged in a conspiracy against his throne, he caused that prince to be drowned. Notwithstanding the efforts of Preston to disprove this charge, the concurrent testimony of all the old chroniclers afford no room to doubt its truth. But if anything could atone for this cruel act of state policy, it would be the bitter anguish and remorse of conscience which led the perpetrator to endure a severe penance of seven years.


Of Edwin, the Saxon historians make no mention, except when they speak of his untimely death. If we may judge of his character from this silence, we must believe that he was not endued with any brilliant qualities of mind, nor distinguished by the performance of any important act.


Of all the half‑brothers of Athelstan, the legitimate children of Edward the Elder, Edmund seems to have been his favorite. He kept him by his side on battle‑fields, lived single for his sake, and when he died in 941, left to him the succession to the throne.


But there is another Edwin of prominent character in the annals of Saxon England, to whom attention has been directed in connection with this Legend, as having the best claim to be called the founder or reviver of English Masonry.


Of Edwin, King of Northumbria, it may be said, that in his narrow sphere, as the monarch of a kingdom of narrow dimensions, he was but little inferior in abilities or virtues to Athelstan.


At the time of his birth, in 590, Northumbria was divided into two kingdoms, that of Bernicia, north of the Humber, and that of the Deira, on the south of the same river. Of the former, Ethelfrith was King, and of the latter, Ella, the father of Edwin.


Ella died in 593, and was succeeded by Edwin an infant of three years of age.


Soon after, Ethelfrith invaded the possessions of Edwin, and attached them by usurpation to his own domains.


Edwin was sent to Wales, whence when he grew older he was obliged to flee, and passed many years in exile, principally at the Court of Redwald, King of East Anglia. By the assistance of this monarch he was enabled to make war upon his old enemy, Ethelfrith, who, having been slain in battle, and his sons having fled into Scotland, Edwin not only regained his own throne, but that of the usurper also, and in the year 617 became the King of Northumbria, of which the city of York was made the capital. Edwin was originally a pagan, but his mind was of a contemplative turn, and this made him, says Turner, more intellectual than any of the Saxon Kings who had preceded him. He was thus led to a rational consideration of the doctrines of Christianity, which he finally accepted, and was publicly baptized at York, on Easter day, in the year 627. The ceremony was publicly performed in the Church of St. Peter the Apostle, which he had caused to be hastily constructed of wood, for the purposes of divine service, during the time that he was undergoing the religious instructions preliminary to his receiving the sacrament.


But as soon as he was baptized, he built, says Bede, under the direction of Paulinus, his religious instructor and bishop, in the same place, a much larger and nobler church of stone.


During the reign of Edwin, and of his successors in the same century, ecclesiastical architecture greatly flourished, and many large churches were built. Edwin was slain in battle in 633, having reigned for seventeen years.


The Venerable Bede gives us the best testimony we could desire as to the character of Edwin as ruler, when he tells us that in all of his dominions there was such perfect peace that a woman with a newborn babe might walk from sea to sea without receiving any harm. Another incident that he relates is significant of Edwin's care and consideration for the comforts of his people. Where there were springs of water near the highways, he caused posts to be fixed with drinking vessels attached to them for the convenience of travelers. By such acts, and others of a higher character, by his encouragement of the arts, and his strict administration of justice, he secured the love of his subjects.


So much of history was necessary that the reader might understand the argument in reference to the true meaning of the York Legend, now to be discussed.


In the versions of the Legend given by Anderson and Preston, the honor of organizing Masonry and calling a General Assembly is attributed to Edwin the brother, and not to Edwin the son of Athelstan. These versions are, however, of no value as historical documents, because they are merely enlarged copies of the original Legend.


But in the Roberts Constitutions, printed in 1722, and which was claimed to have been copied from a manuscript about five hundred years old, but without any proof (as the original has never been recovered), the name of Edwin is altogether omitted, and Athelstan himself is said to have been the reviver of the institution. The language of this manuscript, as published by J. Roberts, is as follows: (1)


"He [Athelstan] began to build many Abbies, Monasteries, and other religious houses, as also Castles and divers Fortresses for defence of his realm. He loved Masons more than his father; he greatly study'd Geometry, and sent into many lands for men expert in the science. He gave them a very large charter to hold a yearly assembly, and power to correct offenders in the said science; and the king himself caused a General Assembly of all Masons in his realm, at York, and there were made many Masons, and gave them a deep charge for observation of all such articles as belonged unto Masonry and delivered them the said Charter to keep."


In the omission of all reference to Prince Edwin, the Harleian and Roberts manuscripts agree with that of Halliwell.


There is a passage in the Harleian and Roberts MSS. that is worthy of notice. All the recent manuscripts which speak of Edwin as the procurer of the Charter, say that "he loved Masons much more than his father did" ‑ meaning Athelstan. But the Harleian and Roberts MSS., speaking of King Athelstan, use the same language, but with a different reference, and say of King Athelstan, that "he loved idasons more than his father " ‑ meaning King Edward, whose son Athelstan was.


Now, of the two statements, that of the Harleian and Roberts MSS. is much more conformable to history than the other. Athelstan was a lover of Masons, for he was a great patron of architecture, and many public buildings were erected during his reign. But it is not recorded in history that Prince Edwin exhibited any such attachment to Masonry or Architecture as is attributed to him in the old records, certainly not an attachment equal to that of Athelstan. On the contrary, Edward, the son of Alfred and the father of Athelstan, was not distinguished during his reign for any marked patronage of


(1) The book was republished by Spencer in 1870. The Roberts "Constitutions" and the Harleian MS. No. 1942, are evidently copies from the same original, if not one from the other. The story of Athelstan is, of course, identical in both, and the citation might as well have been made from either.


the arts, and especially of architecture; and it is, therefore, certain that his son Athelstan exhibited a greater love to Masons or Architects than he did.


Hence there arises a suspicion that the Legend was originally framed in the form presented to us by the Halliwell poem, and copied apparently by the writers of the Harleian and Roberts MSS., and that the insertion of the name of Prince Edwin was an afterthought of the copiers of the more recent manuscripts, and that this insertion of Edwin's name, and the error of making him a son of Athelstan, arose from a confusion of the mythical Edwin with a different personage, the earlier Edwin, who was King of Northumbria.


It may also be added that the son of Athelstan is not called Edwin in all of the recent manuscripts. In one Sloane MS. he is called Ladrian, in another Hegme, and in the Lodge of Hope MS. Hoderine. This fact might indicate that there was some confusion and disagreement in putting the name of Prince Edwin into the Legend. But I will not press this point, because I am rather inclined to attribute these discrepancies to the proverbial carelessness of the transcribers of these manuscripts.


How, then, are we to account for this introduction of an apparently mythical personage into the narrative, by which the plausibility of the Legend is seriously affected ?


Anderson, and after him Preston, attempts to get out of the difficulty by calling Edwin the brother, and not the son, of Athelstan. It is true that Athelstan did have a younger brother named Edwin, whom some historians have charged him with putting to death. And in so far the Legend might not be considered as incompatible with history. But as all the manuscripts which have to this day been recovered which speak of Edwin call him the king's son and not his brother, notwithstanding the contrary statement of Anderson, (1) I prefer another explanation, although it involves the charge of anachronism.


The annals of English history record a royal Edwin, whose de


(1) Anderson says in the second edition of the "Book of Constitutions" that in all the Old Constitutions it is written Prince Edwin, the king's brother ‑ a statement that is at once refuted by a reference to all the manuscripts from the Dowland to the Papworth, where the word is always son. So much for the authority of the old writers on Masonic history.


votion to the arts and sciences, whose wise statesmanship, and whose patronage of architecture, must have entitled him to the respect and the affection of the early English Masons. Edwin, King of Northumbria, one of the seven kingdoms into which England was divided during the Anglo‑Saxon heptarchy, died in 633, after a reign of sixteen years, which was distinguished for the reforms which he accomplished, for the wise laws which he enacted and enforced, for the introduction of Christianity into his kingdom, and for the improvement which he emeacd in the moral, social, and intellectual condition of his subjects. When be ascended the throne the northern metropolis of the Anglican Church had been placed at York, where it still remains. The king patronized Paulinus, the bishop, and presented him with a residence and with other possessions in that city. Much of this has already been said, but it will bear repetition.


To this Edwin, and not to the brother of Athelstan, modern Masonic archaeologists have supposed that the Legend of the Craft refers.


Yet this opinion is not altogether a new one. More than a century and a half ago it seems to have prevailed as a tradition among the Masons of the northern part of England. For in 1726, in an address delivered before the Grand Lodge of York by its Junior Grand Warden, Francis Drake, he speaks of it as being well known and recognized, in the following words:


"You know we can boast that the first Grand Lodge ever held in England was held in this city [York]; where Edwin, the first Christian King of the Northumbers, about the six hundredth year after Christ, and who laid the foundation of our Cathedral, (1) sat as Grand Master."


Bro. A.F.A. Woodford, a profound Masonic archaeologist, accepts this explanation, and finds a confirmation in the facts that the town of Derventio, now Auldby, six miles from York, the supposed seat of the pseudo‑Edwin, was also the chief seat and residence of Edwin, King of Northumbria, and that the buildings, said in one of the manuscripts to have been erected by the false Edwin, were really erected, as is known from history, by the Northumbrian Edwim


I think that with these proofs, the inquirer will have little or no


(1) Bede (L. 2., C. 13) and Rapin (P. 246) both confirm this statement that the foundations of the York Cathedral, or Minster, were laid in the reign of Edwin.


hesitation in accepting this version of the Legend, and will recognize the fact that the writers of the later manuscripts fell into an error in substituting Edwin, the son (as they called him, but really the brother) of Athelstan, for Edwin, the King of Northumbria.


It is true that the difference of dates presents a difficulty, there being about three hundred years between the reigns of Edwin of Northumbria, and Athelstan of England. But that difficulty, I think, may be overcome by the following theory which I advance on the subject:


The earlier series of manuscripts, of which the Halliwell poem is an exemplar, and, perhaps, also the Harleian and the Roberts MSS., (1) make no mention of Edwin, but assign the revival of Masonry in the 10th century to King Athelstan.


The more recent manuscripts, of which the Dowland is the earliest, introduce Prince Edwin into the Legend and ascribe to him the honor of having obtained from Athelstan a charter, and of having held an Assembly at York.


There are, then, two forms of the Legend, which, for the sake of distinction, may be designated as the older and the later. The older Legend makes Athelstan the reviver of Masonry in England, and says nothing at all of Edwin. The later takes this honor from Athelstan and gives it to Prince Edwin, who is called his son.


The part about Edwin is, then, an addition to the older legend, and was interpolated into it by the later legendists, as will be evidently seen if the following extract from the Dowland MS. be read, and all the words there printed in italics be omitted. So read, the passage will conform very substantially with the corresponding one in the Roberts MS., which was undoubtedly a copy from some older manuscript which contained the legend in its primitive form, wherein there is no mention of Prince Edwin.


Here is the extract to be amended by the omission of words in italics:


"The good rule of Masonry was destroyed unto the tyme of Kinge Athelstone dayes that was a worthy Kinge of England, and brought this land into good rest and peace; and builded many great works of Abbyes and Towres, and other many divers buildings and loved well Masons.


And he had a sonn that height Edwinne, and


(1) The fact that the Legend in the Roberts "Constitutions" agrees in this respect with the older legend, and differs from that in all the recent manuscripts, gives some color to the claim that it was copied from a manuscript five hundred years old.


he loved Masons much more than his father did. And he was a great practiser in Geometry; and he drew him much to talke and to commune with Masons, and to learne of them science; and afterward for love that he had to Masons and to the science he was made a Mason and he gatt (1) [ie., he gave] of the Kinge his father a Charter and commission to hold every year once an Assemble, wher that ever they would, within the realme of England; and to correct within themselves defaults and trespasses that were done within the science. And he held himselfe an Assemble at Yorke, and there he made Masons, and gave them


charges, and taught them the manners, and commanded that rule to be kept ever after, and tooke then the Chartour and Commission to keepe, and made ordinance that it should be renewed from Kinge to Kinge."


The elimination of only thirteen words relieves us at once of all difficulty, and brings the Legend into precise accord with the tradition of the older manuscripts.


Thus eliminated it asserts:


1. That King Athelstan was a great patron of the arts of civilization‑ "he brought the land into rest and peace." This statement is sustained by the facts of history.


2. He paid especial attention to architecture and the art of building, and adorned his country with abbeys, towns (towers is a clerical error), and many other edifices. History confirms this also.


3. He was more interested in, and gave a greater patronage to, architecture than his father and predecessor, Edward ‑ another historical fact.


4. He gave to the Masons or Architects a charter as a guild, and called an assembly of the Craft at York. This last statement is altogether traditional. Historians are silent on the subject, just as they are on the organization of a Grand Lodge in 1717. The mere silence of historians as to the formation of a guild of craftsmen or a private society is no proof that such guild or society was not formed. The truth of the statement that King Athelstan caused an assembly of Masons to be held in the year 926 at the city of York, depends


(1) This word is used in the sense of given or granted, in an undoubted historical document, Athelstan's charter to the town of Beverly.


"Yat I, the Kynge Adelston, Has gaten and given to St. John Of Beverlae, etc."




solely on a tradition, which has, however, until recently, been accepted by the whole Masonic world as an undoubted truth.


But that the city of York was the place where an assembly was convened by Athelstan in the year 926 is rendered very improbable when we refer to the concurrent events of history at that period of time.


In 925 Athelstan ascended the throne. At that time Sigtryg was the reigning King of Northumbria, which formed no part of the dominions of Athelstan. To Sigtryg, who had but very recently been converted from Paganism to Christianity, Athelstan gave his sister in marriage. But the Northumbrian king having apostatized, his brother‑in‑law resolved to dethrone him, and prepared to invade his kingdom. Sigtryg having died in the meantime, his sons fled, one into Ireland and the other into Scotland, and Athelstan annexed Northumbria to his own dominions.


This occurred in the year 926, and it is not likely that while pursuing the sons of Sigtryg, one of whom had escaped from his captors and taken refuge in the city of York, whose citizens he vainly sought to enlist in his favor, Athelstan would have selected that period of conflict, and a city within his newly‑acquired territory, instead of his own capital, for the time and place of holding an assembly of Masons.


It is highly improbable that he did, but yet it is not absolutely impossible.


The tradition may be correct as to York, but, if so, then the time should be advanced, by, a few years, to that happy period when Athelstan had restored the land "into good rest and peace."


But the important question is, whether this tradition is mythical or historical, whether it is a fiction or a truth. Conjectural criticism applied to the theory of probabilities alone can aid us in solving this problem.


I say, therefore, that there is nothing in the personal character of Athelstan, nothing in the recorded history of his reign, nothing in the well‑known manner in which he exercised his royal authority and governed his realm, that forbids the probability that the actions attributed to him in the Legend of the Craft actually took place.


Taking his grandfather, the great Alfred, as his pattern, he was liberal in all his ideas, patronized learning, erected many churches, monasteries, and other edifices of importance throughout his dominions, encouraged the translation of the Scriptures into Anglo‑Saxon, and, what is of great value to the present question, gave charters to many guilds or operative companies as well as to several municipalities. Especially is it known from historical records that in the reign of Athelstan the frith‑gildan, free guilds or sodalities, were incorporated by law. From these subsequently arose the craft‑guilds or associations for the establishment of fraternal relations and mutual aid, into which, at the present day, the trade companies of England are divided.


There would be nothing improbable in any narrative which should assert that he extended his protection to the operative Masons, of whose art we know that he availed himself in the construction of the numerous public and religious edifices which he was engaged in erecting. It is even more than plausible to suppose that the Masons were among the sodalities to whom he granted charters or acts of incorporation.


Like the Rev. Bro. Woodford, whose opinion as a Masonic archaeologist is of great value, I am disposed to accept a tradition venerable for its antiquity and for so long a period believed in by the craft as an historical record in so far as relates to the obtaining of a charter from Athelstan and the holding of an assembly. "I see no reason, therefore," he says, "to reject so old a tradition that under Athelstan the operative Masons obtained his patronage and met in General Assembly." (1)


Admitting the fact of Athelstan's patronage and of the Assembly at some place, we next encounter the difficulty of explaining the interpolation of what may be called the episode of Prince Edwin.


I have already shown that there can be no doubt that the framers of the later legend had confounded the brother, whom they, by a mistake, had called the son of Athelstan, with a preceding king of the same name, that is, with Edwin, King of Northumbria, who, in the 7th century, did what the pseudo‑Edwin is supposed to have done in the 10th. That is to say, he patronized the Masons of his time, introduced the art of building into his kingdom, and probably held an Assembly at York, which was his capital city.


Now, I suppose that the earlier Masons of the south of England, who framed the first Legend of ihe Crafl, such as is presented to


(1) "The Connection of York with the History of Freemasonry in England,"


inserted in Hughan's " Unpublished Records of the Craft," p. 168.


us in the old poem, first published by Mr. Halliwell in 1840, and also in the Harleian manuscript and in the one printed by Roberts in 1722, were unacquainted with the legend of Edwin of Northumbria, although, if we may believe Bro. Drake, it was a well‑known tradition in the north of England. The earlier legends of the south, therefore, gave the honor of patronizing the Masons and holding an Assembly at York in 926 to Athelstan alone. This was, therefore, the primitive Legend of the Craft among the Masons of London and the southern part of the kingdom.


But in time these southern Masons became, in consequence of increased intercourse, cognizant of the tradition that King Edwin of Northumbria had also patronized the Masons of his kingdom, but at an earlier period. The two traditions were, of course, at first kept distinct.


There was, perhaps, a reluctance among the Masons of the south to diminish the claims of Athelstan as the first reviver, after St. Alban, of Masonry in England, and to give the precedence to a monarch who lived three hundred years before in the northern part of the island.


This reluctance, added to the confusion to which all oral tradition is obnoxious, coupled with the fact that there was an Edwin, who was a near relation of Athelson, resulted in the substitution of this later Edwin for the true one.


It took years to do this ‑ the reluctance continuing, the confusion of the traditions increasing, until at last the southern Masons, altogether losing sight of the Northumbrian tradition as distinct from that of Athelstan, combined the two traditions into one, and, with the carelessness or ignorance of chronology so common in that age, and especially among uncultured craftsmen, substituted Edwin, the brother of Athelstan, (1) for Edwin, the King of Northumbria, and thus formed a new Legend of the Craft such as it was perpetuated by Anderson, and after him by Preston, and which has lasted to the present day.


Therefore, eliminating from the narrative the story of Edwin, as it is told in the recent Legend, and accepting it as referring to Edwin of Northumbria, and as told in the tradition peculiar to the Masons of the northern part of England, we reach the conclusion that there were originally two traditions, one extant in the northern


(1) To the same carelessness or ignorance are we to attribute the legendary error of making Edwin the son of Athelstan.


part of England and the other in the southern part. The former Legend ascribed the revival of Masonry in England to Edwin, King of Northumbria in the 7th century, and the latter to Athelstan, King of England in the 10th. There being little communication in those days between the two parts of the kingdom, the traditions remained distinct.


But at some subsequent period, not earlier than the middle of the 10th century, or the era of the Reformation, (1) the southern Masons became acquainted with the true Legend of the York Masons, and incorporated it into their own Legend, confounding, however the two Edwins, either from ignorance, or more probably, from a reluctance to surrender the preeminence they had hitherto given to Athelstan as the first reviver of Masonry in England.


We arrive, then, at the conclusion, that if there was an Assembly at York it was convened by Edwin, King of Northumbria, who revived Masonry in the northern part of England in the 7th century; and that its decayed prosperity was restored by Athelstan in the 10th century, not by the holding of an Assembly at the city of York, but by his general patronage of the arts, and especially architecture, and by the charters of incorporation which he freely granted to various guilds or sodalities of workmen.


With these explanations, we are now prepared to review and to summarize the Legend of the Craft, not in the light of a series of absurd fictions, as too many have been inclined to consider it, but as an historical narrative, related in quaint language, not always grammatical, and containing several errors of chronology, misspelling of names, and confusion of persons, such as were common and might be expected in manuscripts written in that uncultured age, and by the uneducated craftsmen to whom we owe these old manuscripts.


(1) I assign this era because the Halliwell poem, which is the exemplar of the older Legend, is evidently Roman Catholic in character, while the Dowland, and all subsequent manuscripts which contain the later Legend, are Protestant, all allusions to the Virgin, the saints, and crowned martyrs being omitted.


P. 110











THE Legend of ihe Craft, as it is presented to us in what I have called the later manuscripts, that is to say, the Dowland and those that follow it up to the Papworth, begins with a descant on the seven liberal arts and sciences. (1) I have already shown that among the schoolmen contemporary with the legendists these seven arts and sciences were considered, in the curriculum of education, not so much as the foundation, but as the finished edifice of all human learning. The Legend naturally partook of the spirit of the age in which it was invented. But especially did the Masons refer to these sciences, and make a description of them, the preface, as it were, to the story that they were about to relate, because the principal of these sciences was geometry, and this they held to be synonymous with Masonry.


Now, the intimate connection between geometry and architecture, as practiced by the Operative Freemasons of the Middle Ages, is well known, since the secrets, of which these Freemasons were supposed to be in possession, consisted almost solely in an application of the principles of the science of geometry to the art of building.


The Legend next procccds to narrate certain circumstances connected with the children of Lamech. These details are said in the Legend to have been derived from the Book of Genesis but were probably taken at second‑hand from the Polychronicon, or universal history of the monk Higden, of Chester. This part of the legend, which is not otherwise


connected with the Masonic narrative, appears to have been introduced for the sake of an allusion to the pillars on which the sons of Lamech are said to have inscribed an account of the sciences which they had discovered, so that the


(1) The Halliwell poem, although it differs from the later manuscripts in so many particulars, agrees with them in giving a descant on the arts and sciences.


knowledge of them might not be lost in consequence of the destruction of the world which they apprehended.


The story of the inscribed pillars was a tradition of every people, narrated, with variations, by every historian and implicitly believed by the multitude. The legendists of Masonry got the account from Josephus, perhaps through Higden, but altered it to suit the spirit of their own narrative.


We are next told that Hermes discovered one of these pillars and was, from the information that it contained, enabled to restore the knomiedge of the sciences, and especially of Masonry, to the post‑diluvian world.


This was a tribute of the legendists to the universally accepted opinion of the ancients, who venerated the "thrice great Hermes" as the mythical founder of all science and philosophy. We are next told that Nimrod, "the mighty hunter before the Lord," availed himself of the wisdom that had been recovered by Hermes. He was distinguished for his architectural works and first gave importance to the art of Masonry at the building of the Tower of Babel. The Legend attributes to Nimrod the creation of the Masons into an organized body and he was the first who gave them a constitution or laws for their government. Masonry, according to the legendary account, was founded in Babylon, whence it passed over to the rest of the world.


In all this we find simply a recognition of the historical opinion that Chaldea was the birthplace of knowledge and that the Chaldean sages were the primitive teachers of Asia and Europe. The modern discoveries of the cuneiform inscriptions show that the Masonic legendists had, at a venture, obtained a more correct idea of the true character of Nimrod than that which had been hitherto entertained, founded on the brief allusion to him in Genesis and the disparaging account of him in the Antiquities of Josephus.


The monastic legends had made Abraham a contemporary of Nimrod, and the Book of Genesis had described the visit of the patriarch and his wife to the land of Egypt. Combining these two statements, the idea was suggested to the legendists that Abraham had carried into Egypt the knowledge which he had acquired from the Chaldeans and taught it to the inhabitants.


Thus it is stated that Egypt was, after Babylonia, the place where the arts and sciences were first cultivated and thence disseminated to other countries. Among these arts and sciences geometry, which we have seen was always connected in the Masonic mind with architecture, held a prominent place. He who taught it to the Egyptians was typically represented by the name of Euclid, because the old Masons were familiar with the fact that he was then esteemed, as he still is, as the greatest of geometricians and almost the inventor of the science.


Accepting the allusion to Euclid, not as an historical anachronism, but rather as the expression of a symbolic idea, we can scarcely class the legendary statement of the condition of learning in Egypt as a pure and unadulterated fiction. It is an undoubted fact that Egypt was the primeval land whence science and learning flowed into Southern Europe and Western Asia. Neither can it be disputed that civilization had there ripened into maturity long before Greece or Rome were known. It is moreover conceded that the ancient Mysteries whence Masonry has derived, not its organization, but a portion of its science of symbolism, received its birth in the land of the Nile, and that the Mysteries of Osiris and Isis were the prototypes of all the mystical initiations which were celebrated in Asia and in Southern Europe. They have even been claimed, though I think incorrectly, as the origin of those in Gaul, in Britain, and in Scandinavia. By a rapid transition, the Legend passes from the establishment of Masonry or architecture (for it must be remembered that in legendary acceptation the two words are synonymous) to its appearance in judea, the "Land of Behest," where, under the patronage and direction of King Solomon the Temple of Jerusalem was constructed. All that is said in this portion of the Legend purports to be taken from the scriptural account of the same transaction and must have the same historical value.


As to the error committed in the name and designation of him who is now familiarly known to Freemasons as Hiram Abif, a sufficient explanation has been given in a preceding chapter.


We next have an account of the travels of these Masons or architects who built the Temple into various countries, to acquire additional knowledge and expeience, and to disseminate the principles of their art.


The carelessness of chronology, to which I have already adverted, so peculiar to the general illiteracy of the age, has led the legendists to connect this diffusion of architecture among the various civilized countries of the world with the Tyrian and Jewish Masons; but the wanderings of that body of builders known as the "Traveling Freemasons" of the Middle Ages, through all the kingdoms of Europe, and their labors in the construction of cathedrals, monasteries, and other public edifices are matters of historical record. Thus the historical idea is well preserved in the Legend of a body of artists who wandered over Europe, and were employed in the construction of cathedrals, monasteries, and other public edifices.


The Legend next recounts the introduction of architecture into France, and the influence exerted upon it by Grecian architects, who brought with them into that kingdom the principles of Byzantine art. These are facts which are sustained by history. The prominence given to France above Spain or Italy or Germany is, I think, merely another proof that the Legend was of French origin or was constructed under French influence.


The account of the condition of Masonry or architecture among the Britains in the time of St. Alban, or the 4th century, is simply a legendary version of the history of the introduction of the art of building into England during the Roman domination by the "Collegia Artificum" or Roman Colleges of Artificers, who accompanied the victorious legions when they vanquished Hesperia, Gaul, and Britain, and colonized as they vanquished them.


The decay of architecture in Britain after the Roman armies had abandoned that country to protect the Empire from the incursions of the northern hordes of barbarians, in consequence of which Britain was left in an unprotected state, and was speedily involved in wars with the Picts, the Danes, and other enemies, is next narrated in the Legend, and is its version of an historical fact.


It is also historically true that in the 7th century peace was restored to the northern parts of the island, and that Edwin, King of Northumbria, of which the city of York was the capital, revived the arts of civilization, gave his patronage to architecture, and caused many public buildings, among others the Cathedral of York, to be built. All of this is told in the Legend, although, by an error for which I have already accounted, Edwin, the Northumbrian king, was in the later Legend confounded with the brother of Athelstan. The second decay of architecture in England, in consequence of the invasions of the Danes, and the intestine as well as foreign wars which desolated the kingdom until the reign of Athelstan, in the early part of the 10th century, when entire peace was restored, is briefly alluded to in the Legend, therein conforming to the history of that troublous period.


As a consequence of the restoration of peace, the Legend records the revival of Masonry or architecture in the 10th century, under the reign of Athelstan, who called the Craft together and gave them a charter. I have already discussed this point and shown that the narrative of the Legend presents nothing improbable or incredible but that it is easily to be reconciled with the facts of contemporary history. We have only to reconcile the two forms of the Legend by asserting that Edwin of Northumbria revived Masonry in an Assembly convened by him at York, and that Athelstan restored its decayed prosperity by his general patronage, and by charters which he gave to the Guilds or corporations of handicraftsmen.


Passing, in this summary method over the principal occuuences related in this Legend of the Craft, we relieve it from the charge of gross puerility, which has been urged against it, even by some Masonic writers who have viewed it in a spirit of immature criticism. We find that its statements are not the offspring of a fertile imagination or the crude inventions of sheer ignorance, but that, on the contrary, they really have a support in what was at the time accepted as authentic history, and whose authenticity can not, even now, be disproved or denied.


Dissected as it has here been by the canons of philosophical criticism, the Legend of the Craft is no longer to be deemed a fable or myth, but


an historical narrative related in the quaint language and in the quainter spirit of the age in which it was written.


But after the revival of Freemasonry in the beginning of the 18th century, this Legend, for the most part misunderstood, served as a fundamental basis on which were erected, first by Anderson and then by other writers who followed him, expanded narratives of the rise and progress of Masonry, in which the symbolic ideas or the mythical suggestions of the ancient "Legend" were often developed and enlarged into statements for the most part entirely fabulous.


In this way, these writers, who were educated and even learned men, have introduced not so much any new legends, but rather theories founded on a legend, by which they have traced the origin and the progress of the institution in narratives without historic authenticity and sometimes contradictory to historic truth.


The mode in which these theories have been attempted to be supported by the citation of assumed facts have caused them to take, to some extent, the form of legends. But to distinguish them from the pure Legends which existed before the 18th century, I have preferred to call them theories.


Their chief tendency has been, by the use of unauthenticated statements, to confuse the true history of the Order. And yet they have secured so prominent a place in its literature and have exerted so much influence on modern Masonic ideas, that they must be reviewed and analyzed at length, in order that the reader may have a complete understanding of the legendary history of the institution. For of that legendary, history these theories, founded as they are on assumed traditions, constitute a part.


As having priority in date, the theory of Dr. Anderson will be the first to claim our attention.




P. 116







THE Legend or theory of Dr. Anderson is detailed first in the edition of the Book of Constitutions which was edited by him and published in the year 1723, and was then more extensively developed in the subsequent edition of the same work published in 1738.


Anderson was acquainted with the more recent Legend of the Craft, and very fully cites it from a manuscript or Record of Freemasons, written in the reign of Edward IV, that is, toward the end of the 15th century. If Anderson's quotations from this manuscript are correct, it must be one of those that has been lost and not yet recovered. For among some other events not mentioned in the manuscripts that are now extant, he states that the charges and laws of the Freemasons had been seen and perused by Henry VI. and his council, and had been approved by them.


He does not appear to have met with any of the earlier manuscripts, such as those of Halliwell and Roberts, which contain the Legend in its older form, for he makes no use of the Legend of Euclid, passing over the services of that geometrician lightly, as the later manuscripts do, (1) and not ascribing to him the origin of the Order in Egypt, which theory is the peculiar characteristic of the older Legend.


But out of the later Legend and from whatever manuscripts containing it to which he had access, Anderson has formed a Legend of his own. In this he has added many things of his own creation and given a more detailed narrative, if not a more correct one, than that contained in the Legend of the Craft.


Anderson's Legend, or theory, of the rise and progress of Ma‑


(1) In the slight mention that he makes of Euclid, Anderson has observed the true chronology and placed him in the era of Ptolemy Lagus, 300 years B.C.


sonry, as it is contained in the first edition of the Book of Constitutions, was for a long time accepted by the Craft as a true history of the Order, and it has exercised a very remarkable influence in the framing of other theories on this subject which from time to time have been produced by subsequent writers.


To the student, therefore, who is engaged in the investigation of the legendary history of Masonry, this Andersonian Legend is of great importance. While the Legend of the Craft in its pure form was very little known to the great body of Masonic writers and students until the manuscripts containing this Legend in its various forms were made common to the Masonic public by the labors of Halliwell, Cooke, and, above all, by Hughan and his earnest collaborators in Masonic archoeology, the Legend of Anderson was accessible and familiar to all, and for a century and a half was deemed an authentic history, and even at the present day is accepted by some over‑credulous and not well‑informed Masons as a real narrative of the rise and progress of Masonry.


Anderson, in his history of the origin of Masonry, mindful of the French proverb, to "commencer par la commencement," begins by attributing to Adam a knowledge of Geometry as the foundation of Masonry and Architecture, words which throughout his Legend he uses as synonymous terms.


These arts he taught to his sons, and Cain especially practiced them by building a city. Seth also was equally acquainted with them and taught them to his offspring. Hence the antediluvian world was well acquainted with Masonry, (1) and erected many curious works until the time of Noah, who built the Ark by the principles of Geometry and the rules of Masonry.


Noah and his three sons, who were all Masons, brought with them to the new world the traditions and arts of the antediluvians. Noah is therefore deemed the founder of Masonry in the post‑diluvian world, and hence Anderson called a Mason a "true Noachida" or Noachite, a term used to the present day.


The descendants of Noah exercised their skill in Masonry in the attempted erection of the Tower of Babel, but were confounded in their speech and dispersed into various countries, whereby the


(1) Oliver has readily accepted this theory of an antediluvian Masonry and written several very learned and indeed interesting works on the subject.



knowledge of Masonry was lost. (1) It was however, preserved in Shinar and Assyria, where Nimrod built many cities.


In those parts afterward flourished many priests and mathematicians under the name of Chaldees and Magi, who preserved the science of Geometry or Masonry, and thence the science and the art (2) were transmitted to later ages and distant climes. Mitzraim, the second son of Ham, carried Masonry into Egypt, where the overflowing of the banks of the Nile caused an improvement in Geometry, and consequently brought Masonry much into request.


Masonry was introduced into the Land of Canaan by the descendants of the youngest son of Ham, and into Europe, as he supposes, by the posterity of Japhet, although we know nothing of their works.


The posterity of Shem also cultivated the art of Masonry, and Abraham, the head of one branch of that family, having thus obtained his knowledge of Geometry and the kindred sciences, communicated that knowledge to the Egyptians and transmitted it to his descendants, the Israelites. When, therefore, they made their exodus from Egypt the Israelites were "a whole kingdom of Masons," and while in the wilderness were often assembled by their Grand Master Moses into "a regular and general Lodge."


On taking possession of Canaan, the Israelites found the old inhabitants were versed in Masonry, which, however, their conquerors greatly improved, for the splendor of the finest structures in Tyre and Sidon was greatly surpassed by the magnificence of the Temple erected by King Solomon in Jerusalem. In the construction of this edifice, Solomon was assisted by the Masons and carpenters of Hiram, King of Tyre, and especially by the King of Tyre's namesake Hiram or Huram, to whom, in a note, Anderson gives the name of Hiram Abif, which name he has ever since retained among the Craft."


(1) This part of the Legend has been preserved in the American rituals, wherein the candidate is said to come "from the lofty Tower of Babel, where language was confounded and Masonry lost," and to be proceeding "to the threshing‑floor of Orneu the Jebusite (the Temple of Solomon) where language was restored and Masonry found."


(2) By the science is meant geometry, and by the art architecture ‑ a distinction preserved in the Middle Ages; and the combination of them into "Geometrical Masonry," constitute the Mystery of the Freemasons of that period.


(3) In the first edition of this Legend, Anderson makes no allusion to the death of Hiram Abif during the building of the Temple. He mentions, however, in the second edition of the "Constitutions" published fifteen years afterward. But this does not absolutely prove that he was at the time unacquainted with the tradition, but he may have thought it too esoteric for public record, for he says, in the very place where he should have referred to it, that he has left " what must not and cannot be communicated in writing."



Anderson gives in this Legend the first detailed account of the Temple of Solomon that is to be found in any Masonic work. It is, however, only an appropriation of that contained in the Books of Kings and Chronicles, with some statements for which he was probably indebted to his own invention. It has exerted a considerable influence upon other Legends subsequently framed, and especially upon all the rituals, and indeed upon all the modern ideas of speculative Masons. (1)


After the construction of the Temple, the Masons who had been engaged in it dispersed into Syria, Mesopotamia, Assyria, Chaldea, Babylonia, Media, Persia, Arabia, Africa, Lesser Asia, Greece, and other parts of Europe, where they taught the art to many eminent persons, and kings, princes, and potentates became Grand Masters, each in his own territory.


The Legend then passes on to Nebuchadnezzar, whom it calls a Grand Master, and asserts that he received much improvement in Masonry from the Jewish captives whom he brought to Babylon after he had destroyed that city and its Temple.


Afterward Cyrus constituted Zerubbabel the leader of the Jews, who, being released from their captivity, returned to Jerusalem and built the second Temple.


From Palestine, and after the erection of the Temple, Masonry was carried into Greece, and arrived at its height during the Jewish captivity, and in the time of Thales Milesius, the philosopher, and his pupil, Pythagoras, who was the author of the 47th Proposition of Euclid, which "is the foundation of all Masonry," Pythagoras traveled into Egypt and Babylon, and acquired much knowledge from the priests and the Magi,


which he dispensed in Greece and Italy on his return. (2)


The Legend now speaks, parenthetically as it were, of the prog‑


(1) The peculiar details of the doctrine of Anderson have not been always respected. For instance, it is a very prevalent opinion among the Craft at this day, that there was a Master Mason's Lodge at the Temple, over which Solomon presided as Master and the two Hirams as Wardens, a theory which is not supported by Anderson, who says that King Solomon was Grand Master of the Lodge at Jerusalem, King Hiram Grand Master of that at Tyre, and Hiram Abif Master of Work. Const., 1st ed., P. 14.


(2) It was probably this part of the Andersonian Legend which gave rise to a similar statement made in the spurious production known as the Leland MS.


ress of Masonry in Asia Minor, and of the labors of Euclid in Egypt, in the reign of Ptolemy Lagus, in the methodical digestion of Geometry into a science.


It next dwells upon the great improvement of Masonry in Greece, whose Masons arrived at the same degree of skill and magnificence as their teachers the Asiatics and Egyptians.


From Sicily, from Greece, from Egypt and Asia, Masonry was introduced into Rome, which soon became the center of learning, and disseminated the knowledge of Masonry among the nations which it conquered.


The Emperor Augustus became the Grand Master of the Lodge at Rome, and established the Augustan style of architecture. During the prosperous condition of the Roman Empire, Masonry was carefully propagated to the remotest regions of the world, and a Lodge erected in almost every Roman garrison.


But upon the declension of the empire, when the Roman garrisons were drawn away from Britain, the Angles and lower Saxons, who had been invited by the ancient Britons to come over and help them against the Scots and Picts, at length subdued the southern part of England, where Masonry had been introduced by the Romans, and the art then fell into decay.


When the Anglo‑Saxons recovered their freedom in the 8th century Masonry was revived, and at the desire of the Saxon kings, Charles Martel, King of France, sent over several expert craftsmen, so that Gothic, architecture was again encouraged during the Heptarchy.


The many invasions of the Danes caused the destruction of numerous records, but did not, to any great extent, interrupt the work, although the methods introduced by the Roman builders were lost.


But when war ceased and peace was proclaimed by the Norman conquest, Gothic Masonry was restored and encouraged by William the Conqueror and his son William Rufus, who built Westminster Hall. And notwithstanding the wars that subsequently occurred, and the contentions of the Barons, Masonry never ceased to maintain its position in England. In the year 1362, Edward III. had an officer called the King's Freemason, or General Surveyor of his buildings, whose name was Henry Yvele, and who erected many public buildings.


Anderson now repeats the Legend of the Craft, with the story of Athelstan and his son Edwin, taking it, with an evident modification of the language, from a record of Freemasons, which he says was written in the reign of Edward IV. This record adds, as he says, that the charges and laws therein contained had been seen and approved by Henry VI and the lords of his council, who must therefore, to enable them to make such a review, have been incorporated with the Freemasons. In consequence of this, the act passed by Parliament when the King was in his infancy, forbidding the yearly congregations of Masons in their General Assemblies, was never enforced after the King had arrived at manhood, and had perused the regulations contained in that old record.


The Kings of Scotland also encouraged Masonry from the earliest times down to the union of the crowns, and granted to the Scottish Masons the prerogative of having a fixed Grand Master and Grand Warden. (1)


Queen Elizabeth discouraged Masonry, and neglected it during her whole reign. She sent a commission to York to break up the Annual Assembly, but the members of the commission, having been admitted into the Lodge, made so favorable a report to the Queen, of the Fraternity, that she no longer opposed the Masons, but tolerated them, altbough she gave them no encouragement. Her successor, James I., was, however, a patron of Masonry, and greatly revived the art and restored the Roman architecture, employing Inigo Jones as his architect, under whom was Nicholas Stone as his Master Mason.


Charles I. was also a Mason, and patronized the art whose successful progress was unhappily diverted by the civil wars and the death of the king.


But after the restoration of the royal family, Masonry was again revived by Charles II., who was a great encourager of the craftsmen, and hence is supposed to have been a Freemason.


In the reign of James II., Masonry not being duly cultivated, the London Lodges "much dwindled into ignorance."


But on the accession of William, that monarch "who by most is reckoned as a Freemason," greatly revived the art, and showed himself a patron of Masonry.


(1) From this it appears that Anderson was acquainted with the claim of the St. Clairs of Roslin to the hereditary Grand Mastership of Scotland, a point that has recently been disputed.


His good example was followed by Queen Anne, who ordered fifty new churches to be erected in London and its suburbs, and also by George I., her successor.


With an allusion to the opinion that the religious and military Orders of knighthood in the Middle Ages had borrowed many of their solemn usages from the Freemasons, (1) the Legend here ends.


Upon a perusal of this Legend, it will be found that it is in fact, except in the latter portions, which are semi‑historical, only a running commentary on the later Legend of the Craft, embracing all that is said therein and adding other statements, partly derived from history and partly, perhaps, from the author's invention.


The second edition of the Constitutions goes more fully over the same ground, but is written in the form rather of a history than of a legend, and a review of it is not, therefore, necessary or appropriate in this part of the present work which is solely devoted to the Legends of the Order.


In this second edition of Anderson's work, there are undoubtedly many things which will be repudiated by the skeptical student of Masonic history, and many which, if not at once denied, require proof to substantiate them. But with all its errors, this work of Anderson is replete with facts that make it interesting and instructive, and it earns for the author a grateful tribute for his labors in behalf of the literature of Masonry at so early a period after its revival.


(1) It will be seen hereafter that the Chevalier Ramsay greatly developed this brief allusion of Anderson, and out of it worked his theory of the Templar origin of Freemasonry.








P. 123








THE Legend given by Preston in his Illustrations of Masonry, which details the origin and early progress of the Institution, is more valuable and more interesting than that of Anderson, because it is more succinct, and although founded like it on the Legend of the Craft, it treats each detail with an appearance of historical accuracy that almost removes from the narrative the legendary character which, after all, really attaches to it.


In accepting the Legend of the Craft as the basis of his story, Preston rejects, or at least omits to mention, all the earlier part of it, and begins his story with the supposed introduction of Masonry into England.


Commencing with a reference to the Druids, who, he says, it has been suggested, derived their system of government from Pythagoras he thinks that there is no doubt that the science of Masonry was not unknown to them. Yet he does not say that there was an affinity between their rites and those of the Freemasons, which, as an open question, he leaves everyone to determine for himself.


Masonry, according to this theory, was certainly first introduced into England at the time of its conquest by Julius Caesar, who, with several of the Roman generals that succeeded him, were patrons and protectors of the Craft.


The fraternity were engaged in the creation of walls, forts, bridges, cities, temples, and other stately edifices, and their Lodges or Conventions were regularly held.


Obstructed by the wars which broke out between the Romans and the natives, Masonry was at length revived in the time of the Emperor Carausius. He, having shaken off the Roman yoke, sought to improve his country in the civil arts, and brought into his dominions the best workmen and artificers from all parts. Among the first class of his favourites he enroled the Masons, for whose tenets he professed the highest veneration, and appointed his steward, Albanus, the superintendent of their Assemblies. He gave them a charter, and commanded Albanus to preside over them in person as Grand Master.


He assisted in the initiation of many persons into the mysteries of the Order.


In 680 some expert brethren arrived from France and formed a Lodge under the direction of Bennet, Abbot of Wirral, who was soon afterward appointed by Kenred, King of Mercia, inspector of the Lodges and general superintendent of the Masons.


Masonry was in a low state during the Heptarchy, but in 856 it was revived under St. Swithin, who was employed by Ethelwolf, the Saxon king, to repair some pious houses; and it gradually improved until the reign of Alfred, who was its zealous protector and who maintained a


number of workmen in repairing the desolations of the Danes.


In the reign of Edward, his successor, the Masons continued to hold their Lodges under the sanction of Ethred, his sister's husband, and Ethelward, his brother.


Athelstan succeeded his father in 924 and appointed his brother Edwin, patron of Masons. The latter procured a charter from Athelstan for the Masons to meet annually in communication at York where the first Grand Lodge of England was formed in 926, at which Edwin presided as Grand Master. The Legend of the Craft, in reference to the collection of old writings, is here repeated.


On the death of Edwin, Athelstan undertook in person the direction of the Lodges, and under his sanction the art of Masonry was propagated in peace and security.


On the death of Athelstan, the Masons dispersed and continued in a very unsettled state until the reign of Edgar, in 960, when they were again collected by St. Dunstan, but did not meet with permanent encouragement.


For fifty years after Edgar's death Masonry remained in a low condition, but was revived in 1041 under the patronage of Edward the Confessor, who appointed Leofric, Earl of Coventry, to superintend the Craft,


William the Conqueror, who acquired the crown in 1066, appointed Gundulph, Bishop of Rochester, and Roger de Montgomery, Earl of Shrewsbury, joint patrons of the Masons. The labours of the fraternity were employed, during the reign of William Rufus, in the construction of various edifices.


The Lodges continued to assemble under Henry I. and Stephen. In the reign of the latter, Gilbert de Clare, Marquis of Pembroke, presided over the Lodges.


In the reign of Henry II., the Grand Master of the Knights Templars employed the Craft in 1135 in building their Temple. Masonry continued under the patronage of this Order until 1199, when John succeeded to the throne and Peter de Colechurch was appointed Grand Master. Peter de Rupibus succeeded him, and Masonry continued to flourish during this and the following reign.


Preston's traditionary narrative, or his theory founded on Legends, may be considered as ending here.


The rest of his work assumes a purely historical form, although many of his statements need for authenticity the support of other authorities.


These will be subjects of consideration when we come to the next part of this work. At present, before dismissing the theory of Preston, a few comments are required which have been suggested by portions of the narrative.


As to the Legend of Carausius, to whom Preston ascribes the patronage of the British craft in the latter part of the 3d century, it must be remarked that it was first made known to the fraternity by Dr. Anderson in the 2d edition of his Constitutions. He says that the tradition is contained in all the old Constitutions and was firmly believed by the old English Masons. But the fact is that it is to be found in none of the old records that have as yet been discovered. They speak only of a king who patronized St. Alban and who made him the steward of his household and his Master of Works. Anderson designated this until then unnamed king as Carausius, forgetting that the Saint was martyred in the same year that the monarch assumed the throne. This was a strange error to be committed by one who had made genealogy his special study and had written a voluminous work on the subject of royal successions.


From Anderson, Preston appears to have borrowed the Legend, developing it into a minuter narrative, by the insertion of several additional circumstances, a prerogative which the compilers of Masonic as well as monastic Legends have always thought proper to exercise.


The advent of French Masons into England toward the end of the 7th century, brought thither by the Abbot Bennet or Benedict, which is recorded by Preston, is undoubtedly an historical fact. Lacroix says that England from the 7th century had called to it the best workmen among the French Masons, the Maitres de pierre.


The Venerable Bede, who was contemporary with that period, says that the famous Abbot Benedictus Biscopius (the Bennet of Preston) went over to France in 675 to engage workmen to build his church, and brought them over to England for that purpose


Richard of Cirencester makes the same statement. He says that "Bennet collected Masons (coementarios) and all kinds of industrious artisans from Rome, Italy, France, and other countries where he could find them, and, bringing them to England, employed them in his works."


Preston is, however, in error as to the reign in which this event occurred.


Kenred, or rather Coenred, did not succeed as King of Mercia until 704, and the Abbot Benedict had died the year before. Our Masonic writers of the last century, like their predecessors, the Legendists, when giving the substance of a statement, were very apt to get confused in their dates.


Of the Legend of the "weeping St. Swithin," to whom Preston ascribes the revival of Masonry in the middle of the 9th century, it may be remarked that as to the character of the Saint as a celebrated architect, the Legend is supported by the testimony of the Anglo‑Saxon chroniclers.


Roger of Wendover, who is followed by Matthew of Westminster, records his custom of personally superintending the workmen when engaged in the construction of any building, "that his presence might stimulate them to diligence in their labours."


But the consideration of the condition of Masonry at that period, in England, belongs rather to the historical than to the legendary portion of this work.


On the whole, it may be said of Preston that he has made a considerable improvement on Anderson in his method of treating the early progress of Masonry. Still his narrative contains so many assumptions which are not proved to be facts, that his theory must, like that of his predecessor, be still considered as founded on legends rather than on authentic history.


P. 127









THE theory advanced by Bro. William Hutchinson as to the origin and the progress of Freemasonry, in his treatise, first published in the year 1775 and entitled The Spirit of Masonry, is so complicated and sometimes apparently so contradictory in its statements, as to require, for a due comprehension of his views, not only a careful perusal, but even an exhaustive study of the work alluded to. After such a study I think that I am able to present to the reader a collect summary of the opinions on the rise and progress of the Order which were entertained by this learned scholar.


Let it be said, by way of preface to this review, that however we may dissent from the conclusions of Hutchinson, he is entitled to our utmost respect for his scholarly attainments. To the study of the history and the philosophy of Masonry he brought a fund of antiquarian research, in which he had previously been engaged in the examination of the ecclesiastical antiquities of the province of Durham. Of all the Masonic writers of the 18th century, Hutchinson was undoubtedly the most learned. And yet the theory that he has propounded as to the origin of the Masonic Institution is altogether untenable and indeed, in many of its details, absurd.


Of all the opinions entertained by Hutchinson concerning the origin of Freemasonry, the most heterodox is that which denies its descent from and its connection, at any period, with an operative society. "It is our opinion," he says, "that Masons in the present state of Masonry were never a body of architects.... We ground a judgment of the nature of our profession on our ceremonials and flatter ourselves every Mason will be convinced that they have not relation to building and architecture, but are emblematical and imply moral and spiritual and religious tenets." (1)


(1)   Spirit of Masonry," lect. xiii., p. 131.







In another place, while admitting that there were in former times builders of cities, towers, temples, and fortifications, he doubts "that the artificers were formed into bodies ruled by their own proper laws and knowing mysteries and secrets which were kept from the world." (1)


Since he admits, as we will see hereafter, that Masonry existed at the Temple of Solomon, that it was there organized in what he calls the second stage of its progress, and that the builders of the edifice were Masons, one would naturally imagine that Hutchinson would here encounter an insuperable objection to his theory, which entirely disconnects Masonry and architecture. But he attempts to obviate this difficulty by supposing that the principles of Freemasonry had, before the commencement of the undertaking, been communicated by King Solomon to "the sages and religious men amongst his people," (2) and that these "chosen ones of Solomon, as a pious and holy duty conducted the work." Their labours as builders were simply incidental and they were no more to be regarded by reason of this duty as architects by profession, than were Abel, Noah, Abraham, Jacob, Moses, and David by reason of the building of their altars, which were, like the Temple, works of piety and devotion. (3)


This theory, in which all connection between operative and speculative Masonry is completely dissevered, and in which, in fact, the former is entirely ignored, is peculiar to Hutchinson. No other writer, no matter to what source he may have attributed the original rise of speculative Masonry, has denied that there was some period in the history of its progress when it was more or less intimately connected with the operative art. While, therefore, it is plain that the opinion of Hutchinson is in opposition to that of all other Masonic writers, it is equally evident that it contradicts all the well established facts of history.


But besides these opinions concerning the non‑operative character of the Institution, Hutchinson has been scarcely less peculiar in his other views in respect to the rise and progress of Freemasonry and its relations to other associations of antiquity.


(1) "Spirit of Masonry," lect. x., p. 107. (2) Hutchinson's language is here somewhat confused, but it seems that this is the only rational interpretation that can be given to it. (3) "Spirit of Masonry," lect. x., p. 108.




The Hutchinsonian theory may indeed be regarded as especially and exclusively his own. It is therefore worthy of consideration and review, rather in reference to the novelty of his ideas than in respect to anything of great value in the pseudo‑historical statements that he has advanced.


The prominent thought of Hutchinson in developing his theory is that Masonry in its progress from the earliest times of antiquity to the present day has been divided into three stages, respectively represented by the three ancient Craft degrees. (1)


He does not give a very lucid or satisfactory explanation of the reasons which induced him to connect each of these "stages of progress" with one of the symbolical degrees, and indeed the connection appears to be based upon a rather fanciful hypothesis.


The three stages into which he divides the progress of Masonry from its birth onwards to modern times are distinguished from each other, and distinctively marked by the code of religious ethics professed and taught by each. The first stage, which is represented by the Entered Apprentice degree, commences with Adam and the Garden of Eden and extends to the time of Moses.


The religious code taught in this first stage of Masonry was confined to a "knowledge of the God of Nature and that acceptable service wherewith He was well pleased." (2)


To Adam, while in a state of innocence, this knowledge was imparted, as well as that of all the science and learning which existed in the earliest ages of the world.


When our first parent fell, although he lost his innocence, he still retained the memory of all that he had been taught while in the Garden of Eden. This very retention was, indeed, a portion of the punishment incurred for his disobedience.


It, however, enabled him to communicate to his children the sciences which he had comprehended in Eden, and the knowledge that he had acquired of Nature and the God of Nature. By them these lessons were transmitted to their descendants as the cornerstone and foundation of Masonry, whose teachings at that early


(1) It is known to the world, but more particularly to the brethren, that there are three degrees of Masons ‑ Apprentices, Craftsmen, and Masters; their initiation, and the several advancements from the order of Apprentices, will necessarily lead us to observations in these distinct channels" ‑ "spirit of Masonry," lect. i., p. 6. (2) "Spirit of Masonry," lect. i., p. 6.




period consisted of a belief in the God of Nature and a knowledge of the sciences as they had been transmitted by Adam to his posterity. This system appears to have been very nearly the same as that afterward called by Dr. Oliver the "Pure Freemasonry of Antiquity."


All of the descendants of Adam did not, however, retain this purity and simplicity of dogma. After the deluge, when mankind became separated, the lessons which had been taught by the antediluvians fell into confusion and oblivion and were corrupted by many peoples, so that the service of the true God, which had been taught in the pure Masonry of the first men, was defiled by idolatry. These seceders from the pure Adamic Masonry formed institutions of their own, and degenerated, as the first deviation from the simple worship of the God of Nature, into the errors of Sabaism, or the adoration of the Sun, Moon, and Stars. They adopted symbols and allegories with which to teach esoterically their false doctrines. The earliest of these seceders were the Egyptians, whose priests secreted the mysteries of their religion from the multitude by symbols and hieroglyphics that were comprehensible to the members of their own order only. A similar system was adopted by the priests of Greece and Rome when they established their peculiar Mysteries. These examples of conveying truth by symbolic methods of teaching were wisely followed by the Masons for the purpose of concealing their own mysteries.


From this we naturally make the deduction, although Hutchinson does not expressly say so, that, according to his theory, Masonry was at that early period merely a religious profession " whose principles, maxims, language, learning, and religion were derived from Eden, from the patriarchs, and from the sages of the East," and that the symbolism which now forms so essential an element of the system was not an original characteristic of it, but was borrowed, at a later period, from the mystical and religious associations of the pagans. (1)


(1) Long after, Mr. Grote, in his "History of Greece," spoke of an hypothesis of an ancient and highly instructed body of priests having their origin either in Egypt or the East, who communicated to the rude and barbarous Greeks religious, physical, and historical knowledge under the veil of symbols. The same current of thought appears to have been suggested to the Masonic writer and to the historian of Greece, but each has directed it in a different way ‑ one to the history of the Pagan nations, the other to that of Masonry.


Such, according to the theory of Hutchinson, was the "first stage" in the progress of Masonry represented by the Entered Apprentice degree, and which consisted simply of a belief in and a worship of the true God as the doctrine was taught by Adam and the patriarchs. It was a system of religious principles, with few rites and ceremonies and fewer symbols.


The second stage in the progress of Masonry, which Hutchinson supposes to be represented by the Fellow Craft degree, commences at the era of Moses and extends through the whole period of the Jewish history to the advent of Christianity. According to the theory of Hutchinson, the Jewish lawgiver was, of course in possession of the pure Masonry of the patriarchs which constituted the first stage of the institution, but was enabled to extend its ethical and religious principles in consequence of the instructions in relation to God and the duties of man which he had himself received by an immediate revelation. In other words, Masonry in its first stage was cosmopolitan in its religious teachings, requiring only a belief in the God of Nature as he had been revealed to Adam and his immediate descendants, but in the second stage, as inaugurated by Moses, that universal belief was exchanged for one in the Deity as He had made himself known on Mount Sinai. That is to say, the second or Mosaic stage of Masonry became judaic in its profession.


But in another respect Masonry in its second stage assumed a different form from that which had marked its primitive state. Moses, from his peculiar education, was well acquainted with the rites, the ceremonies, the hieroglyphs, and the symbols used by the Egyptian priesthood.


Many of these he introduced into Masonry, and thus began that system which, coming originally from the Egyptians and subsequently augmented by derivations from the Druids, the Essenes, the Pythagoreans, and other mystical associations, at last was developed into that science of symbolism which now constitutes so important and essential a characteristic of modern Freemasonry.


A third change in the form of Masonry, which took place in its Mosaic or Judaic stage, was the introduction of the operative art of building among its disciples. Instances of this occurred in the days of Moses, when Aholiab, Bezaleel, and other Masons were engaged in the construction of the Tabernacle, and subsequently in the time of Solomon, when that monarch occupied his Masons in the erection of the Temple.


But, as has already been shown in a preceding part of this chapter, Hutchinson does not conclude from these facts that Masonry was ever connected in its origin with "builders, architects, or mechanics." The occupation of these Masons as builders was entirely accidental, and did not at all interfere with or supersede their character as members of a purely speculative association.


But it may be as well to give, at this point, in his own words, his explanation of the manner in which the Masons became, on certain occasions, builders, and, whence arose in modern times the erroneous idea that the Masonic profession consisted of architects. (1)


"I presume," he says, "that the name of Mason in this society doth not denote that the rise or origin of such society was solely from builders, architects, or mechanics; at the times in which Moses ordained the setting up of the sanctuary, and when Solomon was about to build the Temple at Jerusalem, they selected from out of the people those men who were enlightened with the true faith, and, being full of wisdom and religious fervour, were found proper to conduct these works of piety. It was on those occasions that our predecessors appeared to the world as architects and were formed into a body, under salutary rules, for the government of those who were employed in these great works, since which period builders have adopted the name of Masons, as an honourary distinction and title to their profession. I am induced to believe the name of Mason has its derivation front a language in which it implies some indication or distinction of the nature of the society, and


that it has not its relation to architects." (2)


Masonry was not organized at the Temple of Solomon, as is believed by those who adopt the Temple theory, but yet that building occupies, according to the views of Hutchinson, an important place in the history of the institution. It was erected during the second stage of the progress of Masonry not, as we must infer from the language of our author, by the heathen operatives of Tyre, but solely by Israelitish Masons; or, if assisted by any, it was only by proselytes who on or before their initiation had accepted the Jewish faith.


(1) In a subsequent lecture (xiii.) he attempts, in an historical argument, to show that the guild of Masons incorporated in the reign of Henry V., and the laws concerning "congregations and confederacies of Masons," passed in the succeeding reign, had no reference whatever to the speculative society. (2) "Spirit of Masonry," lect. i., p. 2. In another place in this work the etymological ideas of Hutchinson and other writers will be duly investigated.


The language of Hutchinson is on this point somewhat obscure, yet I think that it admits only of the interpretation which has been given He says: "As the sons of Aaron alone were admitted to the holy office and to the sacrificial rites, so none but devotees were admitted to this labour (on the temple). On this stage we see those religious who had received the truth and the light of understanding as possessed by the first men, embodied as artificers and engaged in this holy work as architects." (1)


Still more explicit is the following statement, made in a subsequent part of the work: "Solomon was truly the executor of that plan which was revealed to him from above; he called forth the sages and religious men amongst his people to perform the work; he classed them according to their rank in their religious profession, as the priests of the Temple were stationed in the solemn rites and ceremonies instituted there.... The chosen ones of Solomon, as a pious and holy duty, conducted the work." (2)


Solomon did not, therefore, organize, as has very commonly been believed, a system of Masonry by the aid of his Tyrian workmen, and especially Hiram Abif, who has always been designated by the Craft as his "Chief Builder," but he practiced and transmitted to his descendants the primitive Masonry derived from Adam and modified into its sectarian Jewish form by Moses. The Masonry of Solomon, like that of the great lawgiver of the Israelites, was essentially Judaic in its religious ethics. It was but a continuation of that second stage of Masonry which, as I have already said, lasted, according to the Hutchinsonian theory, until the era of Christianity.


But the wisdom and power of Solomon had attracted to him the attention of the neighbouring nations, and the splendour of the edifice which he had erected extended his fame and won the admiration of the most distant parts of the world, so that his name and his artificers became the wonder of mankind, and the works of the latter excited their emulation. Hence the Masons of Solomon were dispersed from Jerusalem into various lands, where they superintended the architectural labours of other princes, converted infidels, initiated foreign brethren into


their mysteries, and thus extended the order over the distant quarters of the known world. (3)


(1) "Spirit of Masonry," lect. vii., p. 86.


(2) Ibid., lect. x., p. 108. (3) I have employed in this paragraph the very language of Hutchinson. However mythical the statements therein contained may be deemed by the iconoclasts, there can be no doubt that they were accepted by the learned author as undeniably historical.


Hence we see that, according to the theory of Hutchinson, King Solomon, although not the founder of Masonry at the Temple and not our first Grand Master, as he has been called, was the first to propagate the association into foreign countries. Until his time, it had been confined to the Jewish descendants of the patriarchs.


The next or third stage of the progress of Masonry, represented by the Master's degree, commenced at the advent of Christianity. As Hutchinson in his description of the two preceding progressive classes of Masons had assigned to the first, as represented by the Apprentices, only the knowledge of the God of Nature as it prevailed in the earliest ages of the world, and to the second, as represented by the Fellow Crafts, the further knowledge of God as revealed in the Mosaic Legation, so to this third stage, as represented by Master Masons, he had assigned the complete and perfect knowledge of God as revealed in the Christian dispensation.


Masonry is thus made by him to assume in this third stage of its progressive growth a purely Christian character.


The introduction of rites and ceremonies under the Jewish law, which had been derived from the neighbouring heathen nations, had clouded and obscured the service of God, and consequently corrupted the second stage of Masonry as established by Moses and followed by Solomon. God, perceiving the ruin which was overwhelming mankind by this pollution of His ordinances and laws, devised a new scheme for redeeming His creatures from the errors into which they had fallen. And this scheme was typified in the Third or Master's stage in the progressive course of Masonry.


Hence the Master's degree is, in this theory, exclusively a Christian invention; the legend receives a purely Christian interpretation, and the allegory of Hiram Abif is made to refer to the death or abolition of the Jewish law and the establishment of the new dispensation under Jesus Christ.


A few citations from the language of Hutchinson will place this theory very clearly before the reader. (1)


The death and burial of the Master Builder, and the consequent loss of the true Word, are thus applied to the Christian dispensation. "Piety, which had planned the Temple at Jerusalem, was expunged. (2)


(1) They are taken from "Spirit of Masonry," lect. ix.


(2) The Master is slain.


The reverence and adoration due to the Divinity was buried in the filth and rubbish of the world. (1) Persecution had dispersed the few who retained their obedience, (2) and the name of the true God was almost lost and forgotten among men. (3)


"In this situation it might well be said That the guide to Heaven was lost and the Master of the works of righteousness was smitten.'" (4)


Again, "True religion was fled. 'Those who sought her through the wisdom of the ancients were not able to raise her; she eluded the grasp, and their polluted hands were stretched forth in vain for her restoration.'" (5)


Finally he explains the allegory of the Third degree as directly referring to Christ, in the following words: "The great Father of All, commiserating the miseries of the world, sent His only Son, who was innocence (6) itself, to teach the doctrine of salvation, by whom man was raised from the death of sin unto the life of righteousness; from the tomb of corruption unto the chambers of hope; from the darkness of despair to the celestial beams of faith." And finally, that there may be no doubt of his theory that the third degree was altogether Christian in its origin and design, he explicitly says: "Thus the Master Mason represents a man under the Christian doctrine saved from the grave of iniquity and raised to the faith of salvation. As the great testimonial that we are risen from the state of corruption, we bear the emblem of the Holy Trinity as the insignia of our vows and of the origin of the Master's order." (7)


The christianization of the Third or Master's degree, that is, the interpretation of its symbols as referring to Christ and to Christian


(1) Burial and concealment in the rubbish of the Temple first, and then in an obscure grave. (2) The confusion and consternation of the Craft. (3) The Master's word is lost. (4) In the 18th century it was supposed, by an incorrect translation of the Hebrew, that the substitute word signified "The Master is smitten." Dr. Oliver adopted that interpretation. (5) By "the wisdom of the ancients" is meant the two preceding stages of Masonry represented, as we have seen, by the Apprentices and the Fellow Craft. In the allegory of Hiram, the knowledge of each of these degrees is unsuccessfully applied to effect the raising. (6) Acacia. The Greek word akakia means innocence. Hence in the succeeding paragraph he calls Masons "true Acacians." (7) "Spirit of Masonry," lect. ix., p. 100.


dogmas, is not peculiar to nor original with Hutchinson. It was the accepted doctrine of almost all his contemporaries, and several of the rituals of the 18th century contain unmistakable traces of it. It was not, indeed, until the revisal of the lectures by Dr. Hemming; in 1813, that all references in them to Christianity were expunged. Even as late as the middle of the 19th century, Dr. Oliver had explicitly declared that if he had not been fully convinced that Freemasonry is a system of Christian ethics ‑ that it contributes its aid to point the way to the Grand Lodge above, through the Cross of Christ ‑ he should never have been found among the number of its advocates. (1)


Notwithstanding that the Grand Lodge of England had authoritatively declared, in the year 1723, that Masonry required a belief only in that religion in which all men agree, (2) the tendency among all our early writers after the revival of 1717 was to Christianize the institution.


The interpretation of the symbols of Freemasonry from a Christian point of view was, therefore, at the period when Hutchinson advanced his theory, neither novel to the Craft nor peculiar to him.


The peculiarity and novelty of his doctrine consisted not in its Christian interpretation of the symbols, but in the view that he has taken of the origin and historical value of the legend of the Third degree.


At least from the time of Anderson and Desaguliers, the legend of Hiram Abif had been accepted by the Craft as an historical statement of an event that had actually occurred. Even the most skeptical writers of the present day receive it as a myth which possibly has been founded upon events that have been distorted in their passage down the stream of tradition.


Now, neither of these views appears to have been entertained by Hutchinson. We look in vain throughout his work for any reference to the legend as connected with Hiram Abif. In his lecture on "The Temple at Jerusalem," in which he gives the details of the labors of Solomon in the construction of that edifice, the name of Hiram does not once occur, except in the extracts that he makes from the Book of Kings and the Antiquities of Josephus. Indeed,


(1) "Antiquities of Masonry," chap. vi., p. i66, note. (2) "Book of Constitutions," 1st ed., "Charges of a Freemason," I.


we must infer that he did not recognize Hiram Abif as a Mason, for he expressly says that all the Masons at the Temple were Israelites and believers in the Jewish faith.


In a subsequent lecture, on "The Secrecy of Masons," he, in fact, undervalues Hiram Abif as an architect, and says that he does not doubt that "Hiram's knowledge was in the business of a statuary and painter, and that he made graven images of stone and wood and molten images in metals," thus placing him in a subordinate position, and completely ignoring the rank given to him in all the Masonic rituals, as the equal and colleague of Solomon and the Master Builder of the Temple. (1)


There is nowhere to be found in the work of Hutchinson any reference,


however remote, to the circumstances of the death and raising of the "Widow's Son." He must have been acquainted with the legend, since it was preserved and taught in the lodges that he visited. But he speaks, in the most general terms, of the third degree as symbolizing the corruption and death of religion, and the moral resurrection of man in the new or Christian doctrine.


If he believed in the truth of his own theory ‑ and we are bound to suppose that he did ‑ then he could not but have looked upon the details of the Master's legend as absolutely false, for the legend and the theory can in no way be reconciled.


If I rightly understand the language of Hutchinson, which, it must be admitted, is sometimes confused and the ideas are not plainly expressed, he denies the existence of the third degree at the Temple.


That edifice was built, according to his theory, within the period of the second stage of the progress of Masonry. Now, that stage, which was inaugurated by Moses, was represented by the Fellow Craft's degree. It was not until the coming of Christ that the Master's degree with its rites and ceremonies came into existence, in the third stage of the progress of Masonry, which was represented by that degree. Indeed, in the following passage he explicitly makes that statement.


"The ceremonies now known to Masons prove that the testimonials and insignia of the Master's order, in the present state of


(1) Hutchinson bas here ventured on a truth which, however, none of his successors have accepted. See hereafter the chapter in this work on "The Legend of Hiram Abif," in which I bave advanced and endeavored to sustain the same view of the character of this celebrated artist.


Masonry, were devised within the ages of Christianity; and we are confident there are not any records in being, in any nation or in any language, which can show them to be pertinent to any other system or give them greater antiquity." (1)


We can not explain this language with any respect for consistency and for the meaning of the words except by adopting the following explanation of the Hutchinsonian theory. At the building of the Temple, the Masonry then prevailing, which was the second or Fellow Crafts stage, was merely a system of religious ethics in which the doctrines of the Jewish faith, as revealed to Moses, had been superimposed upon the simple creed of the Patriarchs, which had constituted the first or Apprentice's stage of the institution. There was at that time no knowledge of the legend of Hiram Abif, which was a myth subsequently introduced in the Third or Master's stage of the progress of the Order. It was not until after the advent of Jesus Christ, "within the ages of Christianity," that the death and raising of the Master Builder was devised as a mythical symbol to constitute what Hutchinson calls "the testimonials and insignia of the Master's order."


The myth or legend thus fabricated was to be used as a symbol of the change which took place in the religious system of Masonry when the third stage of its progress was inaugurated by the invention of the Master's degree.


Here again Hutchinson differs from all the writers who preceded or who have followed him. The orthodox doctrine of all those who have given a Christian interpretation to the legend of the Third Degree is that it is the narrative of events which actually occurred at the building of the Temple of Solomon, and that it was afterward, on the advent of Christianity, adopted as a symbol whereby the death and raising of Hiram Abif were considered as a type of the sufferings and death, the resurrection and ascension, of Christ.


No words of Hutchinson give expression to any such idea. With him the legend of Hiram the Builder is simply an allegory, invented at a much later period than that in which the events it details are supposed to have occurred, for the purpose of symbolizing


(1) "Spirit of Masonry," lect. x., p. 1,062. It is "passing strange" that a man of Hutchinson's learning should, in this passage, have appeared to be oblivious of the mythical character of the ancient Mysteries.


the death and burial of the Jewish law with the Masonry which it had corrupted, and the resurrection of this defunct Masonry in a new and perfect form under the Christian dispensation.


Such is the Hutchinsonian theory of the origin and progress of Masonry.


It is sui generis ‑ peculiar to Hutchinson ‑ and has been advanced or maintained by no other Masonic writer before or since. It may be summarized in a very few words:


1. Masonry was first taught by Adam, after the fall, to his descendants, and continued through the patriarchal age. It consisted of a simple code of ethics, teaching only a belief in the God of Nature. It was the Masonry of the Entered Apprentice.


2. It was enlarged by Moses and confirmed by Solomon, and thus lasted until the era of Christ. To its expanded code of ethics was added a number of symbols derived from the Egyptian priesthood. Its religion consisted in a belief in God as he had been revealed to the Jewish nation. It was the Masonry of the Fellow Craft.


3. The Masonry of this second stage becoming valueless in consequence of the corruption of the Jewish law, it was therefore abolished and the third stage was established in its place. This third stage was formed by the teachings of Christ, and the religion it inculcates is that which was revealed by Him. It is the Masonry of the Master Mason.


4. Hence the three stages of Masonry present three forms of religion: first, the Patriarchal; second, the Jewish; third, the Christian.


Masonry, having thus reached its ultimate stage of progress, has continued in this last form to the present day. And now Hutchinson proceeds to advance his theory as to its introduction and growth in England. He had already accounted for its extension into other quarters of the world in consequence of the dispersion and travels of King Solomon's Masons, after the completion of the Temple. He thinks that during the first stage of Masonry ‑ the Patriarchal ‑ its principles were taught and practiced by the Druids. They received them from the Phoenicians, who visited England for trading purposes in very remote antiquity. The second stage ‑ the Judaic ‑ was with its ceremonials introduced among them by the Masons of Solomon, after the building of the Temple, but at what precise period he can not determine. The third and perfect form, as developed in the third stage, must have been adopted upon the conversion of the Druidical worshippers to Christianity, having been introduced into England, as we should infer, by the Christian missionaries who came from Rome into that country.


While Hutchinson denies that there was ever any connection between the Operative and the Speculative Masons, he admits that among the former there might have been a few of the latter. He accounts for this fact in the following manner:


After Christianity had become the popular religion of England, the ecclesiastics employed themselves in founding religious houses and in building churches. From the duty of assisting in this pious work, no man of whatever rank or profession was exempted. There were also a set of men called "holy werk folk," to whom were assigned certain lands which they held by the tenure of repairing, building, or defending churches and sepulchers, for which labors they were released from all feudal and military services. These men were stone‑cutters and builders, and might, he thinks, have been Speculative Masons, and were probably selected from that body. "These men," he says, "come the nearest to a similitude of Solomon's Masons, and the title of Free and Accepted Masons, of any degree of architects we have gained any knowledge of." But he professes his ignorance whether their initiation was attended with peculiar ceremonies or by what laws they were regulated. That they had any connection with the Speculative Order whose origin from Adam he had been tracing, is denied.


Finally, he attributes the moral precepts of the Masonry of the present day to the school of Pythagoras and to the Basilideans, a sect of Christians who flourished in the 2d century. For this opinion, so far as relates to Pythagoras, he is indebted to the celebrated Leland manuscript, of whose genuineness he had not the slightest doubt.


These precepts and the Egyptian symbols introduced by Moses with Jewish additions constitute the system of modern Masonry, which has, however, been perfected by a Christian doctrine.


Such is the theory of Hutchinson as to the origin and progress of Speculative Masonry. That it has been accepted as a whole by no other writer, is not surprising, as it not only is not supported by the facts of history, but is actually contradicted by every Masonic document that is extant.


It is, indeed, a mere body of myths, which are not clad with the slightest garment of probability.


And yet there are here and there some glimmerings of truth, such as the appropriation of his real character to Hiram Abif, and the allusions to the "holy werk folk," as showing a connection between Operative and Speculative Masonry, which, though not pushed far enough by Hutchinson, may afford valuable suggestions, if extended, to the searcher after historic truth in Freemasonry.




P. 142







In commendation of the Rev. Dr. Oliver as a learned and prolific writer on Freemasonry, too much can not be said. His name must ever be clarum et venerabile among the Craft. To the study of the history and the philosophy of the Institution he brought a store of scholarly acquirements, and a familiarity with ancient and modern literature which had been possessed by no Masonic author who had preceded him. Even Hutchinson, who certainly occupied the central and most elevated point in the circle of Masonic students and investigators who flourished in the 18th century must yield the palm for erudition to him whose knowledge of books was encyclopedical.


In his numerous works on Freemasonry, of which it is difficult to specify the most important, the most learned, or the most interesting, Dr. Oliver has raised the Institution of Masonry to a point of elevation which it had never before reached, and to which its most ardent admirers had never aspired to promote it.


He loved it for its social tendencies, for he was genial in his inclination and in his habits, and he cherished its principles of brotherly love, for his heart was as expanded as his mind. But he taught that within its chain of union there was a fund of ethics and philosophy, and a beautiful science of symbolism by which its ethics was developed to the initiated, which awakened scholars to the contemplation of the fact never before so completely demonstrated, that Speculative Masonry claimed and was entitled to a prominent place among the systems of human philosophy.


No longer could men say that Freemasonry was merely a club of good fellows. Oliver had proved that it was a school of inquirers after truth.


No longer could they charge that its only design was the cultivation of kindly feelings and the enjoyment of good cheer. He had shown that it was engaged in the communication to its disciples of abstruse doctrines of religion and philosophy in a method by which it surpassed every other human scheme for imparting such knowledge.


But, notwithstanding this eulogium, every word of which is merited by its subject, and not one word of which would I erase, it must be confessed that there were two defects in his character that materially affect the value of his authority as an historian.


One was, that as a clergyman of the Church of England he was controlled by that clerical espirit du corps which sought to make every opinion subservient to his peculiar sectarian views. Thus, he gave to every symbol, every myth, and every allegory the interpretation of a theologian rather than of a philosopher.


The other defect, a far more important one, was the indulgence in an excessive credulity, which led him to accept the errors of tradition as the truths of history. In reading one of his narratives, it is often difficult to separate the two elements. He so glosses the sober facts of history with the fanciful coloring of legendary lore, that the reader finds himself involved in an inextricable web of authentic history intermixed with unsupported tradition, where he finds it impossible to discern the true from the fabulous.


The canon of criticism laid by Voltaire, that all historic certainty that does not amount to a mathematical demonstration is merely extreme probability, is far too rigorous. There are many facts that depend only on contemporaneous testimony to which no more precise demonstration is applied, and which yet leave the strong impression of certainty on the mind. But here, as in all other things, there is a medium ‑ a measure of moderation ‑ and it would have been well if Dr. Oliver had observed it. But not having done so, his theory is founded not simply on the Legend of the Craft, of which he takes but little account, but on obscure legends and traditions derived by him, in the course of his multifarious reading, sometimes from rabbinical and sometimes from unknown sources. (1)


(1) He divides the legends of Masonry into two classes, neither of which embraces the incredible. He says that "many of them are founded in fact, and capable of unquestionable proof, whilst others are based on Jewish traditions, and consequently invested with probability, while they equally inculcate and enforce the most solemn and important truths" ‑ "Historical Landmarks," vol. i., p. 399.


The theoretical views of Oliver as to the origin and progress of Masonry from a legendary point of view are so scattered in his various works that it is difficult to follow them in a chronological order. This is especially the case with the legends that relate to the periods subsequent to the building of the Temple at Jerusalem. Up to that era, the theory is enunciated in his Antiquities of Freemasonry, upon which I shall principally depend in this condensation. It was, it is true, written in the earlier part of his life, and was his first contribution to the literature of Masonry, but he has not in any of his subsequent writings modified the views he there entertained. This work may therefore be considered, as far as it goes, as an authoritative exposition of his theory. His Historical Landmarks, the most learned and most interesting of his works, if we except, perhaps, his History of Initiation, will furnish many commentaries on what he has advanced in his Antiquities, but as it is principally devoted to an inquiry into the origin and interpretation of the symbols and allegories of Masonry, we can not obtain from its pages a connected view of his theory.


Preston had introduced his history of Masonry by the assertion that its foundations might be traced "from the commencement of the world." Dr. Oliver is not content with so remote an origin, but claims, on the authority of Masonic traditions, that the science "existed before the creation of this globe, and was diffused amidst the numerous systems with which the grand empyreum of universal space is furnished." (1)


But as he supposes that the globes constituting the universe were inhabited long before the earth was peopled, and that these inhabitants must have repossessed a system of ethics founded on the belief in God, which he says is nothing else but Speculative Masonry, we may regard this opinion as merely tantamount to the expression that truth is eternal.




Passing by this empyreal notion as a mere metaphysical idea, let us begin with Oliver's theory of the mundane origin of the science of Masonry.


While in the Garden of Eden, Adam was taught that science which is now termed Masonry. (2) After his fall, he forfeited the gift of inspiration, but certainly retained a recollection of those degrees


(1) "Antiquities," Period I., ch. ii., P. 26. (2) Oliver, " Antiquities," I., ii., 37.


of knowledge which are within the compass of human capacity, and among them that speculative science now known as Freemasonry. (1)


These, in the course of time, he communicated to his children. Of these children, Seth and his descendants preserved and cultivated the principles of Masonry which had been received from Adam, but Cain and his progeny perverted and finally abandoned it. However, before his complete secession, the latter, with some of his descendants, reduced the knowledge he had received from Adam to practice, and built a city which he called Hanoch. The children of Lamech, the sixth in descent from Cain, also retained some faint remains of Masonry, which they exerted for the benefit of mankind.


It is in this way that Dr. Oliver attempts to reconcile the story of the children of Lamech, as detailed in the Legend of the Craft, with his theory, which really ousts Cain and all his descendants from the pale of Masonry. The sons of Lamech were Masons, but their Masonry had been greatly corrupted.


Dr. Oliver makes the usual division of Masonry into Operative and Speculative. The former continued to be used by the Cainites after they had lost all pretensions to the latter, and the first practical application of the art was by them in the building of the city of Hanoch, or, as it is called in Genesis, Enoch.


Thus Masonry was divided, as to its history, into two distinct streams, that of the Operative and that of the Speculative; the former cultivated by the descendants of Cain, the latter by those of Seth. It does not, however, appear that the Operative branch was altogether neglected by the Sethites, but was only made subordinate to their Speculative science, while the latter was entirely neglected by the Cainites, who devoted themselves exclusively to the Operative art. Finally they abandoned it and were lost in the corruptions of their race, which led to their destruction in the flood.


The Speculative stream, however, flowed on uninterruptedly to the time of Noah. Oliver does not hesitate to say that Seth, "associating himself with the most virtuous men of his age, they formed lodges and discussed the great principles of Masonry," and were called by their contemporaries the "Sons of Light."


Seth continued to preside over the Craft until the time of


(1) Oliver, " Antiquities," I., ii., 40.


Enoch, when he appointed that patriarch as his successor and Grand Superintendent. (1)


Enoch, as Grand Master, practiced Masonry with such effect that God vouchsafed to reveal to him some peculiar mysteries, among which was the sacred WORD, which continues to this day to form an important portion of Masonic speculation, and for the preservation of which from the impending destruction of the world he constructed a subterranean edifice in which he concealed the sacred treasure. He also erected two pillars, one of brass and one of stone, on which he engraved the elements of the liberal sciences, including Masonry. (2) Enoch then resigned the government of the Craft to Lamech, who afterward surrendered it to Noah, in whose hands it remained until the occurrence of the flood.


Such is Oliver's legendary narrative of the progress of Masonry from the creation to the flood. The Craft were organized into lodges and were governed during that long period by only five Grand Masters ‑ Adam, Seth, Enoch, Lamech, and Noah.


To the Institution existing at that time he gives the appropriate title of "Antediluvian Masonry," and also that of "Primitive Masonry."


Of its character he says that it had but few symbols or ceremonies, and was indeed nothing else but a system of morals or pure religion. Its great object was to preserve and cherish the promise of a Messiah.


On the renewal of the world by the subsidence of the waters of the deluge, it was found that though Enoch's pillar of brass had given way before the torrent of destruction, the pillar of stone had been preserved, and by this means the knowledge of the state of Masonry before the flood was transmitted to posterity.


Of the sons of Noah, all of whom had been taught the pure system of Masonry by their father, Shem and his descendants alone preserved it.


Harn and Japhet leaving; dispersed into Airica and Europe, their descendants became idolaters and lost the true principles


(1) Anderson gives the direction of the Craft, after Seth, successively to Enoch, Kainan, Mahalaleel, and Jared, whom Enoch succeeded. Const. 2d edit., p. 3. (2) This legend of the vault of Enoch was not known to the mediaeval Masons. It forms, therefore, no part of the ritual of Ancient Craft Masonry. It is an invention of a later period, and is recognized only by the more modern "high degrees." The form of the legend as known to Anderson in 1722 was that he erected pillars on which the science of Masonry was inscribed.


of Masonry, which consisted in the worship of the one true God. The descendants of Japhet not only fell from the worship of God and embraced the adoration of idols, but they corrupted the form of Masonry by the establishment on its basis of a system of secret rites which are known in history as the "Mysteries."


This secession of the children of Japhet from the true system which their ancestor had received from Noah, has been called by Dr. Oliver "Spurious Freemasonry," while that practiced by the descendants of Shem he styles "Pure Freemasonry."


Of these two divisions the Spurious Freemasons were more distinguished for their cultivation of the Operative art, while the Pure Freemasons, although not entirely neglectful of Operative Masonry, particularly devoted themselves to the preservation of the truths of the Speculative science.


Shem communicated the secrets of Pure Freemasonry to Abraham, through whose descendants they were transmitted to Moses, who had, however, been previously initiated into the Spurious Masonry of the Egyptians.


Masonry, which had suffered a decay during the captivity of the Israelites in Egypt, was revived in the wilderness by Moses, who held a General Assembly, and, as the first act of the reorganized Institution, erected the Tabernacle.


From this time Masonry was almost exclusively confined to the Jewish nation, and was propagated through its judges, priests, and kings to the time of Solomon.


When Solomon was about to erect the Temple at Jerusalem, he called to his assistance the artists of Tyre, who were disciples of the Spurious Masonry and were skillful architects, as members of the Dionysiac fraternity of artificers.


By this association of the Tyrian Masons of the spurious order with the Jewish workmen who practiced the pure system, the two classes were united, and King Solomon reorganized the system of Freemasonry as it now exists.


For the subsequent extension of Masonry throughout the world and its establishment in England, Dr. Oliver adopts the legendary histories of both Anderson and Preston, accepting as genuine every mythical narrative and every manuscript. From the Leland manuscript he quotes as if he were citing an authority universally admitted to be authentic.


Receiving the narrative of the General Assembly which was called at York by Prince Edwin as an event of whose occurrence there can be no possible doubt, he claims that the Halliwell poem is a veritable copy of the Constitutions enacted by that Assembly.


On the subject of the religious character of Freemasonry, Dr. Oliver in the main agrees with Hutchinson, that it is a Christian Institution, and that all its myths and symbols have a Christian interpretation. He differs from Hutchinson in this, that instead of limiting the introduction of the Christian element to the time of Christ, he supposes it to have existed in it, from the earliest times. Even the Masonry of the patriarchs he believes to have been based upon the doctrine of a promised Messiah.


But his views will be best expressed in his own language, in a passage contained in the concluding pages of his Historical Landmarks: "The conclusion is therefore obvious. If the lectures of Freemasonry refer only to events which preceded the advent of Christ, and if those events consist exclusively of admitted types of the Great Deliverer, who was preordained to become a voluntary sacitce for the salvation of mankind, it will clearly follow that the Order was originally instituted in accordance with the true principles of the Christian religion; and in all its consecutive steps bears an unerring testimony to the truth of the facts and of their typical reference to the founder of our faith."


He has said, still more emphatically, in a preceding part of the same work, that "Freemasonry contains scarcely a single ceremony, symbol, or historical narration which does not apply to this glorious consummation of the divine economy of the Creator towards his erring creatures"; by which economy he, of course, means the Christian dispensation and the Christian scheme of redemption.


If in the multifarious essays in which he has treated the subject Dr. Oliver meant to announce the proposition that in the very earliest ages of the world there prevailed certain religious truths of vast importance to the welfare and happiness of mankind, which had been communicated either by direct inspiration or in some other mode, and which have been traditionally transmitted to the present day, which truths principally consisted in an assertion of a belief in God and in a future life, such a proposition will hardly meet with a denial.


But if he also meant to contend that the transmission of these truths to posterity and to the present age was committed to and preserved by an order of men, an association, or a society whose form and features have been retained in the Freemasonry of the present day, it will, I imagine, be admitted that such a proposition is wholly untenable. And yet this appears to be the theory that was entertained by this learned but too credulous scholar.













THE Temple Legend is a name that I give to that legend or tradition which traces the origin of Freemasonry as an organized institution to the Temple of Solomon and to the builders, Jewish and Tyrian, who were employed in the construction of that edifice.


This is the legend that is now almost universally accepted by the great niass of the Masonic fraternity. Perhaps nine out of ten of the Freemasons of the present day ‑ that is to say, all those who receive tradition with the undoubting faith that should be given to history only ‑ conscientiously believe that Freemasonry, as we now see it, organized into lodges and degrees, with Grand Masters, Masters, and Wardens, with the same ritual observances, was first devised by Solomon, King of Israel, and assumed its position as a secret society during the period when that monarch was engaged in the construction of the Temple on Mount Moriah. (1)


This theory is not a new one. It was probably at first suggested by the passage in the Legend of the Craft which briefly describes the building of the Temple and the confirmation by Solomon of the charges which his father David had given to the Masons.


There can be no doubt from this passage in the Legend that the Temple of Solomon occupied a prominent place in the ideas of the mediaeval Masons. How much use they made of it in their esoteric ceremonies we, of course, are unable to learn. It is, however,


(1) In a sermon by the Rev. A.N. Keigwin, at the dedication of the Masonic Temple in Philadelphia (1873), we find the following passage: "Historically, Masonry dates from the building of the Temple of Solomon.


No one at the present day disputes this claim." I cite this out of hundreds of similar passages in other writers, to show how universal among such educated Masons is the belief in the Temple theory. It is, in fact, very true that only those scholars who have made the history of the Order an especial study have any doubts upon the subject.


significant coincidence, if nothing more, that there was a somewhat similar legend among the "Compagnons de la Tour," those mystical associations of workmen who sprang up in France about the 12th century, and who are supposed to have been an offshoot of dissatisfied journeymen from the body of oppressive Masters, who at that period constituted the ruling power of the corporate guilds of operative Masons and other crafts.


As the traditions of this society in reference to the Temple of Solomon are calculated to throw much light on the ideas which prevailed among the Masons in respect to the same subject, and as the Temple legends of the "Compagnons" are better known to us than those of the mediaeval operative Masons, and finally, as it is not at all unlikely that the ideas of the former were derived from those of the latter, it will not be inexpedient to take a brief view of the Temple legend of the Compagnonage.


The Compagnons de la Tour have three different legends, each of which traces the association back to the Temple of Solomon, through three different founders, which causes the Compagnonage to be divided into three distinct and, unfortunately, hostile associations. These are the Children of Solomon, the Children of Maitre Jacques, and the Children of Pere Soubise.


The Children of Solomon assert that they were associated into a brotherhood by King Solomon himself at the building of the Temple.


The Children of Maitre Jacques and those of Pere Soubise declare that both of these workmen were employed at the Temple, and after its completion went together to Gaul, where they taught the arts which they had learned at Jerusalem. (1)


The tradition of Maitre Jacques is particularly interesting. He is said to have been the son of a celebrated architect named Jacquain, who was one of the chief Masters of Solomon and a colleague of Hiram Abif.


From the age of fifteen he was employed as a stone‑cutter. He traveled through Greece, where he acquired a knowledge of architecture and sculpture. He then went to Egypt and thence to Jerusalem, where, being engaged in the construction of the Temple, he fabricated two pillars with such consummate skill that he was at once received as a Master of the Craft.


(1) The reader will remember the story in the "Legend of the Craft" of one Namus Grecus, who came from Jerusalem and from the Temple in the time of Charles Martel and propagated Masonry in France.


It is not necessary to pursue the legend of the French Compagnonage any further. Sufficient has been told to show that they traced their origin to the Temple of Solomon and that the legend referred, to events connected with that edifice.


Now, as these traveling journeymen (for thus may we translate their French title) are known to have separated themselves in the 12th century from the corporations of Master Workmen in consequence of the narrow and oppressive policy of these bodies, making what in modern times would be called a " strike," it is reasonable to suppose that they carted Nvkh them into their new and independent organization many of the customs, ceremonies, and traditions which they had learned from the main body or Master's guilds of which they were an offshoot. Therefore, although we have not been able to find any legend or tradition of the medioeval operative Masons which traced their origin to the Temple of Solomon, yet as we find such a tradition prevailing among an association of workmen who, as we know, were at one time identified with the Operative Masons and seceded from them on a question of policy, we have a reasonable right to believe that the legend of the Compagnons de la Tour, or Traveling journeymen, which traced their origin to the Temple of Solomon, was derived by them from the Corporations of Masters or Guilds of Operative Masons, among whom it was an accepted tradition.


And therefore we have in this way the foundation for a reasonable belief that the Legend of the Temple origin of Masonry is older than the era of the Revival in the beginning of the 18th century, and that it had been a recognized doctrine among the operative Masons of the Middle Ages.


The absence of the Legend in any formal detail from all the old manuscripts does not prove that there was no such Legend, for being of an esoteric character, it may, from conscientious motives, or in obedience to some regulation, never have been committed to writing.


This is, however, a mere supposition and can not in any way interfere with deductions drawn from positive data in reference to the Legend of the Third Degree. There may have been a Temple Legend, and yet the details narrated in it may have been very incomplete and not have included the events related in the former Legend.


The first reference in the old records to the Temple of Solomon as connected with the origin of Freemasonry is to be found in the Cooke MS. and is in the following words:


"What tyme that the children of isrl dwellid in Egypte they lernyd the craft of masonry. And afterward they were driven, out of Egypte they come into the lond of bihest (promise) and is now callyd Jerl'm (Jerusalem) and it was ocupied and chsrgys yholde. And the makyng of Salomonis tempull that kyng David began. Kyng David lovyd well masons and he gaf hem rygt nye as thay be nowe. And at the makyng of the temple in Salomonis tyme as hit is seyd in the bibull in the iij boke of Regum in teicio Regum capito quinto (i Kings, Cap. 5) That Salomon had iiii score thowsand masons at his werko. And the kyngis sone of Tyry was his master mason, And (in) other cronyclos hit is seyd and in olde bokys of masonry that Salomon confirmed the chargys that David his fadir had geve to masons. And Salomon hymself taught hem here (their) maners (customs) but lityll differans fro the maners that now ben usyd. And fro thens this worthy sciens was brought into Fraunce and into many other regions." (1)


The Dowland MS., whose supposed date is some fifty or sixty years later than the Cooke, gives substantially the same Legend, but with the additional circumstances, that David learned the charges that he gave, from Egypt, where they had been made by Euclid; that he added other charges to these; that Solomon sent into various countries for Masons, whom he gathered together; that the name of the King of Tyre was Iram, and that of his son, who was Solomon's chief Master, was Aynon; and finally that he was a Master of Geometry and of carving and graving.


In this brief narrative, the first edition of which dates back as far as the close of the 15th century, we see the germs of the fuller Legend which prevails among the Craft at the present day. That there was an organization of Masons with "Charges and Manners," that is, laws and customs at the building of the Temple of Jerusalem, and that King Solomon was assisted in the work by the King of Tyre and by a skillful artist who had been sent to him by Hiram, are the two most important points in the theory of the Temple origin of Masonry, and both are explicitly stated in these early legends. We next find the Legend repeated, but with more


(1) Cooke MS., lines 539 ‑ 575.


elaborate details, most of which, however, are taken from the Book of Kings as referred to in the Legend of the Craft by Anderson, in the first edition of the Constitutions, and with a few additional particulars in the second edition of the same work.


Preston, the next important Masonic writer after Anderson, does not indeed relate or refer to the Legend in any part of his Illustrations of Masonry, but the theory that Masonry found its origin at the Temple is to be deduced from the historical traditions contained in the third lecture of the Prestonian system, from which Webb derived it, and has perpetuated it among American Masons to the present day.


Hutchinson, who followed Preston, although, as has been seen, he inclined to a remoter origin of the Order, repeatedly refers in his spirit of Masonry, and especially in his Sixth Lecture, to the Temple of Solomon as the place where "the true craftsmen were proved in their work," and where Solomon distinguished them into different ranks, giving to each appropriate signs and secret tokens, and organized them for the first time into an association of builders, the predecessors of the Masons being previous to that time sages who, though acquainted with the principles of geometry and architecture, were engaged solely in philosophical speculations. In this way Hutchinson gave the weight of his influence in favor of the Legend which ascribed the origin of operative and speculative Masonry to Solomon and to his Temple, although his views on this subject differ from those of other writers.


Dr. Oliver, one of the latest and the most prolific of the legendary writers, although in his own theory he seeks to trace the origin of Freemasonry to a much more remote antiquity, yet speaks so much in detail in most of his works, but principally in his Antiquities and in his Historical Landmarks, of the system which was for the first time organized at the building of the Solomonic Temple, that most readers who do not closely peruse his writings and carefully scan his views are under the impression that he had fully adopted the Legend of the Temple origin, and hence his authority has been lent to the popular belief.


Existing, as may be supposed from the analogy of a similar legend of the Compagnons de la Tour, among the craftsmen of the Middle Ages; transmitted to the Revival era of the beginning of the 18th century, and since then taught in all the rituals and sustained by the best Masonic writers up to a recent period, this Legend of the Temple origin of Freemasonry, or, in plainer words, the theory that Freemasonry received at the time of the building of the Temple of Jerusalem that form and organization which it holds at the present day, has been and continues to be a dogma of faith implicitly believed by the masses of the fraternity.


It is well, therefore, that we should now see what precisely is the form and substance of this popular Legend. As received at the present day by the body of the Craft, it may be stated as follows:


When Solomon was about to commence the building of his Temple, his own people not being expert or experienced architects, he applied to his friend Hiram, the monarch of the neighboring kingdom of Tyre, for assistance. Hiram, in complying with his request, sent to him a numerous body of workmen, and at their head a distinguished artist called, as a mark of distinction, Hiram Abif, (1) equivalent to the title, "Hiram his father," who is described as "a cunning man endued with understanding."


King Solomon then proceeded to organize the institution into a form, which has been adopted as the model of that which exists at the present day in every country where Freemasonry exists. The Legend that contains the classification of the workmen at the Temple, which has been adopted in the rituals of modern Masonry, is delved partly from Scipture and partly from tradition. An examination of it will not be inappropriate.


There are two accounts, slightly conflicting, in the Scriptural narrative. In the Second Book of Chronicles, chapter ii., verses 17 and 18, are the following words:


"And Solomon numbered all the strangers that were in the land of Israel, after the number wherewith David his father had numbered them, and there were found an hundred and fifty thousand and three thousand and six hundred.


"And he set three score and ten thousand of them to be bearers of burdens and four score thousand to be hewers in the mountains and three thousand six hundred overseers to set the people at work."


The same numerical details are given in the second verse of the


(1) Of Hiram Abif a more detailed account will be given when we come to consider the legend connected with him.


same chapter. Again in the First Book of Kings, chapter v., verses 13 and 14, it is said:


"And King Solomon raised a levy out of all Israel; and the levy was thirty thousand men.


"And he sent them to Lebanon, ten thousand a month by courses; a month they were in Lebanon, and two months at home: and Adoniram was over the levy."


In the Legend of the Craft this enumeration was not strictly adhered to.


The Cooke MS. says that there were "four score thousand masons at work," out of whom three thousand were chosen as Masters of the work.


The Landsdowne MS. says that the number of Masons was twenty‑four thousand. But this number must have been a clerical error of the copyist in which he is followed only by the Antiquity MS. All the other manuscripts agree with the Dowland and make the number of Masons eighty thousand, including the three thousand overseers or Masters of the Work.


This statement does not accord with that which is in the Book of Kings nor with that in Chronicles, and yet it is all that the Legend of the Craft furnishes.


Dr. Anderson, who was the first author after the Revival who made an enumeration and classification of the workmen at the Temple, abandoned the Legend altogether and made up his account from the Bible. This he published in the first edition of the Constitutions and tempered it with some traditional information, whence derived I do not know. But it is on this classification by Anderson that all the rituals that have been in use since his time are framed. Hence he may justly be considered as the author of the Legend of the Workmen at the Temple; for notwithstanding the historical element which it contains, derived from Scripture, there are so many traditional interpolations that it properly assumes a legendary character.


Anderson's account is that there were employed on the building three thousand six hundred Master Masons, to conduct the work according to Solomon's directions; eighty thousand hewers of stone in the mountains who he says were Fellow Craftsmen, and seventy thousand laborers who were not Masons, besides the levy of thirty thousand who worked under the superintendence of Adoniram, making in all one hundred and eighty‑three thousand six hundred. For this great number, Anderson says Solomon was "much obliged" to Hiram, King of Tyre, who sent his Masons and carpenters to Jerusalem.


Over this immense number of builders and laborers, Anderson says that King Solomon presided as Grand Master at Jerusalem, King Hiram in the same capacity at Tyre, and Hiram Abif was the Master of Work.


Fifteen years afterward, Anderson, in the second edition of his Constitutions somewhat modified these views and added certain other particulars. He promotes Hiram Abif from the position of Magister Operis or Master of the Work, to that of Deputy Grand Master in Solomon's absence and to that of Senior Grand Warden in his presence. He also says:


"Solomon partitioned the Fellow Crafts into certain Lodges with a Master and Wardens in each; that they might receive commands in a regular


manner, might take care of their tools and jewels, might be paid every week, and be duly fed and clothed, etc., and the Fellow Crafts took care of their succession by educating Entered Apprentices." (1)


Anderson adds in a marginal note that his authority for this statement is "the traditions of old Masons, who talk much of these things."


If such a tradition ever existed, it is now lost, for it can not be found in any of the old manuscripts which are the record of the Masonic traditions. It is admitted that similar usages were practiced by the Operative Masons of the Middle Ages, but we have no historical authority, nor even legendary, outside of Anderson's work, for tracing them to the Temple of Jerusalem.


Out of these materials the ritualists have manufactured a Legend; which exists in all the Masonic rituals and which must have been constructed in London, at a very early period after the Revival, to have secured such an universal acceptance among all the nations who derived their Masonry from the Grand Lodge of England. The Legend of the Temple origin of Masonry, as generally accepted by the Craft at the present day, is that there were one hundred and fifty‑three thousand, three hundred workmen employed in the construction of the Temple. Three thousand three hundred of these were overseers, who were among as well as over the Craft, but who at


(1) Constitutions," 2d edit., p. 13.


the completion of the Temple were promoted to the rank of Master Masons. The remaining workmen were divided into eighty thousand Fellow Crafts and seventy thousand Entered Apprentices.


Three Grand Masters presided over the large number of workmen, namely, Solomon, King of Israel; Hiram, King of Tyre, and Hiram Abif. These were the only persons who at the building of the Temple were Master Masons and in possession of the secrets of the Third Degree.


The statement in the ritual is that the workmen were divided into Lodges.


The Lodge of Master Masons, for there could be only one of that degree, consisted of three members; the Lodges of Fellow Crafts, of which there must have been sixteen thousand, was composed of five members each; and the Lodges of Entered Apprentices, of which there must have been ten thousand, was composed of seven each.


But as this statement has neither historical authority nor logical possibility to support it, it must be considered, as it undoubtedly was originally intended to be considered, merely as a reference to the symbolic character of those sacred numbers in Masonry ‑ three, five, and seven. In the same spirit of symbolic reference the steps of the winding stairs leading to the middle chamber were divided into a series of three, five, and seven, with the addition in the English ritual of nine and eleven. All of this is, therefore, to be rejected from the class of legends and referred to that of symbols.


Viewing then this Legend or theory of the origin of Masonry at the Temple, tracing it from the almost nude state in which it is presented in the Legend of the Craft through the extraneous clothing which was added by Anderson and I suppose by Desaguliers, to the state of tinsel ornamentation in which it appears in the modern ritual, we will come to the following conclusion:


In the Legend of ihe Craft we find only the following statement: That King Solomon was assisted in the building of the Temple by the King of Tyre, who sent him materials for the edifice and a skillful artist, on whose name scarcely any two of them agree, and whom Solomon appointed as his Master of the Work; that Solomon invited Masons from all lands and having collected them together at Jerusalem, organized them into a body by giving them a system of laws and customs for their government.


Now, most of these facts are sustained by the historical authority of the Books of Kings and Chronicles, and those that are not have the support of extreme probability.


That Solomon, King of Israel, built a Temple in Jerusalem is an historical fact that can not be doubted or denied. Richard Carlile, it is true, says, "My historical researches have taught me that that which has been called Solomon's Temple never existed upon earth; that a nation of people called Israelites never existed upon earth, and that the supposed history of the Israelites and their Temple is nothing more than an allegory." (1)


But the measure of the moral and mental stature of Carlile has long been taken, and even among the most skeptical critics he remains alone in his irrational incredulity.


Doubtless there are Oriental exaggerations in respect to the amount of money expended and the number of workmen employed on the building, which have been overestimated. But the simple, naked fact that King Solomon built a temple remains uncontradicted, and is as historically true and undoubted as that of the construction of any other public edifice in antiquity.


It is equally historical that the King of Tyre gave assistance to Solomon in carrying out his design. However fiercely the skeptics may have attacked certain portions of the Bible, the Books of Kings and Chronicles have been placed upon the footing of other ancient historical records and subjeated to the same canons of criticism.


Now we are distinctly told that Hiram, King of Tyre, "sent masons and carpenters to David to build him a house; " (2) we learn subsequently that the same Hiram (some say his son) was equally friendly with Solomon, and although there is no distinct mention either in Kings or Chronicles that he sent workmen to Jerusalem, (3) except his namesake, the artificer, yet we may infer that he did so, from the friendship of the two kings, from the need of Solomon for expert workmen, and from the fact which we learn from the First Book of Kings, that the stones for the edifice were hewn by " Solomon's builders and Hiram's builders and the Giblim." The authorized version, on what authority I know not, translates this word "Giblim" as "stone‑squarers." They were, however, the inhabitants


(1) Manual of Freemasons," Part I, p. 4.


(2) Chronicles, xiv., i.


(3) We are told in i Kings, v., and it is repeated in 2 Chron., ii., that Hiram sent his workmen to Lebanon to cut down trees. The timber they were to carry to Joppa, where Solomon was to receive it, and, presumably, the workmen were to return to the forest.





of the city of Gebal, called by the Greeks, Byblos, which was the principal seat of the worship and the mysteries of Adonis. The inhabitants were celebrated for their skill in stone‑carving and in shipbuilding.


Thus we see that there were, according to the Scriptural account, three classes of Masons engaged at the building of the Temple. First there were the workmen of Solomon: these were of the "four score thousand hewers in the mountains " (1) who were taken by Solomon from "the strangers that were in the land of Israel" (2) ‑ men whom Dr. Adam Clarke supposes to have been not pure Israelites, but proselytes to the Jewish religion so far as to renounce idolatry and to keep the precepts of Noah. But we must believe that among these four score thounnd snangers mtre to be enumerated the workmen who came from Tyre, or there will be no place allotted to them in the distribution in the First Book of Kings. The three thousand three hundred who were "over the work," are said to have been chief officers of Solomon and therefore Israelites, and the remaining seventy thousand were mere laborers or bearers of burden ‑ a class for whom Solomon need not have been indebted to the King of Tyre.


Secondly, there were the workmen of Hiram, King of Tyre. These I have already said were probably, and indeed necessarily, included in the number of four score thousand strangers or foreigners. The words in the original are amoshim gherim, men who are foreigners, for Gesenius defines the word gherim, to be "sojourners, strangers, foreigners, men living out of their country." (3)


Thirdly, we have the Giblim, the inhabitants of the city of Gebal in Phoenicia, who came to Jerusalem, invited there by Solomon, to assist in the construction of the Temple, and who must also be reckoned among the four score thousand strangers.


Thus the Legend of the Craft is justified in saying; that Solomon "sent after Masons into divers countries and of divers landes," and that he had "four score workers of stone and were all named Masons." For these were the foreigners or sojourners, whom he found in Jerusalem, many of whom had probably come there on his invitation, and the Tyrians who had been sent to him by King Hiram, and the Phoenicians, whom he had called out of Gebal on account of their well‑known skill in stone‑cutting. And all of these


(1) I Kings, v., 15.


(2) Chron. ii., 17.


(3) Lexicon, in voce.


amounted to eighty thousand, the number stated in the Books of Kings and Chronicles, and just the number mentioned in the Legend of the Craft.


It will be seen that the Legend of the Craft takes no notice of the levy of thirty thousand who worked under Adoniram on Mount Lebanon, nor of the seventy thousand who were employed as bearers of burdens. As the former were merely wood‑cutters and the latter common laborers, the Legend does not class them among the Masons, any more than it does the three thousand three hundred who were, according to the Biblical account, officers of the court of Solomon, who were appointed merely to overlook the Masons and to see that they worked faithfully; perhaps also to pay them their wages, or to distribute their food, and to supervise generally their conduct.


In all this, the Legend of the Craft differs entirely from the modern rituals, which have included all these classes, and therefore reckon that at the building of the Temple there were one hundred and fifty‑three thousand three hundred Masons, instead of eighty‑thousand. The Legend is certainly more in accord with the authority of the Bible than are the rituals.


The Legend of the Craft is also justified in saying that Solomon organized these Masons into what might be called a guild, that is, a society or corporation, (1) by giving them "charges and manners" ‑ in other words, a code of laws and regulations. On this question the Bible account is silent, but it amounts to an extreme probability, the nearest approximation to historical evidence, that there must bave been some regulations enacted for the government of so large a number of workmen. It is also equally probable that to avoid confusion these workmen must have been divided into sections, or what, in modern parlance, would be called "gangs," engaged in various parts of the building and in different employments. There must have been a higher and more skillful class occupied in directing the works of these several sections; there must have been others less skillful and yet competent to discharge the duties of stone‑cutters and layers, and there must have been another and still inferior class who were only acquiring the rudiments of the profession.


Founded on these enident propositions, Anderson made his


(1) The Latin original of the Krause MS. calls it "Societas architedonica" ‑ an architectural society.



division of the workmen at the Temple into the three classes of Master Masons, Fellow Crafts, and Entered Apprentices. But he abandoned the Legend in calling the three thousand six hundred officers of King Solomon Master Masons, and making the whole number, exclusive of the seventy thousand laborers and the thirty thousand wood‑cutters on Mount Lebanon, eighty‑three thousand, and afterward stating that there were one hundred and eighty‑three thousand Masons in all ‑ a contradiction of his own previous statement as well as of the Legend of the Craft which states the whole number of Masons to have been eighty thousand.


The modern ritual may, however, be considered as having adopted the Temple of Jerusalem as a type of that abstruse symbol of a spiritual temple, which forms, as will be hereafter seen, one of the most important and most interesting symbolic lessons on which the philosophy of Speculative Masonry depends. But viewing it as an historical statement, it is devoid of all claims to credence. The facts stated in the ritual are an outgrowth of those contained in the Legend of the Craft which it has greatly altered by unauthorized additions, and it is in entire contradiction to those given in the Books of Kings and Chronicles.


The claim that Freemasonry took its origin at the building of the Temple is without any historical authority. The Legend of the Craft, upon which, to be consistent, all Masonic rituals should be founded, assigns its oigin equally to two other periods ‑ to that of the building of the Tower of Babel, when Nimrod was Grand Master, and to Egypt under the geometrician Euclid. Why the Temple of Solomon was exclusively selected by the modern Masons as the incunabulum of their Order can be only conjecturally accounted for.


I am not unwilling to believe, for reasons that have been already assigned, that the Operative or Stone Masons of the Middle Ages had some tradition or Legend of the origin of the Institution at the Temple of Solomon. If so, I am inclined to attribute their selection of this in preference to any other stately edifice of antiquity to these reasons.


The mediaeval Masons were, as an association of builders, most intimately connected with the ecclesiastics of that age. Their principal home at one time was in the monasteries, they worked under the immediate patronage and supervision of bishops and abbots, and were chiefly engaged in the construction of cathedrals and other religious edifices. Private houses at that early period were mostly built of wood, and the building of them was the business of carpenters. The treow‑wyr‑hta, literally the tree‑workman, in modern phrase the carpenter, was one of the most important handicrafts of the early Anglo‑Saxons. He was the builder of their ships as well as of their houses, and the trade is frequently spoken of in ancient Saxon documents. He was constantly employed in the construction of vessels for the carrying on of trade, or the erection of dwellings for the residences of the people.


To the stone‑masons was exclusively entrusted the nobler vocation of building religious edifices.


Imbued, from their connection with the priests as well as from their peculiar employment, with religious sentiments, they naturally looked for the type of the great cathedrals which they were erecting, not to Pagan temples, however splendid might be their architecture, but rather to that Jewish cathedral which had been consecrated on Mount Moriah to the worship of the true God. Hence the brief notice of that building in the Legend of the Craft was either the suggestion of that esoteric Legend of the Temple which has not, from its necessarily oral character, been handed down to us, or if the written Legend was posterior in time to the oral one, then it was a brief record of it.


But I do not believe that this lost Legend of the stone‑masons was ever intended to be historical. It was simply a symbol to illustrate the idea that the Temple at Jerusalem was the type of all Christian cathedrals.


This symbolic Legend, which I suppose to have existed among the stone‑masons of the Middle Ages, was probably lost before the revival of Masonry in the year 1717. Anderson therefore framed a new Legend out of the Legend of the Craft, the Scriptural account, and his own invention.


Upon this Andersonian Legend, simple in the first edition of the Constitutions, but considerably expanded in the second, the modern ritualists have framed another Legend, which in many important details differs from Anderson's, from the Legend of the Craft, and from the account in the Bible.


This is the Legend now accepted and believed by the great body of the Craft to be historically true. That it has no claim to historical credence is evident from the fact that it is, in its most important details, unauthorized, and in fact contradicted by the Scriptural account, which is the only authentic memorial that we have of the transactions that took place at the building of the Solomonic Temple.


And moreover, the long period that elapsed between the building of the Temple, a thousand years before the Christian era, and the time, not earlier than the 3d century after Christ, during which we have no traces of the existence of such an architectural association connected with Jewish Masons and transmitted from them to the Christian architects, presents an extensive lacuna which must be filled by authentic records, before we can be enabled, as scholars investigating truth, to consent to the theory that the Freemasons of the present day are, by uninterrupted successions, the representatives of the Masons who wrought at King Solomon's Temple.


The Legend of the ritual is, in fact, a symbol ‑ but a very important and a very interesting one, and as such will be fully discussed when the subject of Masonic symbols comes to be treated in a subsequent part of this work.


P. 165









WE now approach a very interesting topic in the legendary history of Masonry. The reader has already seen in the last chapter that the Masons of the kingdom of Tyre were invited to join with the Jewish builders in the


construction of the Temple. Who these Tyrian Masons were, what was their character, whence they came, and what was the influence exerted by them on the Jewish workmen with whom they were united in a common labor, are questions which can only be solved by a reference to what may be called the Legend of the Dionysiac Artificers.


This Legend was entirely unknown to the old Masons of the Middle Ages.


There is no reference to it in any of the manuscripts, The brief allusion to the Dionysiacs of Asia Minor in Robison's anti‑Masonic work does not necessarily connect them with the Masons of King Solomon. (1)


The first writer who appears to have started the theory that the Masons sent by King Hiram to the King of Israel were members of the Dionysiac


fraternity, is Sir David Brewster, who presented the Legend under the guise of an historic statement in the History of Freemasonry, published in the beginning of this century, and the authorship of which, although it was actually written by him, has been falsely attributed to Alexander Lawrie, the bookseller of Edinburgh and at the time the Grand Secretary of the Grand Lodge of Scotland. Brewster may therefore, I think, be fairly considered as the original framer of the Legend.


The origin of the mystical and architectural society which Brew‑


(1) "Proofs of a Conspiracy," P. 20.


ster closely connects with the Masons of the Temple may be given in almost his own words: (1)


Between 1055 and 1044 years before Christ, or something more than half a century anterior to the building of the Temple, the inhabitants of Attica, complaining of the narrowness of their territory and the unfruitfulness of the soil, went in quest of more extensive and fertile settlements. Being joined by a number of the inhabitants of the surrounding provinces of Greece, they sailed to Asia Minor and drove out the inhabitants of that portion of the western coast from Phoccea in the north to Miletus in the south. To this narrow strip of land they gave the name of Ionia, because the greatest number of the adventurers were natives of that Grecian state. After partly subduing and partly expelling the original inhabitants, they built several towns, of which one of the principal was Teos.


Prior to this emigration the Greeks had made considerable progress in the arts and sciences, which the adventurers carried with them into their new territory, and they introduced into Ionia the Mysteries of Pallas and Dionysus, before they had become corrupted by the licentiousness of the Athenians.


Especially popular, not only in Ioca but throughout Asia Minor, were the Mysteries of Dionysus, the Roman Bacchus. In these, as in all the religious Mysteries of antiquity, there was a funereal legend.


In the Dionysiac Mysteries the legend of initiation recounted or represented the death of the demigod Dionysus, the search for and discovery of his body, and his subsequent restoration to life.


In the initiations the candidate was made to represent in his own person, the events connected with the slaying of the hero‑god. After a variety of preparatory ceremonies, intended to call forth all his fortitude and courage, the aphanism or mystical death of Dionysus ‑ torn to pieces by the Titans ‑ was presented in a dramatic form and followed by the confinement or burial of the candidate, as the representative of Dionysus in the pastos, couch, or coffin, all of which constituted the first part of the ceremony of initiation. Then began the search for the remains of Dionysus, which was continued amid scenes of the greatest confusion and tumult, until at last, the search having been successful, the morning was turned to joy, light suc‑


(1) Lawrie's "History of Freemasonry," 1st edit., P. 27.


ceeded to darkness, and the candidate was invested with the knowledge of the secret doctrine of the Mysteries ‑ the belief in the existence of one God and a future and immortal state. (1)


Now these Mysteries of Dionysus were very intimately connected with a society of architects. As this association, according to the Legend which we are now considering, had much to do with the organization of Masonry at the Solomonic Temple, it is necessary to take a brief notice of its origin and character.


It is an historical fact that at the time of the building of the Temple at Jerusalem, there existed at Tyre as well as in other peas of Asia Minor an association known as the Dionysian Architects, because they joined to the practice of operative architecture the observance of the religious rites of the Dionysiac Mysteries.


It has been already stated that the priests of Dionysus had devoted themselves to the study and the practice of architecture, and about one thousand years before the Christian era, or at the time that King Solomon began the construction of the Temple at Jerusalem, had emigrated from Greece and established themselves as a society or fraternity of builders in Asia Minor, and devoted themselves to the construction of temples and other public edifices. (2)


Hiram, who then reigned over the kingdom of Tyre, and who from his cultivation of the sciences has been styled the Augustus of his age, is said to have patronized these religious builders, and to have employed them in the magnificent works by which he adorned and strengthened his capital.


The internal government and the usages of this association were very similar to those exhibited by the Masonic society in the present day, and which the legendary theory supposes to have prevailed among the builders of the Solomonic Temple.


The fraternity was divided into communities called synoeciae, (3) having houses or dwellings in common, which might well be com‑ (1) Le meurtre de Bacchus mis a mort et dechire en pieces par les Titans, et son retour a la vie, ont ete le sujet d'explications allegoriques tout‑a‑fait analogues a celles que l'on a donnees de l'enlevement de Proserpine et du meurtre d'Osiris. ‑ Sylvestre de Tracy in Sainte‑Croix's "Recherches sur les Mysteres du Paganisme" T. ii., p. 86. (2) Chandler says "the Dionysiasts were artificers or contractors for the Asiatic theaters, and were incorporated and settled at Teos, under the Kings of Pergamum." ‑ "Travels in Asia Minor," vol. i., ch. xxviii., p. 123. [This was at a later period than the era of the Temple] (3) "Antiquitates Asiaticae Christianam Acram Antecedentes," p. 139.


pared to the Masonic Lodges of the present day. Their plans of meeting were also called in Greek koina, which signifies communities, and each received a distinctive name, just as our Lodges do. Thus Chishull speaks in his account of the prechristian antiquities of Asia of a koinon ton Attaliston, or a "community of the Attalistae," so called, most probably in honor of King Attalus, who was their patron.(1)


There was an annual festival, like the General Assembly or Grand Lodge of the Masons, which was held with great pomp and ceremony. Chandler says (but he speaks of a later period, when they were settled at Teos) that it was the custom of their synod to bold yearly a General Assembly, at which they sacrificed to the gods and poured out libations to their deceased benefactors. They likewise celebrated games in honor of Bacchus, when the crowns which had been bestowed by any of the communities as rewards of merit were announced by heralds, and the wearers of them were applauded by the other members. These meetings, he adds, were solemnized with great pomp and festivity. (2)


The same traveler mentions a long decree made by one of the communities in honor of its magistrates, which he found inscribed on a slab in a Turkish burying‑ground. The thanks of the community with a crown of olives are given as a recompense to these officers for their great liberality and trouble while in office; and to perpetuate their memory and to excite an emulation of their merit, it is besides enacted that the decrees be engraved, but at their expense, "so desirable," says Chandler, "was the testimony to the individuals and so frugal the usage in bestowing it." (3)


Of course as an architectural association the Dionysiacs used many of the implements employed by Operative Masons, and as a secret brotherhood they had a system of signs and tokens by which any one of the members could make himself known to the others. Professor Robison, who may be accepted on this point as authority, admits that they were "distinguished from the uninitiated or profane inhabitants by the science which they possessed and by many private signs and tokens by which they recognized each other. (4)


(1) Rollin's "Universal History" places Attalus in the rank of those princes who loved and patronized letters and the arts. (2) Chandler, "Travels in Asia Minor," vol. i., ch. xxx., P. 126. (3) Ibid., vol. i., ch. xxviii., p. 124.


(4) "Proofs of a Conspiracy," p. 20.


Each of the koina or separate communities into which they were divided was under the direction of officers corresponding to a Master and Wardens. (1)


The Masonic principle of charity was practiced among them and the opulent members were bound to provide for the wants and necessities of their poorer brethren.


The Legend which connects these architects with the building of the Temple at Jerusalem, assumes that Hiram Abif was a member of this secret association. Although the Scriptural narrative is adverse to this theory, since it states that he was simply a worker in metals and precious stones, yet we may reconcile it with possibility by supposing that such craftsmen were admitted into the association of the Dionysiacs because their decorative art was necessary for the completion and perfection of the temples and public buildings which they constructed.


This is, however, merely conjectural.


The Legend, now connecting itself in part with history, proceeds to state that when Solomon was about to build a temple to Jehovah, he made his intention known to his friend and ally, Hiram, King of Tyre, and because he was well aware of the architectural skill of the Tyrian Dionysiacs, he besought that monarch's assistance to enable him to carry his pious design into execution. Hiram complied with his request and sent him the necessary workmen, who by their skill and expeience might supply the mechanical deficiencies and ignorance of the Israelites.


With the body of builders he sent this Hiram Abif, who as "a curious and cunning workman," highly recommended by his patron, was entrusted by King Solomon with the superintendence of the construction and placed at the head of both the Tyrian and Jewish craftsmen as the chief builder and principal conductor of the work.


To this distinguished artist, on account of the large influence which his position gave him and the exalted personal virtues which are traditionally supposed to have characterized him, is to be attributed, according to the Legend, the intimate union of two peoples so dissimilar in manners and so antagonized in religion as the Jews and the Tyrians, which resulted in the organization of the Institution of Freemasonry.


Supposing Hiram Abif, as the Legend does, to have been con‑


(1) Brewster in Lawrie's "History," P. 29.




nected with the Dionysiac fraternity, we may also suppose that he could not have been a very humble or inconspicuous member, if we may


judge of his rank in the society, from the amount of talent which he is said to have possessed, and from the elevated position that he held in the alleabns and at the court of the King of Tyre.


He must therefore have been very familiar with all the ceremonial usages of the Dionysiac artificers and must have enjoyed a long expeience of the advantages derived from the government and discipline which they practiced in the erection of the many sacred edifices which they had constructed. A portion of these ceremonial usages and of this discipline he would naturally be inclined to introduce among the workmen at Jerusalem. He therefore united them in a society, similar in many respects to that of the Dionysiac artificers. He inculcated lessons of charity and brotherly love; he established a ceremony of initiation to test experimentally the worth and fortitude of the candidate; adopted secret methods of recognition; and impressed the obligations of duty and the principles of morality by means of symbols and allegories. Just at this point a difficulty must have arisen in reconciling the pagan symbolic instruction of the Tyrians with the religious notions of the Jews, which, however, the Legend ingeniously overcomes.


The most prominent symbol of Speculative Masonry, that, indeed, on which the whole of the ethical instructions is founded, is contained in the lesson of resurrection to a future life as developed in the allegorical Legend of the Master's Degree.


In the Pagan Mysteries, of which the Dionysia were a part, this doctrine was also illustrated by an allegorical legend. In the Mysteries of Dionysus which were practiced by the Tyrian architects the legend related to the death and subsequent resuscitation of Bacchus or Dionysus.


But it would have been utterly impossible to have introduced such a legend as the basis of any instructions to be communicated to Jewish initiates. Any allusion to the mythological fables of their Gentile neighbors would have been equally offensive to the taste and repugnant to the religious prejudices of a nation educated from generation to generation in the worship of a Divine Being, who, they had been taught, was jealous of his prerogatives, and who had made himself known to their ancestors as the JEHOVAH, the only God of time present, past, and future.


The difficulty of obtaining a legend on which the dogma of the Third Degree might be founded was obviated by substituting Hiram Abif, after his death (at which time only the system could have been perfected), in the place of Dionysus. The lesson taught in the Mysteries practiced by the Dionysiac artificers was thus translated into the Masonic initiation, the form of the symbolism remaining the same, but the circumstances of the legend necessarily varying.


By this union of the Dionysiacs with the Jewish workmen and the introduction of their mystical organization, the Masonic Order assumed at the building of the Temple that purely speculative form connected with the operative which it has ever since retained.


From its Jewish element it derived its religious character as a pure theism. From its Tyrian element it borrowed its peculiar mystical character and its system of symbolism, which so much assimilated it to the ancient Pagan Mysteries, that a Legend has been framed (to be hereafter considered) which traces its origin directly to those secret associations of antiquity.


Upon the completion of the Temple, the workmen, invested with all the secrets which had been promised in their initiation, and thus becoming Master Masons, dispersed, that they might be enabled to extend their knowledge and to renew their labors in other lands.


Such is the Legend which seeks to attribute the present form of Freemasonry to the connection of the Dionysiac artisans of Tyre with the Jewish workmen at the building of the Temple. So much of the Legend as relates to the existence of a building sodality at Tyre (leaving out the question whether they were or were not Dionysiacs), some of whose members went to Jerusalem to assist in the construction of the Solomonic Temple, may, I think, be accepted as indisputably historic.


What were the real influences exerted by them on the Jewish people, is a question whose answer finds no place in the realm of history, but must be relegated to the doubtful domain of conjecture. Brewster has descibed the Dionyiacs as they existed in about the 3d century before Christ, and after their incorporation by King Attalus, as if they maintained the same condition in the reign of Hiram of Tyre seven hundred years before. For this statement there is no warrant in any historical record.


The supposition that the Dionysiacs of Tyre and those of Teos were identical in organization, is simply a theory based on a mere assumption. It is, however, certain that they who adopt the legendary theory that Freemasonry was fast organized at the Temple of Solomon, will find much to sustain their theory in the Legend of the Dionysiac Artificers.


It is equally certain that those who deny the Temple theory will have to reject the Dionysic, for the two are too closely connected to be arbitrarily dissevered.


But laying the subject of Freemasonry altogether aside, and considering the connection of the Tyrians and the Jews at the Temple as a mere historical question, it would present a very interesting study of history to determine what were the results of that connection, if there were any way of solving it except by mere conjecture.


The subsequent history of the association of Dionysiac Architects forms no part of the Legend which has just been recited; but it may be interesting to trace their progress. About seven hundred years after the building of the Temple at Jerusalem, they are said to have been incorporated by the King of Pergamum, an ancient province of Mysia, as a society exclusively engaged in the erection of public buildings such as theaters and temples. They settled at Teos, an Ionian city, on the coast of Asia Minor, where, notwithstanding its intestine troubles, they remained for several centuries. Among the works accomplished by them were a magnificent theater and a splendid temple of Dionysus, some ruins of which still remain.


But proving turbulent and seditious they were at length expelled from Teos and removed to the city of Ephesus. Thence they were transferred by King Attalus to the town of Myonessus. The Teians having sent an embassy to Rome to request that the Myonessians should not be permitted to fortify their city, the Dionysiacs removed to Lebedos, about fifteen miles from Teos, where they were joyfully welcomed.


In the 5th century of the Christian era the Emperor Theodosius abolished all mystical associations, but the Dionysiacs are said to have continued their existence until the time of the Crusades, when they passed over into Europe and were merged in the association of builders known as the Travelling Freemasons of the Middle Ages. This latter part of the narrative is, I think, merely legendary or traditional, and will find no support in authentic history. It is however, an historical study to be examined hereafter.


P. 173






THE theory which ascribes the origin of Freemasonry as a secret society to the Pagan Mysteries of the ancient world, and which derives the most important part of its ritual and the legend of its Third Degree from the initiation practiced in these religious organizations, necessarily connects itself with the Legend of the Temple origin of the Institution, because we can only link the initiation in the Mysteries with that of Freemasonry by supposing that the one was in some way engrafted on the other, at the time of the building of the Temple and the union of the Jewish and Tyrian workmen.


But before we can properly appreciate the theory which associates Freemasonry with the Pagan Mysteries, we must make ourselves acquainted with the nature and the design as well as with something of the history of those mystical societies.


Among all the nations of antiquity in which refinement and culture had given an elevated tone to the religious sentiment, there existed two systerns of worship, a public and a private one. "Each of the pagan Gods," says Warburton, "had (besides the public and open) a secret worship paid unto him, to which none were admitted but those who had been selected by preparatory ceremonies, called INITIATION.


This secret worship was called the MYSTERIES." (1)


The public worship was founded on the superstitious polytheism whose numerous gods and goddesses were debased in character and vicious in conduct.


Incentive to virtue could not be derived from their example, which furnished rather excuses for vice.


In the Eunuchus of Terenie, when Choerea is meditating the seduction of the virgin Pamphila, he refers to the similar act of Jupiter,


(1) "Divine Legation of Moses," B.I., sect. iv., p. 193.




who in a shower of gold had corrupted Danae, and he exclaims, "If a god, who by his thunders shakes the whole universe, could commit this crime, shall not I, a mere mortal, do so also?" (1) Plautus, Euripides and other Greek and Roman dramatists and poets repeatedly used the same argument in defense of the views of their heroes, so that it became a settled principle of the ancient religion.


The vicious example of the gods thus became an insuperable obstacle to a life of purity and holiness. (2)


The assurance of a future life of compensation constituted no part of the popular theology.


The poets, it is true, indulged in romantic descriptions of an Elysium and a Tartarus, but their views were uncertain and unsatisfactory, as to any specific doctrine of immortality, and were embodied in the saying of Ovid (3) that of the four elements which constituted the human organization, "the earth covers the flesh; the shade flits around the tomb; the spirit seeks the stars."


Thus did the poet express the prevalent idea that the composite man returned after death to the various primordial elements of which he had been originally composed.


In such a dim and shadowy hypothesis there was no incentive for life, no consolation in death.


And hence Alger, to whom the world has been indebted for a most exhaustive treatise on the popular beliefs of all nations, ancient and modern, on the subject of the future life, has after a full and critical examination of the question, come to the following conclusion:


"To the ancient Greek in general, death was a sad doom.


When he lost a friend, he sighed a melancholy farewell after him to the faded shore of ghosts.


Summoned himself, he departed with a lingering look at the sun and a tearful adieu to the bright day and the green earth.


To the Roman death was a grim reality.


To meet it himself he girded up his loins with artificial firmness.


But at its ravages among his friends, he wailed in anguished abandonment.


To his dying vision there was indeed a future, but shapes of distrust and shadow stood upon its disconsolate borders; and


(1) At quem Deum, qui templa caeli summa sonitu concutit; Ego homuncio boc non facerem ? ‑Act iii, sc. 5 (2) Warburton, "Divine Legation," B. II., sect. iv.


(3) Terra tegit carnem; tumulum circumvolat umbra; orcus habet manes; spiritus astra petit.




when the prospect had no horror, he still shrank from the poppied gloom."




Yet as each nation advanced in refinement and intellectual culture the priests, the poets, and the philosophers (2) aspired to a higher thought and cherished the longing for and inculcated the consoling doctrine of an immortality, not to be spent in shadowy and inert forms of existence, but in perpetual enjoyment, as a compensation for the ills of life.


The necessary result of the growth of such pure and elevated notions must have been a contempt and condemnation of the absurditics of polytheism.


But as this was the popular religion it was readily perceived that any open attempt to overthrow it and to advance, publicly, opinions so antagonistic to it would be highly impolitic and dangerous.


Whenever any religion, whether true or false, becomes the religion of a people, whoever opposes it, or ridicules it, or seeks to subvert it, is sure to be denounced by popular fanaticism and to be punished by popular intolerance.


Socrates was doomed to drink the poisoned bowl on the charge that he taught the Athenian youth not to worship the gods who are worshipped by the state, but new and unknown deities.


Jesus was suspended from the cross because he inculcated doctrines which, however pure, were novel and obnoxious to the old religion of his Jewish countrymen.


The new religious truths among the Pagan peoples were therefore concealed from common inspection and taught only in secret societies, admission to which was obtained only through the ordeal of a painful initiation, and the doctrines were further concealed under the veil of symbols whose true meaning the initiated only could understand.


"The truth," says Clemens of Alexandria, "was taught involved in enigmas, symbols, allegories, metaphors, and tropes and figures." (3)


The secret associations in which the principles of a new and


(1) "Critical History of the Doctrine of a Future Life," p. 196.


(2) Many of the philosophers were, however, skeptics.


The Stoics, for instance, and they were the leading sect, denied the survival of the soul after the death of the body; or, if any of them conceded its survival, they attributed to it only a temporary duration before it is dissolved and absorbed into the universe.


Seneca ("Troades," I., 397) says "there is nothing after death, and death itself is nothing." Post mortem nihil, est ipsague mors nihil.


(3) "Stromat.," lib. v., p. 658.


purer theology were taught have received in history the name of the MYSTERIES.


Each country had its own Mysteries peculiar to itself.


In Egypt were those of Osiris and Isis; in Samothrace those of the Cabiri; in Greece they celebrated at Eleusis, near Athens, the Mysteries of Demeter; in Syria of Adonis; in Phoenicia of Dionysus; and in Persia those of Mithras, which were the last to perish after the advent of Christianity and the overthrow of polytheism.


These Mysteries, although they differed in name and in some of the details of initiation, were essentially alike in general form and design.


"Their end as well as nature," says Warburton, "was the same in all: to teach the doctrine of a future state."


(1) Alger says: "The implications of the indirect evidence, the leanings and guidings of all the incidental clews now left us as to the real aim and purport of the Mysteries, combine to assure us that their chief teaching was a doctrine of a future life in which there should be rewards and punishments." (2)


Thomas Taylor, the Platonist, than whom no better modern authority on this subject could be cited, says that "the initiated were instructed in the doctrine of a state of future rewards and punishments," (3) and that the greater Mysteries "obscurely intimated, by mystic and splendid visions, the felicity of the soul both here and hereafter, when purified from the defilements of a material nature and constantly elevated to the realities of intellectual vision." (4)


All the ancient writers who were contemporary with these associations, and must have been familiar with their character, concur in the opinion that their design was to teach the doctrine of a future life of compensation.


Pindar says, "Happy the man who descends beneath the hollow earth having beheld these Mysteries.


He knows the end, he knows the divine origin of life."


Sophocles says that "they are thrice happy who descend to the shades below, after having beheld these rites; for they alone have life in Hades, while all others suffer there every kind of evil."


(1) "Divine Legation," B.I., sect. iv., p. 194.


(2) "Crit. Hist. of the Doctrine of a Future Life," p. 454.


(3) "Dissertation on the Eleusinian and Bacchic Mysteries" apud Pamphleteer, vol. viii, P. 40.


(4) Ibid., p. 53.




And lastly, Isocrates dcclares that "those who have been initiated in the Mysteries of Ceres entertain better hopes both as to the end of life and the whole of futurity."


It is then evident from all authorities that the great end and design of the initiation into these Mysteries was to teach the aspirant the doctrine of a future life ‑ not that aimless, uncertain, and shadowy one portrayed by the poas and doubtfully consented to by the people, but that pure and rational state of immortal existence in which the soul is purified from the dross of the body and elevated to eternal life.


It was, in short, much the same in its spirit as the Christian and Masonic doctrine of the resurrection.


But this lesson was communicated in the Mysteries in a peculiar form, which has in fact given rise to the theory we are now considering that they were the antetype and original source of Speculative Masonry.


They were all dramatic in their ceremonies; each one exhibited in a series of scenic representations the adventures of some god or hero; the attacks upon him by his enemies; his death at their hands; his descent into Hades or the grave, and his final resurrection to renewed life as a mortal, or his apotheosis as a god.




The only important difference between these various Mysteries was, that there was to each one a diffcrent and peculiar god or hero, whose death and resurrection or apotheosis constituted the subject of the drama, and gave to its scenes the changes which were dependent on the adventures of him who was its main subject.


Thus, in Samothrace, where the Mysteries of the Cabiri were celebrated, it was Atys, the lover of Cybele, who was slain and restored; in Egypt it was Osiris whose death and resurrection were represented; in Greece it was Dionysus, and in Persia Mithras.


But in all of these the material points of the plot and the religious design of the sacred drama were identical.


The dramatic form and the scenic representation of the allegory were everywhere preserved.


This dramatic form of the initiatory rites in the Mysteries ‑ this acted allegory in which the doctrine of the resurrection was shadowed forth by the visible representation of some fictitious event ‑ was, as the learned Dr. Dollinger (1) has justly observed, "eminently calculated to take a powerful hold on the imagination and the heart,


(1) Jew and Gentile," I., p. 136, Darnell's Translation.




and to excite in the spectators alternately conflicting sentiments of terror and calmness, of sorrow and fear and hope."


As the Mysteries were a secret society, whose members were separated from the rest of the people by a ceremony of initiation, there resulted from this form of organization, as a necessary means of defense and of isolation, a solemn obligation of secrecy, with severe penalties for its violation, and certain modes of recognition known only to those who had been instructed in them.


There was what might be called a progressive order of degrees, for the neophyte was not at once upon his initiation invested with a knowledge of the deepest arcana of the religious system.


Thus the Mysteries were divided into two classes called the Lesser and the Greater Mysteries, and in addition there was a preliminary ceremony, which was only preparatory to the Mysteries proper.


So that there was in the process of reception a system of three steps, which those who are fond of tracing analogies between the ancient and the modern initiations are prone to call degrees.


A brief review of these three steps of progress in the Mysteries will give the reader a very definite idea of the nature of this ancient system in which so many writers have thought that they had found the incunabulum of modern Freemasonry, and will enable him to appreciate at their just value the analogies which these writers have found, as they suppose, between the two systems.


The first step was called the Lusiration, or purification by water.


When the neophyte was ready to be received into any of the ancient Mysteries, he was carried into the temple or other place appropriated to the ceremony of initiation, and there underwent a thorough cleansing of the body by water. This was the preparation for reception into the Lesser Mysteries and was symbolic of that purification of the heart that was absolutely necessary to prepare the aspirant for admission to a knowledge of and participation in the sacred lessons which were to be subsequently communicated to him.


It has been sought to find in this preparatory ceremony an analogy to the first degree of Masonry. Such an analogy certainly exists, as will here after be shown, but the theory that the Apprentice's degree was derived from and suggested by the ceremony of Lustration in the Mysteries is wholly untenable, because this ceremony was not peculiar to the Mysteries.


An ablution, lustration, or cleansing by water, as a religious rite was practiced among all the ancient nations.


More especially was it observed among the Hebrews, Greeks, and Romans.


With the Hebrews the lustration was a preliminary ceremony to every act of expiation or sin‑offering.


Hence the Jewish prophets continually refer to the ablution of the body with water as a symbol of the purification of the heart.


Among the Greeks lustration was always connected with their sacrifices.


It consisted in the sprinkling of water by means of an olive or a laurel branch.


Among the Romans, the ceremony was more common than among the Greeks.


It was used not only to expiate crime, but also to secure the blessing of the Gods.


Thus, fields were lustrated before the corn was put into the ground; colonies when they were first established, and armies before they proceeded to battle.


At the end of every fifth year, the whole people were thus purified by a general lustration.


Everywhere the rite was connected with the performance of sacrifice and with the idea of a moral purification.


The next step in the ceremonies of the ancient Mysteries was called the Initiation.


It was here that the dramatic allegory was performed and the myth or fictitious history on which the peculiar Mystery was founded was developed.


The neophyte personated the supposed events of the life, the sufferings, and the death of the god or hero to whom the Mystery was dedicated, or he had them brought in vivid representation before him.


These ceremonies constituted a symbolic instruction in the initia ‑ the beginnings ‑ of the religious system which it was the object of the Mysteries to teach.


The ceremonies of initiation were performed partly in the Lesser, but more especially and more fully in the Greater Mysteries, of which they were the first part, and where only the allegory of death was enacted.


The Lesser Mysteries, which were introductory to the Greater, have been supposed by the theorists who maintain the connection between the Mysteries and Freemasonry to be analogous to the Fellow Craft's degree of the latter Institution.


There may be some ground for this comparison in a rather inexact way, for although the Lesser Mysteries were to some extent public, yet as they were, as Clemens of Alexandria (1) says, a certain groundwork of instruction and preparation for the things that were to follow, they might perhaps be considered as analogous to the Fellow Craft's degree.


(1) "Stromat.," v., p. 424.




The third and last of the progressive steps or grades in the Mysteries was Perfection.


It was the ultimate object of the system.


It was also called the autopsy, from a Greek word which signifies seeing with one's own eyes.


It was the complete and finished communication to the neophyte of the great secret of the Mysteries; the secret for the preservation of which the system of initiation had been invented, and which, during the whole course of that initiation, had been symbolically shadowed forth.


The communication of this secret, which was in fact the explanation of the secret doctrine, for the inculcation of which the Mysteries in every country had been instituted, was made in the most sacred and private place of the temple or place of initiation.


As the autopsy or Perfection of the Mysteries concluded the whole system, the maintainers of the doctrine that Freemasonry finds its origin in the Mysteries have compared this last step in the ancient initiation to the Master's degree.


But the analogy between the two as a consummation of the secret doctrine is less patent in the third degree, as it now exists, than it was before the disseverance from it of the Royal Arch, accepting, however, the Master's degree as it was constituted in the earlier part of the 18th century, the analogies between that and the last stage of the Mysteries are certainly very interesting, although not sufficient to prove the origin of the modern from the ancient systems.


But of this more hereafter.


This view of the organization of the Pagan Mysteries would not be complete without some reference to the dramatized allegory which constituted so important a part of the ceremony of initiation, and in connection with which their relation to Freemasonry has been most carnestly urged.


It has been already said that the Mysteries were originally invented for the purpose of teaching two great religious truths, which were unknown to, or at least not recognized, in the popular faith.


These were the unity of God and the immortality of the soul in a future life.


The former, although illustrated at every point by expressed symbols, such, for instance, as the all‑seeing eye, the eye of the universe, and the image of the Deity, was not allegorized, but taught as an abstract doctrine at the time of the autopsy or the close of the grade of Perfection.


The other truth, the dogma of a future life, and of a resurrection from death to immortality, was communicated by an allegory which was dramatized in much the same way in each of the Mysteries, although, of course, in each nation the person and the events which made up the allegory were different.


The interpretation was, however, always the same.


As Egypt was the first country of antiquity to receive the germs of civilization, it is there that the first Mysteries are supposed to have been invented. (1) And although the Eleusinian Mysteries, which were introduced into Greece long after the invention of the Osiriac in Egypt, were more popular among the ancients, yet the Egyptian initiation exhibits more purely and more expressively the symbolic idea which was to be developed in the interpretation of its allegory.


I shall therefore select the Osiriac, which was the most important of the Egyptian Mysteries, as the exemplar from which an idea may be obtained of the character of all the other Mysteries of paganism.


All the writers of antiquity, such as Plutarch, Diodorus Siculus, and Herodotus, state that the Egyptian Mysteries of Osiris, Isis, and Horus were the model of all the other systems of initiation which were subsequently established among the different peoples of the Old World.


Indeed, the ancients held that the Demeter of the Greeks was identical with the Isis of the Egyptians, and Dionysus with Osiris.


Their adventures were certainly very similar.


The place of Osiris in Egyptian history is unknown to us.


The fragments of Sanchoniathon speak of Isiris, the brother of Chna or Canaan; in the lists of Manetho, he is made the fifth king under the dynasty of the demigods, being conjoined with Isis; but as the four preceding kings are named as Hephoestus, Helios, Agathodomon and Kronos, the whole is evidently a mere mythological fable, and we have as far to seek as ever.


Herodotus is not more satisfactory, for he says that Osiris and Isis were two great deities of the Egyptians.


Banier, however, in his Mythology thinks that he was the same as Mizraim, the son of Clam, and grandson of Noah.


Bishop Cumberland concurs in this and adds that Cham was the first king of Egypt, that Osiris was a title appropriated by him, signifying Prince, and that Isis was simply Ishah, his wife.


Lastly, Diodorus Siculus says that he was Menes, the first King of Egypt.


Some later writers have sought to identify Osiris and Isis with the


(1) The first and original Mysteries of which we have any account were those of Isis and Osiris in Egypt, from whence they were derived by the Greeks. ‑ Warburton, "Divine Legation," I., p. 194. Diodorus says the same thing in the first book of his "History," I., xxxvii.




Iswara and Isi of India.


There is certainly a great deal of etymological plausibility in this last conjecture.


The ubiquitous character of Osiris as a personality among the ancients is best shown in an epigram of Ausonius, wherein it is said that in Greece, at Eleusis, he was called Bacchus; the Egyptians thought that he was Osiris, the Mysians of Asia Minor named him Phanceus or Apollo; the Indians supposed that he was Dionysus; the sacred rites of the Romans called him Liber; and the Arabians, Adonis. (1)


But the only thing that is of any interest to us in this connection is that Osiris was the hero of the earliest of the Mysteries, and that his death and apotheosis ‑ his change from a mortal king to an immortal God ‑ symbolized the doctrine of a future life.


His historical character was that of a mild and beneficent sovereign, who had introduced the arts of civilization among his subjects, and had then traveled for three years for the purpose of extending them into other nations, leaving the government of his kingdom, during his absence, to his wife Isis.


According to the legend, his brother Typhon had been a rival claimant for the throne, and his defeat had engendered a feeling of ill‑will.


During the absence of Osiris, he, therefore, formed a secret conspiracy with some of his adherents to usurp the throne.


On the return of Osiris from his travels he was invited by Typhon to a banquet, ostensibly given in his honor, at which all the conspirators were present.


During the feast Typhon produced a chest, inlaid with gold, and promised to present it to that person of the company, whose body, upon trial, would be found most exactly to fit it.


Osiris tried the experiment, but as soon as he had laid himself in the chest, Typhon closed and nailed down the lid.


The chest was then thrown into the river Nile, whence it floated into the sea, and, after being for some time tossed upon the waves, it was finally cast ashore at the town of Byblos, in Phoenicia, and left at the foot of a Tamarisk tree.


Isis, the wife of Osiris, over‑


(1) Ogygia me Bacchum vacat; Osisin Egyptus putat; Mysi Phaiiacem nominant; Dionuson Indi existimant Romana sacra Liberum Arabica gens Adoneum.


‑Ausonius, Ep. 30.




whelmed with grief for the loss of lher husband, commenced a search for the body, being accompanied by her son, Anubis, and his nurse, Nepthe.


After many adventures Isis arrived on the shores of Phoenicia and in the nethborhood of Byblos, where she at length discovered the body at the foot of the Tamarisk tree.


She returned with it to Egypt. It was received by the people with great demonstrations of joy, and it was proclaimed that Osiris had risen from the dead and had become a god.


The sufferings of Osiris, his death, his resurrection, and his subsequent office as judge of the dead in a future state, constituted the fundamental principles of the Egyptian religion.


They taught the secret doctrine of a future life, and initiation into the mysteries of Osiris was initiation into the rites of the religion of Egypt.


These rites were conducted by the priests, and into them many sages from other countries especially from Greece, such as Herodotus, Plutarch, and Pythagoras, were initiated.


In this way it is supposed that the principles and general form of the Mysteries were conveyed into other countries, although they everywhere varied in the details.


The most important of the Mysteries besides the Egyptian were those of Mithras in Persia, of Atys or of the Cabiri in Thrace, of Adonis in Syria, and of Dionysus in Greece.


They extended even beyond the then more civilized parts of the world into the northern regions of Europe, where were practiced the Scandinavian rites of the Norsemen and the Druidical Mysteries of Gaul and Britain, though these were probably derived more directly from a primitive Aryan source.


But wherever they existed we find in them a remarkable unity of design and a similarity of ceremonies from which we are compelled to deduce a common origin, while the purity of the doctrines which they taught evidently show that this common origin was not to be sought in the popular theology.


In all of the Mysteries the ceremonies of initiation were of a funereal character.


They allegorized in a dramatic form the sufferings, the death, and the resurrection of some god or hero.


There was a death, most generally by violence, (1) to symbolize, as certain


(1) Thus Clemens of Alexandria describes the legend or allegory of the Cabiri Mysteries as the sacred mystery of a brother slain by his brethren, "frater trucidatus a fratribus."


interpreters of the Mysteries have supposed, the strife of certain antagonistic powers in nature, such as life and death, virtue and vice, light and darkness, or summer and winter.


The person thus slain was represented in the allegorical drama by the candidate.


After the death followed the disappearance of the body, called by the Greeks the aphanism, and the consequent search for it.


This search for the body, in which all the initiates joined, constituted what Faber calls "the doleful part," and was


succeeded by its discovery, which was known as the heuresis. (1) This was accompanied by the greatest demonstrations of joy.


The candidate was afterward instructed in the apporheta, or secret dogmas of the Mysteries.


In all of the Pagan Mysteries this dramatic form of an allegory was preserved, and we may readily see in the groans and lamentations on the death of the god or hero and the disappearance of the body a symbol of the death of man, and in the subsequent rejoicings at his discovery and restoration, a symbol of the restoration of the spirit to eternal life.


In view of the purity of the lessons taught in the Mysteries and their inculcation of the elevated dogmas of the unity of God and the immortality of the soul, it is not surprising to read the encomiums passed upon them by the philosophers of antiquity.


The reader, if he has carefully considercd the allegorical drama which was represented in the ancient Mysteries, and compared it with the drama which constitutes the principal portion of the initiation in Freemasonry, will be at no loss to account for the reasons which have led so many writers to attribute the origin of the Masonic system to these mystical associations of antiquity.


It has been a favorite theory with several German, French, and British scholars to trace the origin of Freemasonry to the Mysteries of Paganism, while others, repudiating the idea that the modern association should have sprung from them, still find analogies so remarkable between the two systems as to lead them to suppose that the Mysteries were an offshoot from the pure Freemasonry of the Patriarchs.


In my opinion there is not the slightest foundation in historical




(1) "Concerning Adonis, whom some call Osiris, there are two things remarkable: aphanismos, the death or loss of Adonis; and heuresis, the finding of him again." ‑ Godevyn in "Moses and Aaron," lib. iV., C. 2.


evidence to support either theory, although I admit the existence of many analogies between the two systems, which can, however, be easily explained without admitting any connection in the way of origin and descent between them.


Of the theory that the Mysteries were an offshoot or imitation of the pure patriarchal Freemasonry, Hutchinson and Oliver are the most distinguished supporters.




While Hutchinson strongly contends for the direct derivation of Freemasonry from Adam, through the line of the patriarchs to Moses and Solomon, he does not deny that it borrowed much from the initiations and symbols of the Pagans.


Thus he unhesitatingly says, that "there is no doubt that our ceremonies and Mysteries were derived from the rites, ceremonies, and institutions of the ancients, and some of them from the remotest ages."




But lest the purity of the genuine patriarchal Masonry should be polluted by borrowing its ceremonies from such an impure source, he subsequently describes, in that indefinite manner which was the peculiarity of his style, the separation of a purer class from the debasement of the popular religion, wherein he evidently alludes to the Mysteries.


Thus he says :


"In the corruption and ignorance of after ages, those hallowed places (2) were polluted with idolatry; the unenlightened mind mistook the type for the original, and could not discern the light from darkness; the sacred groves and hills became the objects of enthusiastic bigotry and superstition; the devotees bowed down to the oaken log and the graven image as being divine.


Some preserved themselves from the corruptions of the times, and we find those sages and select men to whom were committed, and who retained, the light of understanding and truth, unpolluted with the sins of the world, under the denomination of Magi among the Persians; wise men, soothsayers, and astrologers among the Chaldeans; philosophers among the Greeks and Romans; Brahmins among the Indians; Druids and bards among the Britons; and with the people of God, Solomon shone forth in the fullness of human wisdom." (3)


Dr. Oliver expresses almost the same views, but more explicitly.




(1) "Spirit of Masonry," lect. ii., p. 15.


(2) "The highest hills and lowest valleys." (3) "Spirit of Masonry," lect. iv., p. 59.




He was, I think, the first to advance the theory that two systems of Masonry had come down the course of time, both derived from a common source, which he called the Pure and the Spurious Freemasonry of antiquity ‑ the former descending without interruption from the Patriarchs, and especially from Noah, and which system was the progenitor of that which is now practiced, and the latter, being a schism, as it were, from the former, and impure and corrupted in its principles, and preserved in the Pagan Mysteries.


He admits, however, that there were certain analogies between the two in their symbols and allegories.


His own language on this subject, which is as follows, leaves no doubt of the nature of his views.


In a note to his History of Initiation, an elaborate and learned work on certain of these Mysteries, he says:


"I have denominated the surreptitious initiations earth‑born, in contradistinction to the purity of Freemasonry, which was certainly derived from above; and to those who contend that Masonry is nothing more than a miserable relic of the idolatrous Mysteries (vide. Fab. Pag.


Idol., vol. iii., p. 190), I would reply, in the words of an inspired apostle, 'Doth a fountain send forth at the same place sweet water and bitter? Can the fig tree bear olive berries or a vine figs? So can no fountain both yield salt water and fresh.


The wisdom that is from above is first pure, then peaceable, full of mercy and good fruits' (James iii. 11, 12, 17). I wish to be distinct and intelligible on this point, as some misapprehensions are afloat respecting the immediate object of my former volume of Signs and Symbols; and I have been told that the arguments there used afford an indirect sanction to the opinion that Masonry is derived from the Mysteries.


In answer to this charge, if it requires one, I only need reply to the general tenor of that volume, and to declare explicitly my firm opinion, founded on intense study and abstruse research, that the science which we now denominate Speculative Masonry, was coeval, at least, with the creation of our globe, and the far‑famed Mysteries of idolatry were a subsequent institution founded on similar principles, with the design of conveying unity and permanence to the false worship, which it otherwise could never have acquired." (1)


I do not know of any other prominent Masonic writer who en‑


(1) "History of Initiation," lect. i., p. 13, notes.




tertains the theory of the common origin but diverse descent of the Mysteries and Freemasonry, although there are many who, subscribing with implicit faith to the teachings of Dr. Oliver as a Masonic historian, necessarily give their assent to his opinion on this subject.


There is another class of Masonic scholars who have advanced the theory that the Speculative Freemasonry of the present day is derived directly from and is a legitimate successor of the Mysteries of antiquity.


They found this theory on the very many and striking analogies that are to be found in the organization, the design, and the symbols of the two systems, and which they claim can only be explained on the theory that the one is an offshoot from the other.


The Abbe Robin was, perhaps, the first writer who advanced this idea in a distinct form.


In a work on the Ancient and Modern Initiations, (1) published in 1780, he traces the origin of the ancient systems of initiation to that early period when wicked men, urged by the terror of guilt, sought among the virtuous for intercessors with the Deity.


The latter, he says, retired into solitary places to avoid the contagion of the growing corruption, and devoted themselves to a life of contemplation and to the cultivation of the arts and sciences.


In order to associate with them in their labors and functions only such as had sufficient merit and capacity, they appointed strict courses of trial and examination.


This, he thinks, must have been the source of the initiations which distinguished the celebrated Mysteries of antiquity.


The Magi of Chaldea, the Brahmins and Gymnosophists of India, the Priests of Egypt, and the Druids of Gaul and Britain thus lived in sequestered places and obtained great reputation by their discoveries in astronomy, chemistry, and mechanics, by the purity of their morals, and by their knowledge of the science of legislation.


It was in these schools, says the abbe, that the first sages and legislators of antiquity were formed, where the doctrines taught were the unity of God and the immortality of the soul, and it was from these Mysteries that the exuberant fancy of the Greeks drew much of their mythology.


From these ancient initiations he deduces the orders of Chivalry which sprang into existence in the Middle Ages,


(1) "Recherches sur les Initiations Anciennes et Modernes."


and certain branches of these, he thinks, produced the institution of Freemasonry.


The theory of the Abbe Robin therefore traces the institution of Masonry to the ancient Mysteries, but in an indirect way, through the orders of Chivalry.


He might therefore more correctly be classed among those who maintain the doctrine of the Templar origin of Freemasonry.


But it is Alexander Lenoir, the French archaeologist, who has attempted in the most explicit and comprehensive manner to establish the doctrine of the direct descent of Freemasonry from the ancient Mysteries, and especially from the Egyptian.


In the year 1814 he published an elaborate work on this subject. (1) In this he begins by affirming that we cannot expect to find in the Egyptian and Greek initiations those modes of recognition which are used by the Freemasons of the present day, because these methods, which are only conventional and had been orally communicated under the obligation of secrecy, can not be known to us, for they could not have been transmitted through the lapse of ages.


Omitting, therefore, all reference to these as matters of no real importance, he confines himself to a comparison of the Masonic with the ancient rites of initiation.


In this view he comes to the conclusion that Freemasonry in all the points that it essentially comprehends is in direct relation with the Mysteries of the ancient world, and that hence, abstracting certain particular usages practiced by the modern Freemasons, it is evident that Freemasonry in no respect differs from the ancient initiations of the Egyptians and the Greeks.


This theory has been embraced by nearly all the French Masonic writers except Rebold, who traces Masonry to the Roman Colleges of Artificers.


Unfortunately for the general acceptance of this theory, M. Lenoir has in the first place drawn his comparisons from the system of ceremonies of initiation which are practiced in the lodges of France, and especially from the "proofs and trials" of the Entered Apprentice's degree.


But the tedious ceremonies and painful trials of the candidate as they are practiced in the French Rite constitute no part of the original English Masonry whence the French Masonry derives its existence, and were adopted as a pure innovation


(1) "La Franche‑Maconnerie rendue a sa veritable origins," etc.


Par M.


Alexander Lenoir. Paris, 1814.




long after the establishment of the Order in France by the Grand Lodge of England.


And agan, the Egyptian initiations, with which they have been compared by Lenoir, were not those which were actually practiced by the priests of Egypt, or at least we have no authentic proof of that fact, but were most probably suggested by the imaginative details given by the Abbe Terrasson in his romance entitled Sethas, in which he pretends to portray the initiation of an Egyptian prince.


The truth is that Lenoir and those writers who have followed him and adopted his theopt have not instituted a comparison between the original ceremonies of Masonic initiation and those of the ancient Mysteries, but merely a comparison between a recent system of ceremonies, certainly not earlier than the middle of the last century, and a fictitious system indebted for its birth to the inventive genius of a French abbe, and first promulgated in a work published by him in the year 1731.


As well might Mr. Turner or any other writer on Anglo‑Saxon history have cited, as authentic materials for his description of the customs of the Anglo‑Saxon, the romantic incidents given by Sir Walter Scott in his novel of Ivanhoe.


Hence all the references of the voyages of an Entered Apprentice in a French Lodge to the similar voyages of an Aspirant in the Mysteries of Osiris or Isis become nothing more than "the baseless fabric of a vision," which must fade and dissolve like an "insubstantial pageant" when submitted to the crucial test of authentic historical investigation. (1)


The Rev. Mr. King, the author of a very interesting treatise on the Gnostics, (2) has advanced a theory much more plausible than either of those to which I have adverted.


He maintains that some of the Pagan Mysteries, especially those of Mithras, which had been instituted in Persia, extended beyond the period of the advent of Christianity, and that their doctrines and usages were adopted by the secret societies which existed at an early period in Europe and


(1) "Many of the explanations given as to the ceremonies used in Egyptian initiations are modern inventions, abounding in absurdities and purely imaginary." ‑ Tho. Pryer, "On the study of Masonic Antiquities," in Freemasons' Quarterly Review, 1847, p. 262. Wilkinson was of the same opinion.


See "Manners and Customs of the Ancient Egyptians," vol. i.


(2) "The Gnostics and their Remains, Ancient and Mediaeval." By C.W.


King, M.A., London, 1865, p. 47 et seq.




which finally assumed the form of Freemasonry.


I have said that this theory is a plausible one.


It is so because its salient points are sustained by historical evidence.


It is, for instance, a fact that some of the Mysteries of Paganism were practiced in Europe long after the commencement of the Christian era.


They afforded a constant topic of denunciation to the fathers of the church, who feared and attacked what they supposed to be their idolatrous tendencies.


It was not until the middle of the 5th century that they were proscribed by an edict of the Emperor Theodosius.


But an edict of proscription is not necessarily nor always followed by an immediate abolition of the thing proscribed.


The public celebration of the Mysteries must, of course, have ceased at once when such celebration had been declared unlawful.


But a private and secret observance of them may have continued, and probably did continue, for an indefinite time, perhaps even to as late a period as the end of the 5th or the beginning of the 6th century.


Mosheim tells us that in the 4th century, notwithstanding the zeal and severity of the Christian emperors, there still remained in several places, and especially in the remoter provinces, temples and religious rites consecrated to the Pagan deities; that rites instituted in honor of them were, in the 5th century, celebrated with the utmost freedom and impunity in the western empire; and that even in the 6th century remains of the Pagan worship were to be found among the learned and the officers of state. (1)


During all this time it is known that secret associations, such as the Roman Colleges of Artificers, existed in Europe, and that from them ultimately sprang up the organizations of Builders, which, with Como in Lombardy as their center, spread over Europe in the Middle Ages, and whose members, under the recognized name of Traveling Freemasons, were the founders of Gothic architecture.


There is no forced or unnatural succession from them to the Guilds of Operative Masons, who undoubtedly gave rise, about the end of the 17th or the beginning of the 18th century, to the Speculative Order or the Free and Accepted Masons, which is the organization that exists at the present day.




(1) Mosheim, "Ecclesiast. History," Maelaine's Translation, vol. i., pp. 251, 332, 401.




There is, therefore, nothing absolutely untenable in the theory that the Mithraic Mysteries which prevailed in Europe until the 5th or perhaps the 6th century may have impressed some influence on the ritual, form, and character of the association of early Builders, and that this influence may have extended to the Traveling Freemasons, the Operative Guilds, and finally to the Free and Accepted Masons, since it can not be proved that there was not an uninterrupted chain of succession between these various organizations.


The theory of Mr. King can not, therefore, be summarily rejected.


It may not be altogether true, but it has so many elements of truth about it that it claims our serious consideration.


But, after all, we may find a sufficient explanation of the analogy which undoubtedly exists between the rites of the ancient Mysteries and those of the modern Freemasons in the natural tendency of the human mind to develop its ideas in the same way when these ideas are suggested by the same or similar circumstances.


The fact that both institutions have taught the same lessons by the same method of instruction may be attributed not to a direct and uninterrupted succession of organizations, each one a link of a long chain leading consequentially to another but rather to a natural and usual coincidence of human thought.


The believers in the lineal and direct descent of Freemasonry from the ancient Mysteries have of course discovered, or thought that they had discovered, the most striking and wonderful analogies between the internal organizations of the two institutions.


Hence the most credulous of these theorists have not hesitated to compare the Hierophant, or the Explainer of the sacred rites in the Mysteries, with the Worshipful Master in a Masonic Lodge, nor to style the Dadouchos, or Torch‑Bearer, and the Hieroceryx, or Herald of the Mysteries, Wardens, nor to assign to the Epibomos, or Altar‑Server, the title and duties of a Deacon.


That there are analogies, and that many of them are very curious can not be denied, but I shall attempt, before leaving; this subject, to explain the reason of their existence in a more rational way than by tracing the modern as a succession from the ancient system.




First Deputized Grand Master in North American Colonies 1730


The analogies existing between the ancient Mysteries and Freemasonry, upon which the theory of the descent of the one from the other has been based, consist in the facts that both were secret societies, that both taught the same doctrine of a future life, and that both made use of symbols and allegories and a dramatic form of instruction. But these analogies do not necessarily support the doctrine of descent, but may be otherwise satisfactorily explained.


Whether the belief in a personal immortality was communicated to the first man by a divine revelation, and subsequently lost as the intellectual state of future generations declined into a degraded state of religious conceptions; or whether the prehistoric man, created but little superior to the wild beast with whom he daily contended for dominion with insufficient weapons, was at first without any conception of his future, until it had by chance dawned upon some more elevated intellect and by him been communicated to his fellows as a consoling doctrine, afterward to be lost, and then in the course of time to be again recovered, but not to be universally accepted by grosser minds, are questions into which we need not enter here.


It is sufficient to know that there has been no period in the world's history, however dark, in which some rays of this doctrine have not been thrown upon the general gloom. The belief in a future life and an immortal destiny has always been so inseparably connected with elevated notions of God that the deep and reverent thinkers in all ages have necessarily subscribed to its truth. It has inspired the verses of poets and tempered and directed the discussions of philosophers.


As both the Mysteries of the ancients and the Freemasonry of the moderns were religious institutions, the conceptions of the true nature of God which they taught to their disciples must of course have involved the ideas of a future life, for the one doctrine is a necessary consequence of the other. To seek, therefore, in this analogy the proof of a descent of the modern from the ancient institution is to advance an utterly fallacious argument.


As to the secret character of the two institutions, the argument is equally untenable. Under the benighted rule of Pagan idolatry the doctrine of a future life was not the popular belief. Yet there were also some who aspired to a higher thought ‑ philosophers like Socrates and Plato, who nourished with earnest longing the hope of immortality. Now, it was by such men that the Mysteries were originally organized, and it was for instruction in such a doctrine that they were instituted. But opposed as this doctrine was to the general current of popular thought, it became, necessarily and defensively, esoteric and exclusive. And hence we derive the reason for the secret character of the Mysteries. "They were kept secret," says Warburton, "from a necessity of teaching the initiated some things improper to be communicated to all." (1) The learned bishop assigns another reason, which he sustains with the authority of ancient writers, for this secrecy. "Nothing," he says, "excites our curiosity like that which retires from our observation, and seems to forbid our search." (2)


Synesius, who lived in the 4th century, before the Mysteries were wholly abolished, says that they owed the veneration in which they were held to a popular ignorance of their nature. (3)


And Clemens of Alexandria, referring to the secrecy of the Mysteries, accounts for it, among other reasons, because the truth seen through a veil appears greater and more venerable. (4)


Freemasonry also teaches the doctrine of a future life. But although there was no necessity, as in the Pagan Mysteries, to conceal this doctrine from the populace; yet there is, for the reasons that have just been assigned, a proneness in the human heart, which has always existed, to clothe the most sacred subjects with the veil of mystery. It was this spirit that caused Jesus to speak to the Jewish multitudes in parables whose meaning his disciples, like initiates, were to comprehend, but which would be unintelligible to the people, so that "seeing they might not see, and hearing they might not understand."


The Mysteries and Freemasonry were both secret societies, not necessarily because the one was the legitimate successor of the other, but because both were human institutions and because both partook of the same human tendency to conceal what was sacred from the unhallowed eyes and cars of the profane.


In this way may be explained the andogy between the two institutions which arises from their secret character and their esoteric method of instruction.


The symbolic form of imparting the doctrines is another analogy, which may be readily explained.


For when once the esoteric or secret system was determined on, or involuntarily adopted by the force of those tendencies to which I have referred, it was but natural that the secret instruction should be communicated by a method of symbolism, because in all ages symbols have been the cipher by which


(1) "Div. Legat.," I., p. 201.


(2) Ibid., I., P. 200.


(3) "De Providentia."


(4) "Stromat.," v., 419.




secret associations of every character have restricted the knowledge which they imparted to their initiates only.


Again, in the Mysteries, the essential doctrine of a resurrection from death to eternal life was always taught in a dramatic form. There was a drama in which the aspirant or candidate for initiation represented, or there was visibly pictured to him, the death by violence and then the resuscitation or apotheosis ‑ the resurrection to life and immortality of some god or hero, in whose honor the peculiar mystery was founded. Hence in all the Mysteries there were the thanatos, the death or slaying of the victim; the aphanism, the concealment or burial of the body by the slayers; and the heuresis, the finding of the body by the initiates. This drama, from the character of the plot, began with mourning and ended with joy.


The traditional "heureka," sometimes attributed to Pythagoras when he discovered the forty‑seventh problem, and sometimes to Archimedes when he accidentally learned the principle of specific gravity, was nightly repeated to the initiates when, at the termination of the drama of the Mysteries, they had found the hidden body of the Master.


Now, the recognized fact that this mode of inculcating a religious or a philosophical idea by a dramatic representation was constantly practiced in the ancient world, for the purpose of more permanently impressing the conception, would naturally lead to its adoption by all associations wbere the same lesson was to be taught as that which was the subject of the Mysteries. The tendency to dramatize an allegory is universal, because the method of dramatization is the most expedient and has been proved to be the most successful. The drama of the third or Master's degree of Freemasonry is, as respects the subject and the development of the plot and the conduct of the scenes, the same as the drama of the apcient Mysteries. There is the same thanalos, or death; the same aphanism, or concealment of the body, and the same heuresis, or discovery of it. The drama of the Master's degree begins in sorrow and ends in joy. Everything is so similar that we at once recognize an analogy between Freemasonry and the ancient Mysteries; but it has already been explained that this analogy is the result of natural causes, and by no means infers a descent of the modern from the ancient institution.


Another analogy between the Mysteries and Freemasonry is the division of both into steps, classes, or degrees ‑ call them what you may ‑ which is to be found in both.

The arrangement of the Masonic system into three degrees certainly bears a resemblance to the distribution of the Mysteries into the three steps of Preparation, Initiation, and Perfection which have been heretofore described.


But this analogy, remarkable as it may at first view appear, is really an accidental one, which in no way shows an historical connection between the two institutions.


In every system of instruction, whether open or secret, there must be a gradual and not an immediate attainment of that which is intended to be imparted.


The ancient adage that "no one suddenly becomes wicked" might with equal truth be read that "no one suddenly becomes learned." There must be a series of gradual approaches to the ultimate point in every pursuit of knowledge, like the advancing parallels of a besieging army in its efforts to attain possession of a beleaguered city.


Hence the ladder, with its various steps, has from the earliest times been accepted as a symbol of moral or intellectual progress from an inferior to a superior sphere.


In this progress from the simplest to the most profound arena of initiation ‑ from the inception to the full accomplishment of the instruction whereby the mind was to be gradually purged of many errors, by preparatory steps, before it could bear the full blaze of truth ‑ both the Mysteries and Freemasonry have obeyed a common law of intellectual growth, independently of any connection of the one with the other institution.


The fact that there existed in both institutions secret modes of recognition presents another analogy. It is known that in the Mysteries, as in Freemasonry, there was a solemn obligation of secrecy, with penalties for its violation, which referred to certain methods of recognition known only to the initiates.


But this may safely be attributed to the fact that such peculiarities are and always will be the necessary adjuncts of any secret organization, whether religious, social, or political.


In every secret society isolated from the rest of mankind, we must find, as a natural outgrowth of its secrecy and as a necessary means of defense and isolation, an obligation of secrecy and methods of recognition.


On such analogies it is, therefore, scarcely worth while to dilate.


Thus, then, I have traced the analogies between the ancient Mysteries and modern Freemasonry in the following points of resemblance.


1. The Preparation, which in the Mysteries was called the Lustration.


It was the first step in the Mysteries, and is the Entered Apprentice's degree in Freemasonry.


In both systems the candidate was purified for the reception of truth by washing.


In one it was a physical abultion; in the other a moral cleansing; but in both the symbolic idea was the same.


2. The Iniliation, which in the ancient system was partly in the Lesser Mysteries, but more especially in the Greater.


In Masonry it is partly in the Fellow Craft's, but more especially in the Master's degree.


3. The Perfection, which in the Mysteries was the communication to the aspirant of the true dogma ‑ the great secret symbolized by the fnitialion.


In Freemasonry it is the same.


The dogma communicated in both is, in fact, identical.


This Perfection came in the Mysteries at the end of the Greater Mysteries.


In Masonry it is communicated at the close of the Master's degree.


In the Mysteries the communication was made in the saceeum or holiest place.


In Masonry it is made in the Master's Lodge, which is said to represent the holy of holies of the Temple.


4. The secret character of both institutions.


5. The use of symbols.


6. The dramatic form of the initiation.


7. The division of both systems into degrees or steps.


8. And the adoption by both of secret methods of recognition.


These analogies, it must be admitted, are very striking, and, if considered merely as coincidences, must be acknowledged to be very singular.


It is not, therefore, surprising that scholars have found it difficult to resolve the following problem:


Is modern Freemasonry a lineal and uninterrupted successor of the ancient Mysteries, the succession being transmitted through the Mithraic initiations which existed in the 5th and 6th centuries; or is the fact of the analogies between the two systems to be attributed to the coincidence of a natural process of human thought, common to all minds and showing its development in symbolic forms?


For myself, I can only arrive at what I think is a logical conclusion; that if both the Mysteries and Freemasonry have taught the same lessons by the same method of instruction, this has arisen not from a succession of organizations, each one a link of a long chain of historical sequences leading directly to another, until Hiram is simply substituted for Osiris, but rather from those usual and natural coincidences of human thought which are to be found in every age and among all peoples.


It is, however, hardly to be denied that the founders of the Speculative system of Masonry, in forming their ritual, especially of the third degree, derived many suggestions as to the form and character of their funereal legend from the rites of the ancient initiations.


But how long after Freemasonry had an organized existence this funereal legend was devised, is a question that must hereafter be entitled to mature consideration.


P. 198







MR. PRESTON, in commencing his history of Masonry in England, asserts that there are convincing proofs that the science of Masonry was not unknown to the early Britons even before the time of the invasion of the Romans.


Hence he suggests the probability that the Druids retained among them many usages similar to those of Masons; but he candidly admits that this is a mere conjecture. (1)


Hutchinson thinks it probable that many of the rites and institutions of the Druids were retained in forming the ceremonies of the Masonic society. (2)


Paine, who knew, by the way, as little of Masonry as he did of the religion of the Druids, dogmatically asserts that "Masonry is the remains of the religion of the ancient Druids, who, like the Magi of Persia and the priests of Heliopolis in Egypt, were priests of the sun." (3)


The learned Faber, a much more competent authority than Paine, expresses the opinion that the Druidical Bards "are probably the real founders of English Freemasonry." (4)


Godfrey Higgins, whose inventive genius, fertile imagination, and excessive credulity render his great work, the Anacalypsis, altogether unreliable, says that he has "no doubt that the Masons were Druids, Culidei, or Chaldea, and Casideans." (5)


Dr. Oliver, it is true, denies that the Masons of the present day were derived from the Druids.


He thinks that the latter were a branch of what he calls the Spurious Freemasonry, which was a secession from the Pure Freemasonry of the Patriarchs.


But he finds many analogies in the rites and symbols of the two institu‑


(1) "Illustrations of Masonry," B. IV., sec. i., p. 121, Oliver's ed.


(2) Spirit of Masonry," lect. iii., p. 41.


(3) "Essay on Freemasonry," p. 6.


(4) "Pagan Idolatry." (5) "Anacalypsis," vol. i., p. 718.




tions which indicate their common origin from a primitive system, namely, the ancient Mysteries of the Pagans.


The theory of those who find a connection either in analogy or by succession between the Druids and the Freemasons accounts for this connection by supposing that the Druids derived their system either from Pythagoras or from the ancient Mysteries through the Phoenicians, who visited Britain at an early period for commercial purposes.


But before we can profitably discuss the relations of Druidism to Freemasonry, or be prepared to determine whether there were any relations whatever between the two, it will be necessary to give a brief sketch of the history and character of the former.


This is a topic which, irrespective of any Masonic reference, is not devoid of interest.


Of all the institutions of antiquity, there is none with which we are less acquainted than that of the Druidism of Britain and Gaul. The investigations of recent archaeologists have tended to cast much doubt on the speculations of the antiquaries of the 17th and 18th centuries.


Stokely, for instance, one of the most learned of those who have sought to establish out of the stone monuments of England a connected history of Druidism, has been said by Ferguson, in his work on Rude Stone Monuments, to have been indebted more to a prolific imagination than to authentic facts for the theory which he has sought to establish.


The scepticism of Ferguson is, however, not less objectionable in a critical inquiry than the credulity of Stokely.


There is evidently a middle way between them.


Ferguson can not deny the existence of Druids in Gaul and Britain, since the fact is stated by Caesar.


He supposes that there were two distinct races in the island; the original inhabitants, who were of Turanian origin, and, being more uncivilized, were driven by the other race, who were Celts, into the fastnesses of the Welsh hills long before the Roman invasion.


Among the former he thinks that the religion of Druidism, consisting of tree and serpent worship, may have been practiced.


And he accounts for the error of the classical writers in describing the priests of the latter race as Druids by attributing it to the confounding of the two races by the "uncritical Romans." (1)


(1) "Tree and Serpent Worship," P. 29.




Very recently a bold and very sceptical theory has been advanced by Dr.


Ignaz Goldziher, in his work on Mythology Among the Hebrews, (1) which aims at a total annihilation of Druidism as a system of secret initiation among the ancient Britons (whose Druidism was only a national religion), and attributes its invention to the modern Welsh, who created it for the purpose of elevating and strengthening their own nationality in their rivalry with the English.


He says:


"The Cymri of Wales, becoming alive to the opposition in nationality between themselves and the English, felt the need of finding a justification of this opposition in the oldest prehistoric times.


It was then first suggested to them that they were descendants of the ancient, renowned Celtic nation; and to keep alive this Celtic national pride they introduced an institution of New Druids, a sort of secret society like the Freemasons.


The New Druids, like the old ones, taught a sort of national religion, which, however, the people having long become Christian and preserved no independent national traditions, they had mostly to invent themselves. Thus arose the so‑called Celtic mythology of the god Hu and the goddess Ceridolu (Ceridwen), etc. ‑ mere poetical fictions which never lived in popular belief."


The questions involved in this difference of opinion are as yet not critically decided, and I shall therefore content myself with giving the views of the history and religion of the Druids as they have been generally received and believed, without confusing the subject with the contending speculations which have been fostered by the credulity or the imagination of one side and impugned by the scepticism of the other.


The Druids, which word signifies magicians, (2) were the priests of the religion of the ancient Britons, among whom they exercised almost unlimited influence and authority.


They presided over and directed the education of the youths; they decided without appeal all judicial controversies; they were exempted from all taxes and legal impositions; and whoever refused to submit to their decisions on any question was subjected to excommunication, by which he was forbidden access to the altars or the performance of religious


(1) Ably translated from the German by Mr. Russell Martineau, of the British Museum, with valuable additions.


For the passage quoted, see p 252.


(2) In Anglo‑Saxon dry is a magician; and drycroft, magic.




rites, and was debarred from all intercourse with his relatives, his friends, or his countrymen.


Hence no superstition was ever more terrible than that of the priest‑ridden Britons.


The Druids were under the chief authority of an Archdruid, which office was for life, but originally elective.


They were divided into three orders, the highest being the Druids, below which were the Pro heis and the Pates or Bards.


They held an annual assembly, at which litigated questions were decided and new laws were made or old ones abrogated.


They held also four quarterly meetings, on the days of the equinoxes and the solstices.


They permitted none of their doctrines or ceremonies to be committed to common writing, but used a cipher for their concealment.


This, Caesar says, consisted of the letters of the Greek alphabet; a statement by no means probable, since it would infer a knowledge by them of the Greek language, of which we have no evidence.


The opinion of Toland is more plausible ‑ that the characters used were those of the Irish Ogum alphabet.


Sir James Ware, who wrote in Latin, about the middle of the 17th century, a work on the Antiquities of Ireland, says that "the ancient Irish, besides the vulgar characters, used also various occult or artificial forms of writing, called Ogum, in which they wrote their secrets;" and he adds that he himself was in possession of an ancient book or parchment filled with these characters. (1)


Their places of worship were, according to the contemporaneous authority of Caesar and Tacitus, in sacred groves.


Stokely and other antiquaries of his school suppose that the megalithic monuments found in Britain, such as at Stonehenge and Avebury, were Druidical temples, but Ferguson denies this, and asserts that "there is no passage in any classical author which connects the Druids either directly or indirectly with any stone temples or stones of any sort." (2) The question remains unadjudicated, but the position taken by Ferguson seems to be supported by better archaeological evidence.


Their worship, like that of the ancient Mysteries, was accompanied by a secret initiation.


Their doctrines were communicated only to the initiated, who were strictly forbidden to expose them to the profane.


What were the precise forms of this initiation it is impossible to


(1) "Antiq. Hibern.," cap. 2.


(2) "Rude Stone Monuments," p. 206




The Druids themselves, wedded to their oral system of instruction, have left no records.


But Dr. Oliver, depending on inferences that he has drawn from the Welsh triads, from the poem of the ancient bard Taleisin, and some other Cambrian authorities, aided by the inventive genius of his own imagination, has afforded us a very minute, if not altogether accurate, detail of these initiatory ceremonies. The account is entirely too long for reproduction, but a condensed view of it will not be uninteresting. (1)


Previous to admission to the first degree, or that of the Vates, the candidate was submitted to a careful preparation, which in especial cases extended to the long period of twenty years.


The ceremony of initiation began by placing the candidate in the pastos, chest or coffin, in which he remained enclosed for three days, to represent death, and was liberated or restored to life on the third day. (2)


The sanctuary being now prepared for the business of initiation, the Druids are duly arranged, being appropriately clothed and crowned with ivy.


The candidate, representing a blind man, is then introduced while a hymn to the Sun is being chanted.


He is placed under the care of an officer whose duty it is to receive him in the land of rest, and he is directed to kindle the fire under the cauldron of Ceridwen, the Druidical goddess.


A pageant is then formed, and the candidate makes a circumambulation of nine times around the sanctuary, in circles from east to west by the south.


The procession is first slow and amid a death‑like silence; at length the pace is increased into a rapid and furious motion, accompanied with the tumultuous clang of musical instruments and the screams of harsh and dissonant voices reciting in verse the praises of those heroes who were brave in war, courteous in peace, and patrons of religion. (3)


This sacred ceremony was followed by the administration of an oath of secrecy, violation of which could be expiated only by death.


Then succeeded a series of ceremonies in which, by means of masks, the candidate was made to assume the character of various animals, such as the dog, the deer, the mare, the cock, etc. (4)


This, according to Oliver, concluded the first part of the cere‑


(1) "History of Initiation," lect. viii., p. 199 et seq.


(2) Ibid., p. 201.


That this ceremony represented a death and resurrection is altogether conjectural.


(3) Ibid., p. 204.


(4) Ibid., P. 205.




mony of initiation.


The second part began with striking the candidate a violent blow on the head with an oar, and a pitchy darkness immediately ensued, which was soon changed into a blaze of light which illuminated the whole area of the shrine.


This sudden transition from darkness to light was intended to shadow forth the same transition which Noah experienced on emerging from the gloom of the ark to the brightness of the renovated world. (1)


Thus it is contended that the Druids were Arkite worshippers ‑ a concession by Oliver to the theories of Faber and Bryant.


The light was then withdrawn and the candidate was again involved in chaotic darkness. The most dismal howlings, shrieks, and lamentations salute his astonished ear.


Thus the figurative death of Noah, typified by his confinement in the ark, was commemorated with every external mark of sorrow.


Alarmed at the discordant noises, the candidate naturally sought to escape, but this was rendered impossible, for wherever he turned he was opposed by dogs who pursued him.


At length the gigantic goddess Ceridwen seized him and bore him by main force to the mythological sea which represented the flood of waters over which Noah floated.




Here he is supposed to have remained for a year in the character of Arawn, or Noah. (2) The same appalling sounds continued, until at length, having emerged from the stream, the darkness was removed and the candidate found himself surrounded by the most brilliant coruscations of light.


This change produced in the attendants corresponding emotions, which were expressed by shouts and loud paeans that testified their rejoicings at the resuscitation of their god. (3)


The aspirant was then presented to the Archdruid, who explained to him the design of the mysteries and imparted some portion of the secret knowledge of Druidism, and recommended to him the practice of fortitude, which was considered as one of the leading traits of perfection.


With the performance of these painful ceremonies, the first degree of initiation into the Druidical Mysteries was concluded.


In the second degree, where the trials appear, from Oliver's


(1) "History of Initiation," p. 208.


(2) This detention of a year in the waters of the deluge was, I presume, like the fourteen days of interment in the Master Mason's degree, which period passes in the space of a few minutes ‑ only a symbolic idea.


(3) "History of Initiation," p. 211


description, to have been of a less severe character, the candidate underwent lustration, or a typical ablution, which was followed by his enlightenment.


He was now instructed in the morality of the order;